I Remember Mama

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This high point in the 1940s vogue for movies about family life at the turn of the century was directed by George Stevens (Shane), and stars Irene Dunne as the matriarch of a Norwegian family that faces hard knocks with grace in 1910 (or so) San Francisco. Based on John Van Druten's hit play (derived from Kathryn Forbes's autobiographical memoir), the film is gorgeously rendered and quite moving as an act of memory. The sterling cast of character actors--Edgar Bergen, Rudy Vallee, Oscar Homolka, Barbara Bel Geddes, Ellen Corby, Cedric Hardwicke--add great texture and a depth of experience that make the film feel quite lived-in. Hardwicke's turn as a penniless boarder who "pays" his rent by reciting from classic literature is a special highlight. --Tom Keogh

Customer Reviews:

I Remember Mama .......2007-09-04

This movie has it all, and will not disappoint anyone who loves their mother. I love this movie, Irene Dunne is superb, and Barbara BeGeddes is terrific (Miss Ellie from Dallas). It is touching, funny, dramatic and very entertaining, as all movies should be. Hollywood needs to make more motion pictures that fill your heart - than fill the screen with compture generated images (C G I).

See this movie -

Those were the days..........2007-07-20

With poignant grace and humor, this movie presents a picture of life in the early 1900's. Respect, wisdom, perseverance, and the importance of family are warmly portrayed in the story of this immigrant family. The values represented in this film leave one with a feeling of wistful nostalgia - and a hope that those values can still be found in this day and age. This is a movie that will give you more emotional impact than any high-tech, fast-paced, action drama of today.

I Remember Mama.......2007-06-22

Based on a hit play adapted from Kathryn Forbes's autobiographical story collection, this precious, poignant film is suffused by an aura of nostalgia. Narrated in flashback by younger daughter Katrin (Bel Geddes), "Mama" is a heartwarming step back to a time when happiness and hardship mixed in equal measure. The Oscar-nominated Dunne is terrific as the domestic dynamo, and Bel Geddes--destined to become a matriarch herself on TV's "Dallas"--lends a warm, innocent presence. The pride and joy of this "Mama" also lies in a sterling supporting cast, especially Homolka as an ornery uncle and Hardwicke's quote-spouting freeloader. Compassionate and colorful.

mama not remembered.......2007-06-10

I first saw this remarkable film on the big screen and found it quite unforgettable with the warmth of the family surrounded by the centerpiece of a mama who was there for everyone. I was glad to purchase the VHS tape when it came out and found the tape transfer quite equal to the theater presentation. I thought the film presentation would be even better on DVD; HOWEVER in the DVD VERSION MAMA AND HER FAMILY AND SAN FRANCISCO ARE LOST IN MUDDY IMAGES that comes between the viewer and the story. What a great disappointment.

"I Remember Mama" vs "A Tree Grows in Brooklyn".......2007-06-08

I like watching this film in conjunction with "A Tree Grows in Brooklyn", as the contrasts between the two films in terms of family life, when the father works, as in "I Remember Mama" and when he doesn't, as in "A Tree Grows in Brooklyn" are stark. It goes to show that fathers are an important part of family life, even if he is a "dreamer" (such as Johnny Nolan), despite all the politically correct garbage today which touts that fathers are unnecessary. Love both these movies!

The American Folk Blues Festival 1962-1969, Vol. 3

Average customer rating:

IF YOU LIKE THE BLUES..... BUY THIS!!! IT WILL REALLY GROW ON YOU!!!
A wonderful bit of musical history
Amazing early buddy guy
new to blues
They've Done It Again!

The American Folk Blues Festival 1962-1969, Vol. 3
Starring: Muddy Watters , Big Mama Thornton , Bukka White , and Memphis Slim
Manufacturer: Hip-O Records
ProductGroup: DVD
Binding: DVD

Chicago Blues | Blues | Styles | Music

Delta Blues | Blues | Styles | Music

General | Blues | Styles | Music

Traditional Blues | Blues | Styles | Music

Acoustic Blues | Blues | Styles | Music

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ASIN: B0002KP54E
Release Date: 2004-08-31

Amazon.com

They called 2003 "the year of the blues," but any year that sees another release in the American Folk Blues Festival series is one worth savoring. There's no lack of star power on this, the third volume (the first two were released in, yes, '03) taken from the European tours organized for American blues musicians between 1962 and '69; two fiery tunes by Muddy Waters are included as bonus tracks, Joe Turner is well known from his days with Count Basie, and the finale brings together such estimable perfomers as vocalist Helen Humes, pianist Memphis Slim, guitarist T-Bone Walker, bassist Willie Dixon, and longtime partners Sonny Terry & Brownie McGhee. If names like Skip James, Bukka White, Dr. Isaiah Ross, and Son House (all playing in the acoustic Delta style, a sound that's about as raw and real as the blues gets) ring a bell only with serious blues fans, no matter. The performances (including what's purported to be the only extant audio-video footage of harmonica legend Little Walter) are uniformly strong, and the black & white images and strikingly clear sound are once again extraordinary. But this footage is not only a treat in and of itself. It's also music that changed our culture forever, as members of bands like the Rolling Stones, the Yardbirds, and Led Zeppelin were there to witness it in person.--Sam Graham

Description

Tracklistings
1. BIG MAMA THORNTON- Hound Dog
2. ROOSEVELT SYKES- Gulfport Boogie
3. BUDDY GUY- Out Of Sight
4. DR. ISAIAH ROSS- Feel So Good
5. JOE TURNER- Flip, Flop & Fly
6. SKIP JAMES- All Night Long
7. SKIP JAMES- Crow Jane
8. BUKKA WHITE Got Sick & Tired
9. SON HOUSE Death Letter Blues
10. HOUND DOG TAYLOR Wild About You
11. KOKO TAYLOR Wang Dang Doodle
12. SONNY TERRY & BROWNIE McGHEE-Stranger Blues
12. SONNY TERRY & BROWNIE McGHEE- Burnt Child (Afraid of Fire)
14. SONNY TERRY & BROWNIE McGHEE-Gonna Move Across The River
15. HELEN HUMES- THe Blues Ain't Nothing' But A Women
BONUS TRACKS:
16. EARL HOOKER- Earl's Boogie
17. MUDDY WATERS- Long Distance Call &
16. MUDDY WATERS-I Got My Mojo Working

Customer Reviews:

IF YOU LIKE THE BLUES..... BUY THIS!!! IT WILL REALLY GROW ON YOU!!!.......2007-08-20

I'v been avoiding writing a review about these dvd's (American Folk & blues festival vol 1, Vol 2, vol 3,) for a while now, mainly because I get so emotional when I think about them. So I wont even try. But I will say this much....The ONLY place in the world where you can see the fabulous T-Bone Walker on dvd... is on these sets (he appears on all 3 volumes). And where else are you gonna see Lonnie Johnson, Shakey Horton, Junior Wells, Big Joe Williams, Willie Dixon, Otis Span, Sonny Boy Williamson, Big Mama Thorton, A very young Buddy Guy, and a very young Hubert Sumlin, Big Joe Turner, Son House, Koko Tayler, Lightnin Hopkins, Sonny Terry and Brownie McGhee, Howlin Wolf, AND MANY MORE!!! YOU NEED TO HAVE ALL 3 VOLUMES FOR YOUR COLLECTION!

A wonderful bit of musical history.......2007-03-09

If you like the blues you'll love this DVD. I especially liked the acoustic set with Skip James, Son House & Bukka White. The Black & White is cool and the sound is good.

Amazing early buddy guy.......2007-01-10

buy all 3 volumes - if you are a music fan, this is the origin of the blues.

new to blues.......2006-03-02

I am new to the Blues. I've listened to many songs, from Delta Blues to Chicago Blues, and loved them all. After listening to so many songs, it is nice to put a face to the name. Not only that, but to see and feel the energy of real Bluesmen and women. I absolutely loved this DVD! I'd highly recommend it to anybody looking to start or continue a Blues DVD collection.

They've Done It Again!.......2005-08-25

This dvd is an historical treasure. The product is very high quality in every way. It has some of the earliest films known from some blues artists, as well as some of the only known films of some as well(Little Walter).Everything from the urban blues of Big Mama Thornton, Buddy Guy, Hound Dog Taylor,and Koko Taylor. To the haunting,country blues,of Skip James, Bukka White, and Son House. I particularly like the performance of the famous song " Crow Jane" by Skip James, as well as the extras like the raucous, obscure Earl Hooker, who evokes shades of Eric Clapton and Jimi Hendrix with his Univox guitar and Sound City amplifier. Buy and enjoy this forgotten legacy!

Average customer rating:

Low-Class, Low-Budget and Low on Titillation, a Pointless Women-in-Chains Howler Now on DVD
[3.5]--"Let's get down to some serious B&tt-kicking business."
Whole Lotta Woman!!
dis movie rox mai sox mahon!!!!!
The Big Influence In Life

Black Mama, White Mama
Starring: Pam Grier , Margaret Markov , Sid Haig , Lynn Borden , and Zaldy Zschornack
Director: Eddie Romero
Manufacturer: MGM (Video & DVD)
ProductGroup: DVD
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ASIN: B000053VB7
Release Date: 2001-01-09

Amazon.com

Pam Grier in a women-in-prison movie? Why did no one think of this sooner? OK, they did. Several times. But this one is different. Black Mama, White Mama is a bizarre update of The Defiant Ones with a little Cool Hand Luke and Chained Heat thrown in for good measure. Grier stars as Lee Daniels, a pimp-and-drug-lord's moll who's looking for a way to escape both prison and her thug boyfriend. The dynamic Margaret Markov ably backs her as rich-girl-turned-revolutionary Karen Brent. The two meet in the friendliest Third World prison ever (Tickling games in the shower! What girlish fun!), and before you can say catfight they're chained together at the wrist. A quick prison break later, our feisty ladies are being chased all over the undefined tropical island by the police, revolutionaries, and dueling pimps. Director Jonathan Demme shares the story credit for this one, and his craftsmanship shows--Black Mama, White Mama hits every mandatory facet of the genre, including butt kicking, gunfire, an Evil Lesbian Prison Guard, gratuitously scanty clothing, and dressing up as nuns. Absolutely not to be missed. --Ali Davis

Description

"A genre all by herself" (Voice), Pam Grier tacklesand shacklesher sleekest role yet as the feistier half of a pair of women in chains and on the run in this "colorful, outrageous and truly exciting" action flick (The Hollywood Reporter)! Grier is Lee Daniels, a prostitute doing hard time in an island prison camp for women where the guards have a new way to punish inmates who fight: by cuffing 'em together! Chained to her bitter rival, white revolutionary Karen (Margaret Markov), Lee finds herself literally linked to the revolutionary causeand on the flywhenKaren's guerrilla friends stage a coup! But this foxy inmate's got a cause of her own in the form of a secret stash of cold, hard cash and a getaway boat! Brawling with her white counterpart over which way to go, and tracked like a dog by guards, guerrillas and a gangster after the loot, she's gotta make her escapebefore both mamas' enemies bring them down for good!

Customer Reviews:

Low-Class, Low-Budget and Low on Titillation, a Pointless Women-in-Chains Howler Now on DVD.......2007-01-02

The title pretty much lets you know what you're getting. It's a grade-C howler but not as blatantly funny as I was hoping. Directed by exploitation film specialist Eddie Romero from a story that originally came from Jonathan Demme (long before directing "Silence of the Lambs" and "Philadelphia"), this low-budget 1972 action movie was obviously filmed in the Philippines but set in some anonymous third world country. Playing hooker and small-time drug dealer Lee Daniels, blaxploitation superstar Pam Grier plays the first half of the title role, while long-forgotten Margaret Markov is the other half, Karen Brent, an unlikely Patty Hearst-like political revolutionary looking to partner with her comrades to overthrow the oppressive local government. Naturally antagonistic toward each other, they are in a women's prison camp where they wear inexplicably bright yellow mini-skirts as uniforms. Run by a closeted warden and lecherous matron, the prison is just an excuse for a lengthy shower scene and some half-hearted cat-fighting as Lee and Karen are pitted against each other. Of course, they escape but shackled together a la "The Defiant Ones" and continue the cat-fighting until they attack a couple of nuns to steal their habits.

Meanwhile, various groups of unsavory men are in pursuit - the loutish drug lord looking for Lee who stole $40K from him, the rather passive revolutionaries looking for Karen, and the incompetent police (who suffer the humiliation of exposing their privates to the drug lord). Needless to say, everything eventually comes to a head but not before gratuitous nudity by a number of Filipino women, a dog wears Karen's panties and some of the worst of 1970's men's fashion (one beer-bellied revolutionary wears a leather halter top with a straight face). There is a rather sad ending, but what's truly sad is how much of the potential black comedy is missed entirely in this hilariously preposterous exercise. Sadly, Grier is disappointing in this outing because her character is not allowed much to do beyond dealing with all the "jive", while Markov is an Amazonian blonde whom I am convinced is trying desperately to be credible. Since no one displays any talent for acting, the rest of the cast is not worth noting, except balding, bug-eyed Sid Haig, who uses his standard psycho persona as the drug lord. The 2003 DVD contains only the original trailer as an extra.

[3.5]--"Let's get down to some serious B&tt-kicking business.".......2006-09-17

I don't understand anyone who says that this is one of the worst exploitation films they have ever seen. Just the title alone gives this cult status and all the ingredients are here for it being an extremely fun film to watch. Yeah I'll admit that women's Prison flicks are terrible. They are all about getting girls naked. BAD action sequences & Horrible acting always plague these movies. They're usually made for teenagers who watch late night SKINemax. Black Mama White Mama on the other hand is fun. It doesn't take it self seriously. It even has drama that is topped off with a dramatic ending.

Cult figure Pam Grier gets her first starring role in this WIP ("Women in Prison"). She plays a convicted hooker who escapes from prison, chained together to another prisoner (a white woman convicted of sedition). The film starts off as any typical 1970s exploitation movie, but it changes gears quickly, becoming a female variation of Kramer's The Defiant Ones (1958). It is a welcome twist to the old formula. Grier is allowed to play a more feminine, gentler role here, and she does a great job with her character. Margaret Markov is effective as Grier's unlikely partner in crime. Fans of Zombie's House of 1,000 Corpses (2003) and The Devil's Rejects (2005) will recognize cult character actor Sid Haig; he is a hoot as Ruben The Cowboy.

Plenty of violence, blood, and sex are combined with a silly subplot about a group of revolutionaries. I thought director Romero did a good job in sustaining the initial momentum, and I liked how the potentially sappy finale remained tough and cruel to the very last second. Morally dubious, but entertaining, and a great showcase for the incomparable Pam Grier. Co-written by Jonathan Demme. This would probably get an NC-17 if released today.

One thing for sure is that you won't ever see a film like this and probably never would. "Black Mama, White Mama" is certainly not a masterpiece but it is worth a look.

Whole Lotta Woman!!.......2006-02-27

Pam Grier is THE dish in this blaxploitation Classic!! Sleazy, campy lesbian undertones and some truly hilarious dialogue make this watchable again and again

dis movie rox mai sox mahon!!!!!.......2004-02-18

DIS IS DA PAM GURL MOVIE...........SHE IS DA BEST GURL IN PLANET CAUSE SHJE LOOX HOT WITH GOOD LOOKIN HOTTAS.................DA BOMB MAN DA BOMB!!!!!I LOVE DAT GURLS MOVIE............MARRY ME

The Big Influence In Life.......2004-02-13

It's hard to describe the impact this movie has had on my life. I've been considered a bit of a flossing prodigy and I've had a hard time living up to such expectations. This movie, though, set me straight.

What you're going to get from Black Mama, White Mama is a straightforward statement on race relations in the United States. We have two women in America. Both have children. One is black and one is white. It's about the struggles that each have as powerful women in a male dominated society. What it's like to be a strong black woman. And what it's like to be a strong white woman... in a society where you're automatically labeled a B*tch when you tell others what to do and why you don't like them much... it's called being straightforward.

Amazon.com

Non-enthusiasts may wonder how a documentary on a single outmoded dance might hold a viewer's attention for an entire 78 minutes, but Twist is really about the birth of freestyle dancing. Director Ron Mann (Grass, Comic Book Confidential), who could probably make a fascinating documentary on fingernail clippings, creates a sense of fun by dividing his film into dance "lessons," using actual instruction tapes. He sprinkles each section with vintage clips, overwrought headlines from the '60s, and interviews with the songwriters, singers, and American Bandstand dancers who started the craze. "Twist" songwriter Hank Ballard's version of the dance was considered too risqué for TV, but when Chubby Checker "made it nice" on American Bandstand, the move swept the nation, leading to other steps like "The Monkey," "The Potato," and eventually the do-your-own-thing of today. All of this is recorded with plenty of music, dancing, and fond testimonials, making it as fun a documentary as you'll ever see. --Kimberly Heinrichs

Description

Award winning director Ron Mann (Grass, Comic Book Confidential) takes the viewer on another hilarious, hip-swinging journey into pop history. More than just 'the dance craze that swept the nation', the twist symbolized an era of transition between Eisenhower's 50s and the counter-culture's 60s - from innocent youths to socially conscious hippies. A superb orchestration of archival footage, performances and interviews, Twist is as much fun as it is culturally intriguing. Home Vision Entertainment is proud to present this award-winning documentary on DVD for the first time.

Customer Reviews:

What Fun!.......2005-04-10

"Twist" is a documentary about the dance craze of the sixties which also includes the dances that led up to the "twist" and those that followed. It really brought me back to the days of doing the "swim", "monkey", "mashed potato", "watusi", in addition to the main attraction - the "twist". The interviews and film clips were very entertaining and down right FUN!

Do the Elephant!!!.......2003-02-20

Like Ron Mann's other films ("Grass", "Comic Book Confidential", etc), "Twist" is full of much more fun, colour, movement and wit than the average documentary, and provides an equally entertaining and educational look at 20th century pop history. And, as in his other documentaries, he looks at the broader background and sociological implications behind the main subject matter.

One of the more interesting historical aspects explored in this film is the politics and social engineering behind the '50's dance crazes. The twist itself grew out of the more blatantly sexual, bump and grind dances popular in black music halls. Knowing that it was impossible to wipe out their children's interests in black culture (let's face it, African Americans not only invented rock and roll, but put out far superior music to the watered-down white artists who were more radio-friendly), white adults decided to instead try to replace the dances their children were imitating with something "safer" and more "wholesome" by doing for dance what Pat Boone and company did for rock. Funny clips are shown of whites demonstrating the "proper" technique for twisting with absolutely no hip movement! But they only partially succeeded.

The Twist is not the only dance examined. Mann shows how it evolved from other dances, and how others later tried to cash in on its success by releasing songs with built-in new dances. Witness such Macarenas of the past as the hilarious The Elephant where kids use their arms to imitate an elephant's trunk! (Unfortunately, Mann does not include footage of the Neil Sadaka non-craze, The Jellyfish!!)

All the people most instrumental in creating the dance craze who were alive at the time of filming are interviewed, many of them demonstrating their own twist (pun intended) on the dance. And the music and dancing is absolutely exhilarating.

Sadly, Lulu's (former home of the world's largest stage) in Kitchener, Ontario, Canada where the interviews and new dance sequences were filmed has long since closed down, so this film is also a good nostalgia trip for those who miss the legendary club.

If you ain't moving the hips, then it just ain't happening!.......2000-10-27

I never get tired of watching this great documentary on "The Twist" dance craze in the early 60's. The film covers the years leading up to it, the height of the craze, and the years afterwards, finishing up with how the twist evolved into go-go "freestyle" dancing.

The movie is broken up into eight different "Lessons", and contains documentary and newsreel footage in between interviews with singers such as (among others) Dee Dee Sharp, Cholly Atkins, Hank Ballard, and of course, Chubby Checker. They also interview some dancers from American Bandstand, and one of the go-go dancing waitresses at the Peppermint Lounge, who says they had the fringe on their skirts "clocked at 130 mph" when someone timed it once (how exactly they measured this, I don't know, but in the footage you see, it doesn't look too far off the mark).

I just can't put into words how much fun this movie is. If you love to dance, you'll understand and maybe get a little emotional like I did in parts. You can hear the passion in most of the dancer's voices when they talk about how dancing made them feel and/or how it changed their lives. Even without the narration, some of the footage speaks for itself- watch the faces of some of the couples doing the jitterbug and swing-dancing early in the film. I don't think I've ever seen bigger smiles on anyone in my life- they look like they're having so much fun they would have to look down to see cloud 9.

This movie is not only a great documentary, but educational. I learned the names of some of my favorite go-go dances (I had the The Frug confused with The Watutsi...well, those are harder ones to figure out than say, The Monkey, so sue me), and the week after I first bought this movie for my home collection and watched it a couple times, I won a dance contest using-or maybe "stealing" is a better word, to be honest- some of the moves from "Twist!". If you want to learn just a couple of basic dance moves (and don't mind them being what some people might think of as 'dated' ones), this is a great movie to watch. Pretty much anyone can do the Twist, as they show you- if you're really having trouble, just imagine you're smashing out a cigarette stub into the floor with your foot.

Whatever you do, don't turn this movie off after the credits start! When we saw it at a film festival, we left early and missed a group they show during the credits that called themselves "The World's Greatest Twisters", 3 men and 2 women that they interviewed earlier in the film. They named themselves that because they would go to every twist contest they could find and win every time- the women look they could have been Ikettes. When I first saw it, I thought the men were the same, but that they'd replaced the females with younger women from the way they were moving. Then I looked closer and realized that it was the same two women- they were probably at least in their early 50's, but watch them go- they can dance better and move faster than most women in their 20's! (partly because they've had much more time to work on it, I guess). Plus, they look like they can still wear their original dance outfits. Prepare to see them out-dance almost everyone in the movie put together.

Description

Crude Brooklyn ex-patriots John O'Reilly (Wallace Ford) and Ollie Swenson (El Brendel) are running from the law in the eccentric, absurdist 40s comedy, Machine Gun Mama.John and Ollie find themselves broke and saddled with an elephant as they flee from the authorities in Mexico. Seeking to unload the pachyderm, they infiltrate a wild carnival run by cunning ringmaster Alberto Cordova and his smart and sexy teenage daughter, Nita.When John dunks the underdressed Nita in a cold water tank, sparks fly between the couple. What starts as a feud transforms into romance as Ollie distracts Alberto with the subject of the elephant's name. Ollie calls her "Bunny" while Alberto christens her "Dolores." The zany mayhem crescendos at a huge fiesta wherein the past catches up with the boys and Nita seeks to become John's fulltime girl.Filmed by poverty row studio, Producer Releasing Corporation, Machine Gun Mama is a high energy musical slapstick farce brimming with wacky caricatures and unusually surreal comic flourishes.

Average customer rating:

Low-Class, Low-Budget and Low on Titillation, a Pointless Women-in-Chains Howler Now on DVD
[3.5]--"Let's get down to some serious B&tt-kicking business."
Whole Lotta Woman!!
dis movie rox mai sox mahon!!!!!
The Big Influence In Life

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ASIN: B000035P6V
Release Date: 2001-01-09

Amazon.com

Description

Customer Reviews:

Low-Class, Low-Budget and Low on Titillation, a Pointless Women-in-Chains Howler Now on DVD.......2007-01-02

[3.5]--"Let's get down to some serious B&tt-kicking business.".......2006-09-17

Whole Lotta Woman!!.......2006-02-27

Pam Grier is THE dish in this blaxploitation Classic!! Sleazy, campy lesbian undertones and some truly hilarious dialogue make this watchable again and again

dis movie rox mai sox mahon!!!!!.......2004-02-18

DIS IS DA PAM GURL MOVIE...........SHE IS DA BEST GURL IN PLANET CAUSE SHJE LOOX HOT WITH GOOD LOOKIN HOTTAS.................DA BOMB MAN DA BOMB!!!!!I LOVE DAT GURLS MOVIE............MARRY ME

The Big Influence In Life.......2004-02-13

Product Description

SPECIAL FEATURES: Feature length commentary by Director Jack Hill, Digitally Remastered, Original Trailer, Cast Biographies, Scene Index, Interactive Menus, Preview Attractions

DVD:

DVD

DVD