King Arthur (Director's Cut) [Blu-ray]
Average customer rating: 4.5 out of 5 stars
  • Underrated
  • Excellent movie - great on Blu-ray
  • Give it a chance you just might like it
  • King Arthur
  • King Arthur comes to Life!!
King Arthur (Director's Cut) [Blu-ray]
Starring: Clive Owen , Stellan Skarsgård , Ken Stott , Til Schweiger , and Ray Stevenson
Director: Antoine Fuqua
Manufacturer: Buena Vista Home Entertainment
ProductGroup: DVD
Binding: Blu-ray

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ASIN: B000MQ58WC
Release Date: 2007-04-03

Description

From the producer of PEARL HARBOR and the director of TRAINING DAY, the Extended Director's Cut of KING ARTHUR explodes onto Blu-ray Disc® in a blaze of hard-hitting action and glory not seen in theaters. Prepare for unsurpassed thrills as history's greatest legend roars to life in this astonishing new format. Now the adventure is longer, grittier and more explicit in this valiant tale of Arthur (Clive Owen), Guinevere (Keira Knightley), Lancelot (Ioan Gruffudd), and the Knights Of The Roundtable. Behold the pageantry and power of every fierce battle in spectacular 1080p, while swords clash and fortresses are pounded in thunderous 5.1 48 kHz, 24-bit uncompressed audio. Catapult your entertainment experience into another realm with Blu-ray™ High Definition!

Customer Reviews:

5 out of 5 stars Underrated.......2007-08-18

This movie was underrated and underseen. A fantastic movie and a very original adaptation of the famed tale of King Arthur.

King Arthur, played by Clive Owen, is charged by the Papal leadership of the Roman Empire to guard Hadrian's Wall. The Saxons are moving toward the Wall. The Saxons are a Huns-like army of barbarians that destroy, pillage and rape what they conquer. The Pope has orders to withdraw from what is present day known as the United Kingdom, without a care for the natives of the area. King Arthur is the pillar of virtue between the proverbial rock and a hard place. On one side is the corrupt, "civilized" papal states of Rome. On the other side is the uncivilized barbaric Saxons. Will King Arthur follow his orders and clear the area leaving the natives unprotected? Or will he stay and fight?

All the normal players of the famed legend is present. The knights of the round table (gallahad, tristan, lancelot, et.al), Gwynevere(grittily played by the ever-beautiful Keira Knightley), Merlin. But whereas previous version of the story takes a more fantastical approach. This movie takes a more historic approach. Let's say the movie isn't just a myth but actually a true story. This is the approach the creators took. The fantasy is gone. And this approach works GREAT.

Like his brother's(Ridley Scott) Kingdom of Heaven, Tony Scott depicts a corrupt Papal nation. Where benevolence is not the states' motive, but rather greed is. And less like Tony Scott's older works(Top Gun & Days of Thunder), but more like his more recent works(Deja Vu), King Arthur is gritty and filmed with a lot of atmospheric effects. Maybe he's learned the use of fog and weather to set the mood from his older brother (think Blade Runner, Alien, and Black Rain). And I'm glad he learned it. You can feel the dank, dreariness of the region.

Like his brother's Kingdom of Heaven, King Arthur has a very cynical view of the Papal Leadership. The Pope, although not present in the movie, leading the Roman Empire at this point, is driven by greed rather than benevolence. The bishop, sent as an emissary by the pope, is depicted as cold and heartless. The Scotts quite obviously have a distrust of the Catholic Establishment. If you are Catholic, don't be offended. If you have studied the Papal States and the Catholic establishment, you know that the Papal States, the vatican and the Catholic establishment haven't always been motivated by virtue, but often times by greed.

The HD translation is good, not great. The problem I have with current HD/Bluray movies is that the movies obviously weren't filmed in high definition. Sure you can see every pore on Clive Owen's face,. But think of when you put your TV setting on 100% sharpness. You get a grainy image with a lot of picture noise. This translation is definitely better than regular DVD, but I can't wait for the day when Hollywood actually films the movies using HD cameras.

This movie is FANTASTIC. If you haven't seen it, SEE IT. If you don't own any version of it, GET IT. IF you own the DVD already? eh...don't bother with this bluray version. You have a good enough copy. But if you LOVE this movie as much as I do, then get the Bluray even if you already own a copy of the DVD.

5 out of 5 stars Excellent movie - great on Blu-ray.......2007-08-06

I really enjoyed this movie. I like it so much, I think I've viewed it 3 times. The picture quality on Blu-ray is excellent! It has a good story, good acting, and lots of great action scenes.

4 out of 5 stars Give it a chance you just might like it.......2007-06-27

If you like movies produced by Jerry Bruckhiemer you should enjoy this movie. I found it a very entertaining telling of King Arthur and his knights. There are no shockers just a good blockbuster. Clive Owen does a good job as do the other Knights in the movie. In fact the other knights make the movie more enjoyable and don't forget about Keira Knightley in 1080p!
The movie looks great on blu-ray some scenes are a little soft but if you watch the sd-dvd you will see the same thing. The sound was good, though I can only comment on the DD 5.1. I am sure the uncompressed track is even better.
Don't go nuts picking it apart just pop some popcorn and enjoy, thats the point of movies after all.

3 out of 5 stars King Arthur.......2007-06-24

Nice movie. Not one of the best out there but I definitely did enjoy this. A somewhat more realistic view to the tale of King Arthur and his legend. It's predictable but the actor / actress were entertaining. Nice picture and sound on a plasma TV.

5 out of 5 stars King Arthur comes to Life!!.......2007-05-13

The Director's Cut of King Arthur on Blu-Ray disc has needle sharp video and a bursting soundtrack. The image is a bit on the dark side but this renders a superb color saturation througout the film. A real exciting story about my favorite legend, to be enjoyed even more in 1080p.
King Arthur - Extended Director's Cut [Blu-ray]
Cat Ballou
Average customer rating: 4.5 out of 5 stars
  • Lee Marvin Masterpiece!
  • A classic
  • Nostalgic film
  • SAME AS IN THE MOVIE JUST ON DVD GET IT !
  • Cat Ballou
Cat Ballou
Starring: Jane Fonda , Lee Marvin , Michael Callan , Dwayne Hickman , and Nat 'King' Cole
Director: Elliot Silverstein
Manufacturer: Sony Pictures
ProductGroup: DVD
Binding: DVD

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ASIN: B00004TJQK
Release Date: 2000-08-08

Amazon.com

Long before Unforgiven deconstructed the Western, or Blazing Saddles lampooned it, Cat Ballou poked the genre in the eye. An altogether enjoyable comedy, the film is full of small surprises, big laughs, and wonderful character turns. Catherine Ballou (Jane Fonda) is a schoolteacher until a hired thug kills her daddy. To protect what she loves, she collects two petty criminals, a wisecracking hired hand, and a hired killer, Kid Shelleen (Lee Marvin). Unfortunately, Shelleen is a raging drunk who is so inebriated and unsteady with a gun he literally misses the broad side of a barn. However, Cat, has, as they used to say in those days, a mind of her own, and she masterminds a spectacular train heist that puts them all on the lam. Marvin won an Academy Award for his role as the derelict Shelleen, and his performances (he actually has two) are still topnotch and on target. The framing device, two wandering minstrels, played by Stubby Kaye and Nat "King" Cole, are the maraschino cherries on the top of this Wild West confection. --Keith Simanton

Customer Reviews:

5 out of 5 stars Lee Marvin Masterpiece!.......2007-07-23

One of the most original westerns...films even...I have ever seen. The musical narration provided by Mister Nat King Cole adds to this wonderfully funny tale of a band of ill equipped outlaws aiming at revenge. Lee Marvin plays two pivotal roles which garnered the great action star and one of cinema's coolest cats awards aplenty. This is not the Lee Marvin we all grew to love and idolize, this is a Lee that will keep you smiling and chuckling throughout the film. What an amazing turn for such a fine actor. Jane Fonda also stars and pulls off the dangerous headstrong damsel that so fit the era and her own personality. I recommend this film highly. This is no Sergio Leone western, but I think you will appreciate its originality nontheless. Terrific!

5 out of 5 stars A classic.......2007-03-26

Always been in love with this film! Now that I have it on DVD, I can watch it and watch it and watch it! The price was really good too.

3 out of 5 stars Nostalgic film.......2007-03-14


I understand why this film is so high-starred, but it simply does not deserve the five stars, nor the four. I'll try to explain. The director, as he admits in the little extra piece, intended to make a comedy in the West. He put together the basic ingredients for it: a beautiful Fonda, two young simpletons that aren't Western material -more fit for Broadway-, and a funny drunkard. Silverstein didn't have a clear idea of what kind of film was going to come out of this (as happens to all bad directors) but when he saw Lee Marvin act his role, he had one moment of lucidness, even brilliance, he told Marvin to try to make us cry instead of laugh. Boy, did that make a difference! Lee Marvin steals the show totally.

Lee Marvin was a great, a fantastic actor. But he belonged to a past era, when real Westerns were shot, when classic directors still hung around the movie studios. That day had gone, not for him, obviously, but for the industry. It makes me sad to see this film, and to see bufoons like Silverstein mockering and degrading the great American West. If it wasn't for Lee Marvin nobody would remember this film. What happens around him in this film I just don't care, he is the show. The rest belong in Park Avenue.

4 out of 5 stars SAME AS IN THE MOVIE JUST ON DVD GET IT !.......2007-01-25

CATBALLOU............................. ! WE STILL LOVE YOU ?

5 out of 5 stars Cat Ballou.......2007-01-22

It is a great movie, I love the singing. We realy enjoyed watching it again after so many year.
King Arthur - The Director's Cut (Widescreen Edition)
Average customer rating: 3.5 out of 5 stars
  • Great Action
  • EXCELLENT FILM!!! EXCELLENT DIRECTOR!!!!
  • King Arthur
  • Great movie - Director's cut a MUST see!
  • CHECK YOUR HISTORY THEN GET OVER IT
King Arthur - The Director's Cut (Widescreen Edition)
Starring: Clive Owen , Ioan Gruffudd , Mads Mikkelsen , Joel Edgerton , and Hugh Dancy
Director: Antoine Fuqua
Manufacturer: Touchstone / Disney
ProductGroup: DVD
Binding: DVD

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ASIN: B0002YLCG0
Release Date: 2004-12-21

Amazon.com

It's got a round table, some knights, and a noble warrior who rises to become King Arthur, but everything else about this revisionist legend is pure Hollywood. That's not such a bad thing if you enjoyed Rob Roy, Braveheart, Gladiator, and Troy, and there's some intriguing potential in presenting the "real" Arthur (played by Clive Owen) as a 5th-century soldier of Rome, assigned to defend Roman-imperial England against a hoard of invading Saxons (led by Stellan Skarsgård in hairy villain mode). As revamped history and "archaeological findings" would have us believe, Guinevere (Keira Knightley) is a warrior babe in face-paint and Lancelot (Ioan Gruffudd) is a nonentity who fades into the woodwork. Never mind! Best to enjoy the harsh, gloomy atmosphere of Irish locations, the ruggedness of Owen and his hearty supporting cast, and the entertaining nonsense of a Jerry Bruckheimer production that strips battle-ready Guinevere down to leather-strap S&M gear while all the men sport full-body armor. Hail to the queen, indeed! --Jeff Shannon

Description

King Arthur the Extended Unrated Director's Cut contains fourteen minutes of never-before-seen footage, including more intense battle sequences and the scenes "Rain and Snow" and "Saxons Surrounded." Bonus Features

• Alternate Ending "Badon Hill" With Optional Director Commentary
• Blood On The Land: Forging King Arthur
• Cast And Filmmaker Round Table
• Director Commentary
• "Knight Vision" Trivia Track
• Producer's Photo Gallery
• Konami's King Arthur Playable Xbox Demo

Customer Reviews:

4 out of 5 stars Great Action.......2007-08-26

Great action movie, Clive Owen plays Arthur who becomes King Arthur. Some feel Arthur was a former Roman soldier, perhaps.


Corey Cotta, Author of All of Yesterdays Tomorrows.

5 out of 5 stars EXCELLENT FILM!!! EXCELLENT DIRECTOR!!!!.......2007-08-10

I absolutely LOVED this film!!!!! To me, it is the most realistic film about King Arthur EVER!! I think that the absolutely, GORGEOUS Clive Owen not only brought physical beauty to the character, but also realism. Now when I think of King Arthur, I see Clive Owen. The movie was well made. I think Anton Fuqua did a superb job. I think the reason it was not more popular is that it was not widely advertised or promoted like "Gladiator or "Troy". They were superb, and King Arthur is right there with them!!!

4 out of 5 stars King Arthur.......2007-08-01

This was another slant on an old tale, probably more true than the original one's we grew up on. I really enjoyed it, as did the entire family. A great film, if you don't mind a bit of gore. Mostly it is about winning the right way.

5 out of 5 stars Great movie - Director's cut a MUST see! .......2007-07-05

The PG-13 version was enjoyable for the eye candy but left one wanting a little more meat.

After partaking of the director's cut (Rated R) - I feel it a shame the audience was cheated out of many great scenes that actually made the story much more believable and actually gave the lead characters more of an arc. The battle scenes are much more graphic (realisitc) so it isn't recommended you watch with the kiddies.

Lancelot's character was less whiney and much more fleshed out in this version. You also understood that Arthur was his family. In addition to that, you understood the underlying attraction he had for Guinevere as we were able to witness him opening up to her and telling her things he probably hadn't told anyone.

I have to heartily disagree with the one reviewer who thought Clive and the lead villains were forced or wrong.

Clive is...well Clive. He is bigger than any role out there and plays any character to perfection. Unfortunately, his leading ladies tend to come across as amateurs in their field when playing opposite his strong screen presence *see Angelina Jolie in Beyond Borders* I do love how Arthur remained firm and never swayed into disbelieving his God, although he was surrounded by those who mocked God and by selfish Phariseeical types who hid behind "religion" using it as a weapon of dominance. At the end, Arthur stated he never shared their "fate" not "faith" as others have stated. But he also never forced them to believe what he believed, thus showing a respect for them and subsequently gaining their respect. Lancelot fights for AND with Arthur at the last battle out of respect and love for him in spite of their different beliefs. I love that!

The lead villain's quiet and menacing behaviour was pitch perfect! In order to win wars and lead a savage army of thousands, you would have to be smart, methodical and barbaric all in one, evoking fear in the men around you and in those you were reportedly about to conquer.

To see the contrast of how each leader commanded their army was a great study in and of itself. The Saxon villain commanded and lead evoking fear and terror among his men (hence the outcome), whereas Arthur commanded with wisdom, the allowance of free will (creating reverence and loyalty among his men and new followers) and with compassion (no man or woman left behind). Sounds like my kind of hero! I thought both actors made the movie - hands down!

The battle scenes were awesome (and I hate the word awesome) but it was! The sword-for-sword combat was GREAT! I found myself rewinding some of the battle scenes several times for the swordsmanship. Again NOT for the kiddies!

Guinevere's war costume was absolutely ridiculous, regardless of any historical facts that indicate the original warriors wore only body paint. It cheezed the movie and one of my favorite up and coming actresses to see her in that leather belt bandeau getup. Other than that, the other costuming was REALLY believable and great!

Ultimatly, I would highly recommend the Director's cut. Great action, a more complete storyline and simply a much more entertaining film overall!


5 out of 5 stars CHECK YOUR HISTORY THEN GET OVER IT.......2007-07-05

I love this film. The Director's Cut is too violent, so I purchased the PG13 theatrical version. The music and everything is great. Please understand that this is NOT a retelling of the cute fantasy story that is really based upon myths created about 600 years after Arthur lived. My wife is Irish and a historian and really understands this era. I have seen many recent docs on the so-called Arthur legend and was very delighted to find out that this guy really did exist. Those who are having a problem reconciling the fantasy with the reality, please try to get over it. This movie sticks closly to what I have read about the real Arthur. Those who had a problem with the costume Keira wore during the battle seen - check your ancient celtic history. These great warriors actually painted themselves blue and fought naked. There was an incredible amount of detail that was faithful to the historical research done for this film. And, no, Arthur was NOT betrayed by his wife either. That was a romantic story invented in about 1100 a.d. I love this movie, the characters, the good against evil. I love seeing what it might have really been like.
Twelve O'Clock High (Special Edition)
Average customer rating: 4.5 out of 5 stars
  • 12 O'clock High
  • Life in a Bomber squadron
  • War as a Deadly Business
  • Still Powerful
  • the Best
Twelve O'Clock High (Special Edition)
Starring: Gregory Peck , Hugh Marlowe , Gary Merrill , Millard Mitchell , and Dean Jagger
Director: Henry King
Manufacturer: 20th Century Fox
ProductGroup: DVD
Binding: DVD

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ASIN: B000O78L0U
Release Date: 2007-06-05

Amazon.com

The wartime memories of surviving World War II bomber squadrons were still crystal clear when this acclaimed drama was released in 1949--one of the first postwar films out of Hollywood to treat the war on emotionally complex terms. Framed by a postwar prologue and epilogue and told as a flashback appreciation of wartime valor and teamwork, the film stars Gregory Peck in one of his finest performances as a callous general who assumes command of a bomber squadron based in England. At first, the new commander has little rapport with the 918th Bomber Group, whose loyalties still belong with their previous commander. As they continue to fly dangerous missions over Germany, however, the group and their new leader develop mutual respect and admiration, until the once-alienated commander feels that his men are part of a family--men whose bravery transcends the rigors of rigid discipline and by-the-book leadership. The film's now-classic climax, in which the general waits patiently for his squad to return to base--painfully aware that they may not return at all--is one of the most subtle yet emotionally intense scenes of any World War II drama. With Peck in the lead and Dean Jagger doing Oscar-winning work in a crucial supporting role, this was one of veteran director Henry King's proudest achievements, and it still packs a strong dramatic punch. --Jeff Shannon

Description

This gritty World War II action drama staring Gregory Peck, Oscar winner Dean Jagger, Hugh Marlowe, Gary Merrill and Millard Mitchell is seen as one of the most realistic portrayals of the heroics and perils of war. Convinced an air force commander (Gary Merrill) is at the breaking point, Brigadier General Savage (Peck) takes over his struggling bomber group. Kind and understanding, he adopts a crushing discipline to revitalize the demoralized troop. At first resentful and rebellious, the flyers gradually change as Savage guides them to amazing feats. But the stress of command soon takes it's toll and the weary general reaches his own breaking point.

Customer Reviews:

5 out of 5 stars 12 O'clock High.......2007-09-04

Superb movie. I met B/G Frank Armstrong, the real man the movie was about. I flew several trips in B-17 and only one minor flaw in the cockpit procedure.
I do question all the pilots requesting transfer at the same time - I think that was Hollywood stuff, as such would constitute mutiny, which requires harsh punishment. The movie also does not show how severe the losses were in
the B-17 crews. Highly recommend to people who have no idea about the great sacrifices of those crews. Lt.Col. Ed Robertson (ret)

4 out of 5 stars Life in a Bomber squadron.......2007-08-31

Give a good idea of the life in a Bomber Squadron in the begining of Day Light Bombing over Germany. Gregory Peck plays the role of a Hard General who takes over command over a "Bad Luck" Squadron and softens whens things change.

3 out of 5 stars War as a Deadly Business.......2007-08-28

The film begins when a man buys a mug, then bicycles to a cow pasture. A few years earlier this had been a busy US Air Force B-17 bomber airfield. Then we return to the early days of WW II. A damaged B-17 lands roughly with its combat wounded. Spare planes will arrive, and their next mission will be to fly at 9,000 feet to bomb St. Nazaire and its submarine pens. This lower height results in more accuracy and then fewer missions. [Bombers are long-distance artillery.] Some in the group think they have a jinx for bad luck. [Or at the low end of the learning curve?] No plan is perfect, there is always the unexpected. The film shows how good management can handle problems. Daylight precision bombing is the key to winning the war. It is about production, destroying enemy factories results in a loss of supplies and a less effective armed force. The final target was the ball-bearing factories, the critical part for any mechanical armed force.

A new general starts by enforcing the rules. Visitors will be checked, men will be in uniform and on post; no more slacking off. It's a war, maximum effort is required. General Frank Savage challenges his men to perform better. They should stop worrying about dying and accept the fact some men will die; life will be easier. They will perform better when they have pride in themselves. The best defense against enemy fighters is to fly in close formation so each airplane can defend the others. Any bomber that drops out of formation is likely doomed. These new rules result in better morale and good luck. [The result of more training and experience.] Now men want to sneak aboard to take part in these missions.

The last part of the film shows actual battle scenes from both sides, and the casualties. Gunners are told to use short bursts to save ammunition. Their bombs are dropped when they reach their target. One bomber takes a direct hit and explodes in the air. Others are damaged and fall behind. Enemy fighters are shot down. At the end General Savage suffers from burn out, the result of "maximum effort". Everyone has a breaking point, man or machine. The ending shows 19 of 21 bombers returning, a heavy 9% loss. [The later use of long-distance fighters like the P-51 reduced losses.]

This film is unusual in being primarily about the control and management of a military force (a specialized form of business management). Few films made during WW II are now shown on TV since the 1970s. You can compare this to "A Walk in the Sun" for its point of view. While "Frank Savage" is fictional, there was a reference to "Kirk May"; that could be the real Curtis LeMay. The Strategic Air Command (STRAC?) of the 1950s was a monument to the Air Force, but also massive inefficiency in preparing for a war that never happened. One fault in this film is its worship of authoritarianism, a Great Leader who can do no wrong. Wasn't this what we were fighting? The peace-time draft did two things: it soaked up men to keep unemployment down, and worked to support American hegemony after the defeat of the Axis powers and the declining colonial powers. It provided brain-washing of a generation to a military point of view. [Lately the anti-gun nuts are claiming a .50 caliber rifle could shoot down a jet airplane. This film shows .50 caliber machine guns firing at slower propeller-driven airplanes and mostly missing. They usually needed the combined fire from many machine guns to damage enemy fighters.]

5 out of 5 stars Still Powerful .......2007-08-27

One of the classics that really holds up well. Riveting, powerful, and thoroughly researched. Loosely based on true characters and events. The details add rich texture to this evocative telling of an exhausted bomber group that gets a tough new leader. A compassionate telling of the price of war on the human pshyche without ever leaving out the warmth of humanity in dire conditions.

5 out of 5 stars the Best.......2007-08-11

One of the best movies of all catagories I have seen, and I have seen a zillion of them. I watch it on TV almost every time I notice it is on.
The Last Unicorn
Average customer rating: 4.5 out of 5 stars
  • The Thinking Man's Animation
  • Great deep messages
  • The Last Unicorn
  • Superb, but...
  • Beautiful
The Last Unicorn
Starring: Alan Arkin , Jeff Bridges , Mia Farrow , Tammy Grimes , and Robert Klein
Director: Arthur Rankin Jr. , and Jules Bass
Manufacturer: Lions Gate
ProductGroup: DVD
Binding: DVD

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  5. The Last Unicorn The Last Unicorn

ASIN: B000KJU128
Release Date: 2007-02-06

Amazon.com

A story line that truly deserves the A-list treatment, The Last Unicorn is memorable for its attempts to stay faithful to its origins, the Peter Beagle novel of the same name. The animation is vintage Rankin/Bass, and that's too bad; but there's an undeniable strength in this tale and telling. A unicorn (Mia Farrow)--she believes herself the last--searches for any others of her kind, while avoiding the malevolent Red Bull, the agent believed to have destroyed the rest of the herd. Along the way, she is mistaken, ignored, attacked, and obsessed about, finally finding help from a magician named Schmendrick (Alan Arkin) and a knight named Prince Lir (Jeff Bridges). A haunting film that pays homage to mythology and the people who love it. --Keith Simanton

Description

Brought to life by the luminary voice talents of Jeff Bridges, Mia Farrow, Angela Lansbury and Rene Auberjonois (STAR TREK: DEEP SPACE NINE, "Boston Legal"), this animated treasure is the story of a lonely unicorn who sets out on an extraordinary quest to find her lost brothers and sisters. Along the way she meets a colorful cast of characters, including a bumbling wizard who magically transforms her into a beautiful damsel. When a handsome prince falls in love with her, he challenges the evil foe who holds her captive. But the task proves harder than imagined, and the unicorn soon discovers that real magic comes from believing in the impossible. Featuring songs performed by America.

Customer Reviews:

5 out of 5 stars The Thinking Man's Animation.......2007-08-25

I have been a fan of this film since I was a child and owned it on VHS in the 80s. Even though the DVD does not have the special features it touts on the backcover, I was just happy to have the film on DVD -I thought they would never release it! The Last Unicorn is about an immortal unicorn who leaves her enchanted forest after learning the rest of the unicorns have vanished from the Earth. On her quest she meets many memorable characters: gypsywoman Mommy Fortuna, Molly Grue, Shmendrick the Magician- to name a few. Molly, Shmendrick and the unicorn ban together, Molly and Shmendrick on their own emotional quests, and journey to King Hagard's castle where the unicorns are being held captive. Along the journey she is almost captured by The Red Bull, King Hagard's demon that holds the rest of the unicorns hostage. If she is captured, their quests ends, so Shmendrick changes her into a human girl so they can get past the bull and enter King Hagard's castle. As an immortal creature she never had to deal with mortal concerns, and as the beautiful woman Amalthea she begins to understand what it means to be human: the serach of identity, love, conflict, empathy. She learns of regret and thankfulness, of life and loss. Like the hobbits from "Lord of the Rings," the unicorn concludes her journey, but is forever changed by the friends she made the experiences she had. The forest will always be her home, but she no longer like the rest of the unicorns, for they will never know what it is to be human. This film is deeper than any animated film has a right to be. It works on several levels, and the older I become the more I see in it. The plot is complex and almost all of the character's are three-dimensional. The characters are voiced by some great acting talent: Alan Arkin (Shmendrick), Jeff Bridges ( Prince Leer), Mia Farrow (The Unicorn)- to name a few. The musical score is very befitting. This is a great film for all ages. Children will love the story, and adults will see the bittersweet, dark chocolate themes that run below its animated surface. p.s. If you like this, then you should try watching the film "Nausicaa"- another animated classic.

5 out of 5 stars Great deep messages.......2007-08-20

I loved it! I felt like a kid again. This is what we need in these times, a little bit of innocence and hope. No matter how old we are, we can still be children again. I enjoyed watching it with my nieces and nephews.

3 out of 5 stars The Last Unicorn.......2007-07-13

The movie was not as good as I had expected & is a little mature for a 5 yr old. I wouldn't buy this again although my grandaughter seemed to like it alright.

4 out of 5 stars Superb, but..........2007-06-08

This film is superb. I watched it many times as a young child, and am thrilled to be able to watch it again as an adult. It's one of the rare few films with more than enough wonder to hold the attention of a child, yet enough depth and honesty to touch the soul of a grown up; a deeply meaningful, poinient animated classic. Another reviewer described it as the "best animated film ever," and while I'm not quite bold enough to echo that sentiment, I can't seem to think of one that surpasses it at the moment.

That said, I'm deeply irritated by the edits that were made. The producers who did it should be ashamed of themselves for altering a single word. Who exactly did they think they were protecting? Or was it just a money thing? Stupid fools. Unchanged, it would get 5 stars, but in good concience, I must give it 4 stars for that reason alone.

4 out of 5 stars Beautiful.......2007-05-21

The presentation (picture and sound) are excellent. The edits mentioned are very annoying (and not edited out of the earlier DVD edition) but the widescreen presentation is much nicer to watch. The extra features are somewhat interesting but do not reveal anything very interesting about the movie itself (story-writing, making of, casting, etc.). Worth getting, but I am also keeping my earlier DVD for posterity.
The Black Swan
Average customer rating: 4.5 out of 5 stars
  • Not quite as vivid as "Captain Blood", Sabatini's other pirate tale...
  • Great film, transfer not up to other Fox classics
  • Johnny Depp...eat your heart out...
  • The Black Swan
  • Maureen O'Hara and Tyrone Power - who could want more?
The Black Swan
Starring: Tyrone Power , Maureen O'Hara , Laird Cregar , Thomas Mitchell , and George Sanders
Director: Henry King
Manufacturer: 20th Century Fox
ProductGroup: DVD
Binding: DVD

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ASIN: B000FFJ83A
Release Date: 2006-07-11

Description

With a clanging of swords, thundering cannons and lots of bravado, TYRONE POWER stars in this swashbuckling classic that won an Oscar for its color cinematography.

Customer Reviews:

4 out of 5 stars Not quite as vivid as "Captain Blood", Sabatini's other pirate tale..........2007-08-16

The very fact that Rafael Sabatini's tale is the source for this swashbuckling pirate adventure makes one wish it had the more vivid storyline and qualities of his more famous epic, CAPTAIN BLOOD. But Fox, although they've lavished color and pretty costumes and sets on THE BLACK SWAN, failed to invest it with the same witty script and believable situations.

The performances are all bigger than life, as they should be in this sort of thing. TYRONE POWER makes a dashing figure of Jamie, the pirate seeking to avenge the villainous Leech (an almost unrecognizable GEORGE SANDERS in heavy beard and wig). MAUREEN O'HARA is so authentically feisty in opposing Power's advances that one wonders whether they can ever make up in time for a happy ending. Nevertheless, hers is a one-dimensional role and she gives it no added dimension of warmth but remains an ice princess throughout, much to my disappointment.

The acting is uniformly competent--nothing more--and the entire tone of the more serious moments in the courtrooms makes you wonder whether to simply suspend disbelief or accept it as a tongue-in-cheek pirate adventure. LAIRD CRAIGAR makes an interesting buccaneer but chews the scenery with a vengeance. His energy gives the part believability most of the time but his actions are none too convincing in the final battle scene. THOMAS MITCHELL seems a little out of place as a fellow pirate.

TYRONE POWER and MAUREEN O'HARA make delicious eye candy as a couple, but something in their chemistry is missing. Perhaps they're too combative throughout before the final clinch in the sunset--and that, of course, is the script's fault for providing a somewhat contrived happy ending.

Summing up: Admirers of pirate films will certainly enjoy the ride.

3 out of 5 stars Great film, transfer not up to other Fox classics.......2007-05-31

Irresistible hogwash from the golden days of these swashbuckler films. In many ways, more satisfying than "Pirates of the Carribean" since this film is slightly more grounded in a recognizable reality, and is therefore somehow more accessible. The Technicolor photography, which was one of the film's many asstes, receives much attention on this DVD, with Maureen O'Hara's commentary discussing the technique and the film's use of it. But the transfer here isn't up to snuff: some scenes are soft, and the color is subdued and muddy ocassionally. It's not a bad transfer, but certainly not as sharp as Fox's "Leave Her to Heaven," or "Blood and Sand". Still, for fans of Power, O'Hara, or the underrated Laird Cregar, an entertaining and physically lavish production worth more than one viewing. Old Hollywood the way it used to be, when opulent production values and sincere casts made such nonsense a real treat.

5 out of 5 stars Johnny Depp...eat your heart out..........2007-05-29

Old school pirate movie...just as good as newer Pirates of the Caribbean...Tyrone Power swashbuckling his way throughout...if you like pirates and old films...this is a movie for you.

4 out of 5 stars The Black Swan.......2007-05-20

Ecxelent Adventure. Tyron Power at his best with the gratest Maureen Ohara. Full of ecxitement, great for kids.

4 out of 5 stars Maureen O'Hara and Tyrone Power - who could want more?.......2007-05-15

I mainly purchased this because Maureen O'Hara did a commentary track for this picture. Since she is a favorite of mine, I wanted to hear some of her stories and insight in working with Tyrone Power and on this particular film. I only wish that the other commenter would have had more information about the film (or 20th Century Fox) to speed up the dialog between them or to prompt Maureen O'Hara to say more than she did. As for the film, it's a classic tale of pirates and adventure. A good addition to any collection.
Twelve O'Clock High
Average customer rating: 4.5 out of 5 stars
  • 12 O'clock High
  • Life in a Bomber squadron
  • War as a Deadly Business
  • Still Powerful
  • the Best
Twelve O'Clock High
Starring: Gregory Peck , Hugh Marlowe , Gary Merrill , Millard Mitchell , and Dean Jagger
Director: Henry King
Manufacturer: 20th Century Fox
ProductGroup: DVD
Binding: DVD

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ASIN: B00005PJ8V
Release Date: 2002-05-21

Amazon.com

The wartime memories of surviving World War II bomber squadrons were still crystal clear when this acclaimed drama was released in 1949--one of the first postwar films out of Hollywood to treat the war on emotionally complex terms. Framed by a postwar prologue and epilogue and told as a flashback appreciation of wartime valor and teamwork, the film stars Gregory Peck in one of his finest performances as a callous general who assumes command of a bomber squadron based in England. At first, the new commander has little rapport with the 918th Bomber Group, whose loyalties still belong with their previous commander. As they continue to fly dangerous missions over Germany, however, the group and their new leader develop mutual respect and admiration, until the once-alienated commander feels that his men are part of a family--men whose bravery transcends the rigors of rigid discipline and by-the-book leadership. The film's now-classic climax, in which the general waits patiently for his squad to return to base--painfully aware that they may not return at all--is one of the most subtle yet emotionally intense scenes of any World War II drama. With Peck in the lead and Dean Jagger doing Oscar-winning work in a crucial supporting role, this was one of veteran director Henry King's proudest achievements, and it still packs a strong dramatic punch. --Jeff Shannon

Description

This gritty World War II action drama staring Gregory Peck, Oscar winner Dean Jagger, Hugh Marlowe, Gary Merrill and Millard Mitchell is seen as one of the most realistic portrayals of the heroics and perils of war. Convinced an air force commander (Gary

Customer Reviews:

5 out of 5 stars 12 O'clock High.......2007-09-04

Superb movie. I met B/G Frank Armstrong, the real man the movie was about. I flew several trips in B-17 and only one minor flaw in the cockpit procedure.
I do question all the pilots requesting transfer at the same time - I think that was Hollywood stuff, as such would constitute mutiny, which requires harsh punishment. The movie also does not show how severe the losses were in
the B-17 crews. Highly recommend to people who have no idea about the great sacrifices of those crews. Lt.Col. Ed Robertson (ret)

4 out of 5 stars Life in a Bomber squadron.......2007-08-31

Give a good idea of the life in a Bomber Squadron in the begining of Day Light Bombing over Germany. Gregory Peck plays the role of a Hard General who takes over command over a "Bad Luck" Squadron and softens whens things change.

3 out of 5 stars War as a Deadly Business.......2007-08-28

The film begins when a man buys a mug, then bicycles to a cow pasture. A few years earlier this had been a busy US Air Force B-17 bomber airfield. Then we return to the early days of WW II. A damaged B-17 lands roughly with its combat wounded. Spare planes will arrive, and their next mission will be to fly at 9,000 feet to bomb St. Nazaire and its submarine pens. This lower height results in more accuracy and then fewer missions. [Bombers are long-distance artillery.] Some in the group think they have a jinx for bad luck. [Or at the low end of the learning curve?] No plan is perfect, there is always the unexpected. The film shows how good management can handle problems. Daylight precision bombing is the key to winning the war. It is about production, destroying enemy factories results in a loss of supplies and a less effective armed force. The final target was the ball-bearing factories, the critical part for any mechanical armed force.

A new general starts by enforcing the rules. Visitors will be checked, men will be in uniform and on post; no more slacking off. It's a war, maximum effort is required. General Frank Savage challenges his men to perform better. They should stop worrying about dying and accept the fact some men will die; life will be easier. They will perform better when they have pride in themselves. The best defense against enemy fighters is to fly in close formation so each airplane can defend the others. Any bomber that drops out of formation is likely doomed. These new rules result in better morale and good luck. [The result of more training and experience.] Now men want to sneak aboard to take part in these missions.

The last part of the film shows actual battle scenes from both sides, and the casualties. Gunners are told to use short bursts to save ammunition. Their bombs are dropped when they reach their target. One bomber takes a direct hit and explodes in the air. Others are damaged and fall behind. Enemy fighters are shot down. At the end General Savage suffers from burn out, the result of "maximum effort". Everyone has a breaking point, man or machine. The ending shows 19 of 21 bombers returning, a heavy 9% loss. [The later use of long-distance fighters like the P-51 reduced losses.]

This film is unusual in being primarily about the control and management of a military force (a specialized form of business management). Few films made during WW II are now shown on TV since the 1970s. You can compare this to "A Walk in the Sun" for its point of view. While "Frank Savage" is fictional, there was a reference to "Kirk May"; that could be the real Curtis LeMay. The Strategic Air Command (STRAC?) of the 1950s was a monument to the Air Force, but also massive inefficiency in preparing for a war that never happened. One fault in this film is its worship of authoritarianism, a Great Leader who can do no wrong. Wasn't this what we were fighting? The peace-time draft did two things: it soaked up men to keep unemployment down, and worked to support American hegemony after the defeat of the Axis powers and the declining colonial powers. It provided brain-washing of a generation to a military point of view. [Lately the anti-gun nuts are claiming a .50 caliber rifle could shoot down a jet airplane. This film shows .50 caliber machine guns firing at slower propeller-driven airplanes and mostly missing. They usually needed the combined fire from many machine guns to damage enemy fighters.]

5 out of 5 stars Still Powerful .......2007-08-27

One of the classics that really holds up well. Riveting, powerful, and thoroughly researched. Loosely based on true characters and events. The details add rich texture to this evocative telling of an exhausted bomber group that gets a tough new leader. A compassionate telling of the price of war on the human pshyche without ever leaving out the warmth of humanity in dire conditions.

5 out of 5 stars the Best.......2007-08-11

One of the best movies of all catagories I have seen, and I have seen a zillion of them. I watch it on TV almost every time I notice it is on.
The Out-of-Towners
Average customer rating: 4.5 out of 5 stars
  • If it can go wrong, it will go wrong makes for a downright irritating, not funny, film
  • Still an unbeaten classic
  • The Out of Towners
  • Modern comedies should emulate this movie!!
  • Urban Nightmare Comes Alive Thanks to Neil Simon's Familiar Pen in Still-Funny Comedy
The Out-of-Towners
Starring: Jack Lemmon , Sandy Dennis , Sandy Baron , Anne Meara , and Robert Nichols
Director: Arthur Hiller
Manufacturer: Paramount
ProductGroup: DVD
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ASIN: B0000AUHQ1
Release Date: 2003-11-25

Amazon.com

Arthur Hiller (Love Story) directed the film adaptation of Neil Simon's curious comedy about a pair of non-New Yorkers (Jack Lemmon and Sandy Dennis) having a hellish visit to the Big Apple on the eve of a job interview for Lemmon's character. Made in 1970, this hectic film almost seems ahead of its time when compared to more recent misery-piled-on-misery comedies such as Planes, Trains, and Automobiles. The couple in this film endure everything that can go wrong on a trip, including being forced to spend the night in a mugger-happy Central Park. The strange element in Simon's script, though, is that Lemmon's character is so unpleasant. A middle-class, uptight guy who can't believe that New Yorkers in the service profession don't perform their jobs slavishly, he's kind of a one-note joke that quickly wears thin. Remade with Steve Martin and Goldie Hawn. --Tom Keogh

Customer Reviews:

1 out of 5 stars If it can go wrong, it will go wrong makes for a downright irritating, not funny, film.......2007-08-11

The Peter Principle is the main reason I avoid entering the Indian Casino down the street. This movie pits a Midwestern man (Jack Lemmon) against the Peter Principle as he travels to NY City for his big chance job interview.

I am a huge Lemmon fan, but I found this movie irritating, not funny. The entire movie consists of one scene after another of, "if it can go wrong, it will go wrong." I can only imagine the grief this movie caused the New York Bureau of Tourism. Throughout the movie, Lemmon shares my irritation. In fact, that is his main demeanor throughout the film. He is irritated at all the bad breaks and he is constantly ranting, constantly rushing to try to overcome them. This got old for me about 8 minutes into the film and did not abate.

5 out of 5 stars Still an unbeaten classic.......2007-01-15

Still a favorite movie, the story of a small-town couple trying to break into the big time in the big city. Jack Lemmon is George, seeking that big job that will launch his career and his family income to new heights. He is supported by his wife (Sandy Dennis) as they both struggle to adapt to a very different and less than friendly environment in New York city. The situations and hardships they must endure set them up for some classic Neil Simon comedy.

A remake with comedic giants Steve Martin, Goldie Hawn, and John Cleese is fair but still cannot improve on the original despite the stellar cast. In addition, the ending of the remake is not nearly as satisfying and "right" as the original. Jack Lemmon and Sandy Dennis are still the best out of towners.

4 out of 5 stars The Out of Towners.......2007-01-09

This movie is a comedy and it is shot in the early 70's. It is a classic Jack Lemmon film. I think it is funny and it provides nostalgia. Sandy Dennis and Lemmon played off each other well. It seems they will never get through having troubles and I think we all can identify with the characters somewhat. I recommend this film to anyone who is a fan of Jack Lemmon or just happens to like comedy. There is a small part in it played by the actor Billy Dee Williams...the future Star Wars actor (among one of his many roles).

5 out of 5 stars Modern comedies should emulate this movie!!.......2006-12-29

Now THIS is a funny movie! Modern comedies that seem to be spewed out on an assembly line (many of which are bad remakes, INCLUDING this movie which is nowhere NEAR as funny!) rely too much on unseemly gimmicks like nudity, foul language, special effects and horrifically distracting camera angle changes every two seconds in order to keep people watching, but The Out of Towners (rated G!) shows them all how it is done in a tasteful and howlingly funny manner! I recently told my friend about this movie as he had never seen it. I brought over my VHS copy a few days later and he laughed right along with me and now has a new movie to add to his list of favorites! This comedy is truly a hidden treasure of laughs. It's not a widely-known film, but everyone I've introduced it to has loved it!

Jack Lemmon has me laughing throughout this entire film! He was a master of comedic talents, from his facial expressions to his eccentric outbursts, and is very realistic as a harried, at-the-end-of-his-rope traveler, and is incredibly funny! I think most people can see a lot of themselves and others in George Kellerman. Sandy Dennis also does a great job as his patient, doting wife Gwen, however she too gets fed up at one point and lashes out in her own unique way.

This hilarious film has us laughing at almost all of life's mishaps, from the mildly annoying to the outrageously frustrating. Late-arriving planes, lost luggage, missed trains, getting caught in a rainstorm in downtown NY, broken heels, chipped teeth, and on and on and on. Every couple of minutes is another mishap! It never ends for these poor travelers and it's so exhaustingly funny that the ending is almost anti-climactic, although VERY fitting!

I give it 5 stars. It's engaging, well-acted, non-stop and FUNNY as hell. Oh, and did I mention it was a Neil Simon film?

4 out of 5 stars Urban Nightmare Comes Alive Thanks to Neil Simon's Familiar Pen in Still-Funny Comedy.......2006-10-04

Just before tackling the treacle of "Love Story", journeyman director Arthur Hiller did a pretty decent job maneuvering this kinetic 1970 Neil Simon-penned comedy. The movie follows the misadventures of the Kellermans, an Ohio couple who journey to New York City because husband George is up for a much anticipated VP promotion in his plastics company. Wife Gwen is supportive but reticent about coming to the big city, and it turns out her hesitations are well founded. First, their flight is rerouted to Boston, and then they are crowded onto a commuter train to Grand Central Station where they are in the midst of a transit strike. The Kellermans get kidnapped in a squad car and then mugged. The Waldorf-Astoria has given away their room, and they have to spend a night in Central Park where they get mugged for a second time. George chips his front tooth on a Cracker Jack while Gwen suffers from weak ankles. The clock continues to click until George's appointment with the company president.

In typically manic form, Jack Lemmon has to play a complete jerk as George, and he luckily does not go soft with his character as he faces one indignity after another. It's just that he starts to sound more like a Neil Simon character than a real human being after a while. The shamefully underused Sandy Dennis effectively plays Gwen with cautious subservience from the outset but gradually makes her character funnier by turning her into a whining neurotic. Both actors use their familiar mannerisms maximally here, but more importantly, they are completely credible as a suburban married couple who have to lean on each other throughout. Hiller smartly uses real locations and captures an urban grittiness that makes sense within this story. Quincy Jones provides the jazzy background music here. John Hughes' partial knock-off, the equally hilarious "Planes, Trains and Automobiles" (1987), bears a more than passing resemblance to this film. Unfortunately there are no extras with the 2003 DVD.
A Personal Journey With Martin Scorsese Through American Movies
Average customer rating: 4.5 out of 5 stars
  • Can't Get Enough!
  • The Finest Movie Documentary of All Time.
  • A walk down Hollywood Blvd
  • Magnificient View
  • Every cinema buff and film student should own a copy
A Personal Journey With Martin Scorsese Through American Movies
Starring: Kathryn Bigelow , John Cassavetes , Philippe Collin , Francis Ford Coppola , and Brian De Palma
Director: Martin Scorsese
Manufacturer: Miramax
ProductGroup: DVD
Binding: DVD

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ASIN: 6305941122
Release Date: 2000-09-12

Amazon.com

"I can only talk about what has moved me or intrigued me," says filmmaker Martin Scorsese (Raging Bull) at the beginning of this four-hour documentary about his passion for U.S. cinema. "I can't really be objective here." Hallelujah! A Personal Journey with Martin Scorsese Through American Movies is the perfect antidote to the forced and artificial doctrine of the American Film Institute's so-called 100 best films. The AFI's English cousin, the British Film Institute, did a brilliant thing in enlisting Scorsese--probably the most famous student of cinema in the U.S.--to open up and speak at length for this project about the history of artistic survival among Hollywood directors. Working with cowriter and codirector Michael Henry Wilson, Scorsese takes a highly intuitive and heartfelt approach in describing how a number of filmmakers--some famous and some forgotten--carefully layered their visions into their work, often against the great resistance or eccentric whims of powerful producers. Film clips are plentiful, but they are also more than window dressing for nostalgia buffs. For instance, it's not unusual for Scorsese to return repeatedly to the same film (such as Vincente Minnelli's The Bad and the Beautiful) in order to make a series of connecting, deepening points. In the end, this work is truly one of Scorsese's most direct bridges to his imagination and personality, and it has the sort of restorative properties that can make a cinephile wearied by today's junk culture fall in love with movies again. A companion book is also available. --Tom Keogh

Description

Martin Scorsese narrates an overview of American film history, beginning with D.W. Griffith and ending in 1969.

Customer Reviews:

5 out of 5 stars Can't Get Enough!.......2007-08-27

I've watched this whole multi-segment documentary at least four or five times--including a marathon session of the entire 3 hours and 45-some minute at the Portland (Oregon) Art Museum! It has never become stale. The only hazard from watching it is the increasing temptation to envy of Mr. Scorsese's opportunity to have seen the multitude of films that he discusses and analyzes.

5 out of 5 stars The Finest Movie Documentary of All Time........2005-09-11

Anyone who knows anything about Martin Scorsese knows that he is a walking film encyclopedia. But I do not know if those who know Scorsese know about this movie. Made with the BFI, as kind of an antidote to those dull AFI lists, this movie about movies gives viewers all kinds of information that few people in this world know about. Or at least they didn't before they saw this movie.

The movie is broken down into sections. Scorsese examines all types of genres and styles of film in his four hours on camera. The only shame about the movie is that some of the titles that Scorsese reccomends are not available on DVD. I, like most film fans, have abandoned the VHS format many moons ago. But be prepared to spend months of your life searching independent video stores to see a single one of Scorsese's picks. He has given the film community yet another gift.

5 out of 5 stars A walk down Hollywood Blvd .......2005-02-21

How much do I love Martin Scorsese ? more than any other director alive or dead. How objective am I when it comes to his work ? very !!! Therefore when I write that this is good, it is reaaaally good.

Here we meet with Marty the film geek during a 4hours long walk down memory lane. This documentary is constructed as MS's introduction to American Cinema, but far from being dry it is a passionate presentation that opens many perspectives, both on the history of cinema and on Scorsese's own filmmaking.

I recommend this documentary to anyone who calls himself a cinephile or anyone willing to do the work necessary to become a fully-fledged one. Yes, it is only US films but just give MS time enough and he might come up with an anthology of japanese cinema ;o)
This works perfectly with his Journey in Italy that maps out the key moments of Italian cinema, and is therefore an even more personal insight into MS's influences (good to see with his documentary on his parents Italianamerican, a very moving film with the incredible Catherine Scorsese !).

This documentary is a pure pleasure to watch, listening to MS talking about films is a delightful experience and will provide the attentive viewer with a better understanding of a bunch of cult/classic films. I would advise you to pay special attention to the part on The Searchers (in the westerns section), and then to screen Taxi Driver with this John Ford classic in mind, just to realize how influences and reinterpretation work in Scorsese's work.

Some can complain that MS doesn't speak about recent films, nevertheless I don't think it is relevant. What the film is trying to do is to actually give us tools to read into recent movies, into our film viewing experience ... I would like to hear more of what Scorsese has to say about The Godfather for instance, and I would loove to hear him saying awfull (and deserved things) about films such as Lethal Weapon, but that's not what he's here for. Moreover, it's harder to determine which recent movies are worth talking about/most important. Let's leave time to history to make a selection and hope for some other cinephile to take a look at the nineties in 30 years for instance.

Anyway, this DVD along with the one on the Italian cinema are true must have's or at least must see's (repeatedly!!!) for anyone who loves cinema / Scorsese.

5 out of 5 stars Magnificient View.......2003-02-12

This is an incredible look at the history of American Cinema through the eyes of the greatest American Filmmaker. Martin Scorsese's ability to tell story is moving. The man loves movies and shares this love through his extensive knowledge of the subject, but somehow manages to remain humble and lets you know that this is of course his view, His Personal Journey. It is amazing to think that if a younger filmmaker were to be asked what his influences were they would surely include Scorsese among their greater influences and give praise to such a master. In watching this DVD you can see the same admiration any young filmmaker would have for Scorsese coming from Scorsese himself towards the Greats that came before him and shaped his View.

5 out of 5 stars Every cinema buff and film student should own a copy.......2003-02-05

How close is this to the syllabus of Prof. Scorsese's course at NYU? It really doesn't really make a difference to me whether these are his "personal" opinions or not--it's an incredibly valuable survey of cinematic technique. Particularly striking is the section entitled "The Director as Smuggler," highlighting how once-controversial themes were cloaked in the familiar fabric of genre pictures. Today when everything has to be so in-your-face obvious, there's a lot to be learned from these subtle visual and narrative tricks.
J.R.R. Tolkien Animated Films Set (The Hobbit/The Lord of the Rings/The Return of the King)
Average customer rating: 3.5 out of 5 stars
  • Not very good
  • LOVE IT
  • A must for all Tolkien - Fans!!
  • Tolkien package benefit
  • Better than most say.
J.R.R. Tolkien Animated Films Set (The Hobbit/The Lord of the Rings/The Return of the King)
Starring: Orson Bean , Richard Boone , Hans Conried , John Huston , and Otto Preminger
Director: Arthur Rankin Jr. , and