Average customer rating:
- "What are you all waiting for? A spectacle? You shall have it and tell your children how the great age ended."
- What was good has passed away a lot
- "That place - Jamaica Inn. It's got a bad name. It's not healthy, that's why",
- Perhaps Atypical but Entertaining Hitchcock Film
- Good!
|
Jamaica Inn
Starring:
Charles Laughton ,
Maureen O'Hara ,
Leslie Banks ,
Emlyn Williams , and
Robert Newton
Director:
Alfred Hitchcock
Manufacturer: Delta
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The Lady Vanishes - Criterion Collection
ASIN: B00000JQSE
Release Date: 2000-06-27 |
Amazon.com
In Jamaica Inn--a rip-roaring melodrama drawn from a Daphne du Maurier potboiler set in 1820s Cornwall--an innocent young orphan (the 19-year-old Maureen O'Hara in her first starring role) arrives at her uncle's remote Cornish inn to find it a den of reprobates given to smuggling, wrecking, and gross overacting. They're all out-hammed, though, by Charles Laughton at his most corseted and outrageously self-indulgent as the local squire to whom O'Hara runs for help. Since his star was also the coproducer, Alfred Hitchcock couldn't do much with the temperamental actor. He contented himself with adding a few characteristic touches--including a spot of bondage (always a Hitchcock favorite)--and slyly sending up the melodramatic absurdities of the plot. Jamaica Inn hardly stands high in the Master's canon, but it trundles along divertingly enough. Hitchcock fanatics will have fun comparing it with his two subsequent--and far more accomplished--du Maurier adaptations, Rebecca and The Birds. --Philip Kemp
Description
Maureen O'Hara plays an orphan girl living on the rugged coast in Ireland. After several vessels smash on the deadly rocks, she begins to suspect it's more than accidental. Also stars Charles Laughton.
Includes an intro by Tony Curtis and the trailer for Hitchcock's film, "The Birds"
Menus: English Spanish Chinese Japanese
Subtitles: Spanish Chinese Japanese
B&W/98 min.
Customer Reviews:
"What are you all waiting for? A spectacle? You shall have it and tell your children how the great age ended.".......2007-08-17
JAMAICA INN is a film directed by Alfred Hitchcock and co-produced by Charles Laughton. Set in 1820s Cornwall, JAMAICA INN is the story about a young Irish orphan, Mary (Maureen O'Hara), who travels to England to live with her last living relative, her aunt Patience (Marie Ney). Mary soon discovers that Patience's husband, Joss (Leslie Banks), is the leader of a gang that has been leading ships to wreck on the coast, smuggling the goods, and killing any survivors. Mary seeks help from the local squire, Sir Humphrey Pengallan (Charles Laughton), but the squire might not be the friendly neighborhood law enforcer that he presumes to be.
JAMAICA INN was the first movie Hitchcock directed based on a story written by Daphne Du Marier and out of the three it is the weakest. The plot is rather predictable and much of the acting is overdone. Apparently there was a great deal of tension on the set between Hitchcock, the director, and Laughton, the co-producer and star of the film. Hitchcock wasn't given the full control he normally had and was unable to keep Laughton in check. Still, JAMAICA INN is a Hitchcock film and though it doesn't reach the heights of his greatest films, it's still better than the average film from the period as well as most films made today.
Besides being a Hitchcock movie, JAMAICA INN is notable for several reasons. To begin with, the movie was one of only a few films in which Hitchcock directed where he did not make a cameo. It was also his last film that he directed in England before coming to Hollywood under contract to David O. Selanick. Lastly, the movie marks the big screen debut of Maureen O'Hara.
What was good has passed away a lot.......2007-06-10
These films of the 1930s, 1939 in this case, are amazing. Simple acting, yet still quite inspired by silent movies technique. Very simple setting not cluttered with too many useless props and other decorations. The dialogue is necessarily simple and the voice work is a caricature of dramatic speech. It was all recorded directly when the film was shot on a sound stage most of the time and the microphones were still very primitive. So what could you expect? No integrated music, no sound effects or very poor ones, no visual effects of course with most of the time sedentary cameras. And the lighting was still far from particularly brilliant. And yet these films were magic because they did not even try to look real, realistic. They had to work the way the technique dictated it. Then the rest was compensated and supplemented by the imagination of the audience. And the zippers in the backs of the monsters were not bothering anyone at the time since it was such a marvelous improvement to have the puppets on the screen speak in real voices. It is amazing to see such an old film by Hitchcock. He was already a great director who could get some real gripping action or situations even with all the shortcomings of his equipment. We have to watch them again these old films, these first talkies, to ,be able to appreciate what modern films have to offer but also what we have lost along the way, a lot more than we may think, and particularly the magic of black and white illusion. But we can't be and have been at once, that's obvious. So let us be living in our time and nostalgically revisit the past.
Dr Jacques COULARDEAU, University Paris Dauphine & University Paris 1 Pantheon Sorbonne
"That place - Jamaica Inn. It's got a bad name. It's not healthy, that's why",.......2007-04-19
"Jamaica Inn" (1939) is remarkable in many ways as almost every movie directed by the great Alfred Hitchcock. It was the last movie he directed in England before he moved to Hollywood. It was his first screen adaptation of the book by Daphne Du Maurier - his next movie, the Oscar winning "Rebecca" is also based on Du Maurier's novel as well as the later "The Birds" (1963). "Jamaica Inn" introduced 18 years old Maureen O'Hara in her first starring role as Mary, a young orphan girl who arrives to stay with her aunt at the inn located at England's Cornish coast around 1820 to quickly find out that the inn is a headquarters of the of the pirate band. Finally, "Jamaica Inn" was the first collaboration of two cinema giants, Alfred Hitchcock and Charles Laughton. While "Jamaica Inn" may be not the best or most memorable Hitchcock's film, nobody would argue that Laughton, a performer of an incredible range stole the movie as Sir Humphrey Pengallon in the performance that mixes "elegant grossness, gallant and sardonic, pure madness, and certain grandeur to his defiance".
Perhaps Atypical but Entertaining Hitchcock Film .......2007-03-07
JAMAICA INN from 1939 was Alfred Hitchcock's last directorial effort from his "British Period" before coming to America to direct REBECCA for David O. Selznick. Interestingly both films are based on Daphne Du Maurier novels. A costume period piece JAMAICA INN attracted Hitchcock because of the Du Maurier angle which would prep him for REBECCA. Alfred Hitchcock was never enamored with costume pieces as he latter admitted to François Truffaut in their famous discussions when refereeing to his ill made choice to direct UNDER CAPRICORN.
Sidney Gilliat and Joan Harrison's screenplay based on Du Maurier's novel seems more conventional and less gothic, if that is an appropriate categorization, than Du Maurier's protraction of her story. This straight forward approach seems to work well for Maureen O'Hara, Charles Laughton and Robert Newton and their roles making the film more intriguing and beguiling and less atmospheric. In all this is a thoroughly entertaining film if somewhat atypical Hitchcock.
Good! .......2007-01-12
Hitchcock performs a massacre of Daphne's book, but somehow, being a talent powerhouse, he makes it work - at least in some places. Daphne's Mary is a dreamy kind of a girl liable to get frightened but not a coward. O'Hara has a strong voice, she is never really frightened, the only time she lets us down ( of course being her first movie) when she calls her Aunt Patience several times - seems contrived. Even when confronted with prospect of rape she never loses her composure and says that she is ready for anything! And a delightful figure!
Of course, Mary falls in love with Joss's brother and not a officer of law as shown in the movie. The hero is quite ugly and it would have been better had be been hanged successfully in the beginning of the film. Charles goes over the top but has a variety of expression in his repertoire which he uses outlandishly and is a delight to watch. Overall, it is still a good entertainment. And particularly for those who have read the book - they must see it.
Average customer rating:
- "What are you all waiting for? A spectacle? You shall have it and tell your children how the great age ended."
- What was good has passed away a lot
- "That place - Jamaica Inn. It's got a bad name. It's not healthy, that's why",
- Perhaps Atypical but Entertaining Hitchcock Film
- Good!
|
Alfred Hitchcock's Jamaica Inn
Starring:
Charles Laughton ,
Maureen O'Hara ,
Leslie Banks ,
Emlyn Williams , and
Robert Newton
Director:
Alfred Hitchcock
Manufacturer: Kino Video
ProductGroup: DVD
Binding: DVD
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-
The Man Who Knew Too Much
-
The Lady Vanishes - Criterion Collection
ASIN: B00000F17C
Release Date: 2003-09-02 |
Amazon.com
In Jamaica Inn--a rip-roaring melodrama drawn from a Daphne du Maurier potboiler set in 1820s Cornwall--an innocent young orphan (the 19-year-old Maureen O'Hara in her first starring role) arrives at her uncle's remote Cornish inn to find it a den of reprobates given to smuggling, wrecking, and gross overacting. They're all out-hammed, though, by Charles Laughton at his most corseted and outrageously self-indulgent as the local squire to whom O'Hara runs for help. Since his star was also the coproducer, Alfred Hitchcock couldn't do much with the temperamental actor. He contented himself with adding a few characteristic touches--including a spot of bondage (always a Hitchcock favorite)--and slyly sending up the melodramatic absurdities of the plot. Jamaica Inn hardly stands high in the Master's canon, but it trundles along divertingly enough. Hitchcock fanatics will have fun comparing it with his two subsequent--and far more accomplished--du Maurier adaptations, Rebecca and The Birds. --Philip Kemp
Description
Among his wide range of skills, Hitchcock had an ability to spot raw talent. This was precisely the case with Maureen O'Hara, who plays an orphan girl living on the rugged coast of Ireland. After several vessels smash on the deadly rocks, she begins to suspect it's more than accidental.
Customer Reviews:
"What are you all waiting for? A spectacle? You shall have it and tell your children how the great age ended.".......2007-08-17
JAMAICA INN is a film directed by Alfred Hitchcock and co-produced by Charles Laughton. Set in 1820s Cornwall, JAMAICA INN is the story about a young Irish orphan, Mary (Maureen O'Hara), who travels to England to live with her last living relative, her aunt Patience (Marie Ney). Mary soon discovers that Patience's husband, Joss (Leslie Banks), is the leader of a gang that has been leading ships to wreck on the coast, smuggling the goods, and killing any survivors. Mary seeks help from the local squire, Sir Humphrey Pengallan (Charles Laughton), but the squire might not be the friendly neighborhood law enforcer that he presumes to be.
JAMAICA INN was the first movie Hitchcock directed based on a story written by Daphne Du Marier and out of the three it is the weakest. The plot is rather predictable and much of the acting is overdone. Apparently there was a great deal of tension on the set between Hitchcock, the director, and Laughton, the co-producer and star of the film. Hitchcock wasn't given the full control he normally had and was unable to keep Laughton in check. Still, JAMAICA INN is a Hitchcock film and though it doesn't reach the heights of his greatest films, it's still better than the average film from the period as well as most films made today.
Besides being a Hitchcock movie, JAMAICA INN is notable for several reasons. To begin with, the movie was one of only a few films in which Hitchcock directed where he did not make a cameo. It was also his last film that he directed in England before coming to Hollywood under contract to David O. Selanick. Lastly, the movie marks the big screen debut of Maureen O'Hara.
What was good has passed away a lot.......2007-06-10
These films of the 1930s, 1939 in this case, are amazing. Simple acting, yet still quite inspired by silent movies technique. Very simple setting not cluttered with too many useless props and other decorations. The dialogue is necessarily simple and the voice work is a caricature of dramatic speech. It was all recorded directly when the film was shot on a sound stage most of the time and the microphones were still very primitive. So what could you expect? No integrated music, no sound effects or very poor ones, no visual effects of course with most of the time sedentary cameras. And the lighting was still far from particularly brilliant. And yet these films were magic because they did not even try to look real, realistic. They had to work the way the technique dictated it. Then the rest was compensated and supplemented by the imagination of the audience. And the zippers in the backs of the monsters were not bothering anyone at the time since it was such a marvelous improvement to have the puppets on the screen speak in real voices. It is amazing to see such an old film by Hitchcock. He was already a great director who could get some real gripping action or situations even with all the shortcomings of his equipment. We have to watch them again these old films, these first talkies, to ,be able to appreciate what modern films have to offer but also what we have lost along the way, a lot more than we may think, and particularly the magic of black and white illusion. But we can't be and have been at once, that's obvious. So let us be living in our time and nostalgically revisit the past.
Dr Jacques COULARDEAU, University Paris Dauphine & University Paris 1 Pantheon Sorbonne
"That place - Jamaica Inn. It's got a bad name. It's not healthy, that's why",.......2007-04-19
"Jamaica Inn" (1939) is remarkable in many ways as almost every movie directed by the great Alfred Hitchcock. It was the last movie he directed in England before he moved to Hollywood. It was his first screen adaptation of the book by Daphne Du Maurier - his next movie, the Oscar winning "Rebecca" is also based on Du Maurier's novel as well as the later "The Birds" (1963). "Jamaica Inn" introduced 18 years old Maureen O'Hara in her first starring role as Mary, a young orphan girl who arrives to stay with her aunt at the inn located at England's Cornish coast around 1820 to quickly find out that the inn is a headquarters of the of the pirate band. Finally, "Jamaica Inn" was the first collaboration of two cinema giants, Alfred Hitchcock and Charles Laughton. While "Jamaica Inn" may be not the best or most memorable Hitchcock's film, nobody would argue that Laughton, a performer of an incredible range stole the movie as Sir Humphrey Pengallon in the performance that mixes "elegant grossness, gallant and sardonic, pure madness, and certain grandeur to his defiance".
Perhaps Atypical but Entertaining Hitchcock Film .......2007-03-07
JAMAICA INN from 1939 was Alfred Hitchcock's last directorial effort from his "British Period" before coming to America to direct REBECCA for David O. Selznick. Interestingly both films are based on Daphne Du Maurier novels. A costume period piece JAMAICA INN attracted Hitchcock because of the Du Maurier angle which would prep him for REBECCA. Alfred Hitchcock was never enamored with costume pieces as he latter admitted to François Truffaut in their famous discussions when refereeing to his ill made choice to direct UNDER CAPRICORN.
Sidney Gilliat and Joan Harrison's screenplay based on Du Maurier's novel seems more conventional and less gothic, if that is an appropriate categorization, than Du Maurier's protraction of her story. This straight forward approach seems to work well for Maureen O'Hara, Charles Laughton and Robert Newton and their roles making the film more intriguing and beguiling and less atmospheric. In all this is a thoroughly entertaining film if somewhat atypical Hitchcock.
Good! .......2007-01-12
Hitchcock performs a massacre of Daphne's book, but somehow, being a talent powerhouse, he makes it work - at least in some places. Daphne's Mary is a dreamy kind of a girl liable to get frightened but not a coward. O'Hara has a strong voice, she is never really frightened, the only time she lets us down ( of course being her first movie) when she calls her Aunt Patience several times - seems contrived. Even when confronted with prospect of rape she never loses her composure and says that she is ready for anything! And a delightful figure!
Of course, Mary falls in love with Joss's brother and not a officer of law as shown in the movie. The hero is quite ugly and it would have been better had be been hanged successfully in the beginning of the film. Charles goes over the top but has a variety of expression in his repertoire which he uses outlandishly and is a delight to watch. Overall, it is still a good entertainment. And particularly for those who have read the book - they must see it.
Amazon.com
Alfred Hitchcock's 1929 remake of the 1916 U.K. drama The Manxman is no picnic: lives are destroyed, careers ruined, and hopes dashed. One of the director's harshest works, this silent film concerns two old school chums on the Isle of Man, Pete (Carl Brisson) and Phil (Malcolm Keen), who both love the same woman, Kate (Anny Ondra). Phil has been reared and educated to become an aristocrat--a successful lawyer and eventual judge. Pete, by contrast, is happy as a fisherman but cannot win Kate until he earns his fortune. (He also doesn't know how Phil really feels about his girl.) When word comes that Pete has died overseas, Phil and Kate consummate their passion, only to find that the news of their friend's demise has been greatly exaggerated. What follows is a doomed effort by the lovers to paper over what they've done: Pete marries Kate, all right, but Kate and Phil's deception not only doesn't go away, it just gets deeper. Hitchcock explores, though not too subtly, his developing preoccupation with shared guilt and secret selves, and he layers in strong hints of ever-deepening motivation behind so much self-destruction. (A suggestion that blue-blooded Phil is really using the barmaid Kate as a shield against his destiny is not only provocative but amplifies the tragedy.) Much of the film is set-bound, but there are also astonishing moments of Hitchcock working out early versions of visual ideas fulfilled up to 30 years later in such films as North by Northwest and Psycho. --Tom Keogh
Description
7 DVD SET INCLUDES:
The Secret Agent
The Skin Game
Number 17
The Ring
Jamaica Inn
Young and Innocent
The Cheney Vase
The Manxman
The 39 Steps
B&W/683 min.
Customer Reviews:
The Golden Era of Silent Hitchock Film.......2003-02-12
This is a tragic, woeful tale! Do not expect to leave this film unscathed by the brutal knife edge of Hitchcock. He wields the weapon of suspense and trauma even here, so very early in his career.
We are also introduced to the fine actor, Carl Brisson. His performance alone garners the worth of four stars. Each facial expression, every gesticulation is worth a thousand words in the medium of silent film, and Mr. Brisson flawlessly provides them all. He is, essentially, the backbone of this dreadully long, droll, tragedy.
You'll notice the pacing and editing of the movie are frustrating, however, in its entirety, i still believe this film works. It's a Lily in Winter: rare, rare, rare. I only wish Mr. Brisson had produced more than three films before his untimely (and early) death.
And you'll want this as a reminder that the fruits of Hitchcocks genius were in the larval stages and just absolutely fascinating to watch.
A Good Value for Hitchcock Fans.......2001-08-30
These DVDs (and The AH Collection II) are quite a good value. Iým a big Hitchcock fan, and before I bought them I had only seen cheapo VHS versions of a few of the movies (except for The Lady Vanishes and The 39 Steps, of which I had the Criterion editions). Anyway, I got the two box sets here on Amazon (theyýre also now available in one big set with 14 DVDs), and Iýve watched through all of them.
The first thing you need to know, and then promptly forget about, is that Tony Curtis provides an introduction to each DVD, and man is it brutal! There are a lot of pictures that were publicity stills for his later movies or his TV series, and Tony says things like, ýHitch liked to shock people. You know what itýs like when you have a good twist at the end of a film? Hitch had a lot of those. Shocking!ý His comments rarely relate to the movie. Anyway, I watched all the intros, but it was painful.
Several of the DVDs also have trailers for later Hitchcock films, all in horrible condition. Which makes the transfers of the actual movies all that much better, since theyýre quite acceptable. The worst transfer is the earliest film, The Lodger, and the worst movies are The Manxman and Easy Virtue. Besides that, it was a pleasure watching them. None of the films are at the level of the two Criterion releases, and there are certainly lines and scratches throughout, but you can enjoy them. The sound is generally okayývery little screeching as I recall from the VHS copies Iýve seen. Thereýs really no bass response at all, but thereýs not a whole lot of scratching either.
I think (a) except for the two Criterion ones, theyýre the best copies out there, (b) if youýre a Hitchcock fan, theyýre required viewing and you wonýt be disappointed in the movies themselves, and (c) at about $... a DVD, and with three or so of the discs containing a second, silent film (none of the silents stand alone on a DVD) and two of the discs containing an episode of Alfred Hitchcock Presents (in probably the worst condition youýve ever seen them, especially if youýve been spoiled by the Universal-released episodes), theyýre a tremendous bargain.
Note, these arenýt all of Hitchcockýs early movies. Several, such as Champagne and Juno and the Paycock, arenýt out on DVD at all. Also note that these arenýt all mystery/suspense films. The Farmerýs Wife is a comedy, The Ring is a boxing/love story, Easy Virtue, Skin Game, and The Manxman are melodramas, and Jamaica Inn is a period piece. But itýs neat to finish one of these and then watch, say, The 39 Steps and see an early glimpse into the director Hitch would later become.
One painful caveat: The Farmerýs Wife, a silent comedy, was quite entertaining, but it was also nearly an hour longer than its 97-minute listed running time. Everytime I thought the farmer would finally choose a wife, another plot twist came up. After 2+ hours I started to consider hitting the FF button. I read somewhere that itýs a common error in silent films to have them run at the wrong speed--unfortunately this one runs too slow. If you can forego the music, Iýd consider watching it in a slight fast forward mode!
Wait for the new Hitchcock releases........2001-07-21
These DVDs are "Laserlight" releases which mean that they have very poor quality picture and sound.Wait for the new Hitchcock Box sets which have clear picture and sound plus documentaries and other extras.The superb Criterion versions are also a good choice.If it's introduced by Tony Curtis,then it's Laserlight,avoid it!
Half wonderful, all of great historical interest.......2000-12-02
Note: this review refers to the 14-DVD boxed set and not just to Volume 1.
No film buff and certainly no film major should be without the boxed set of 14 DVDs that Laserlight has issued under the umbrella title of
. The DVDs are organized in no particular order, some containing only one film, some two, while two of them have a full film and an episode from the old "Alfred Hitchcock Presents" TV series of the 1950s. They all have a trailer of more recent Hitchcock films and they all have an embarrassingly bad introduction by Tony Curtis, whose connection with these films and with English enunciation is vague at best.
The gems of the collection are "The Man Who Knew Too Much" (1934), "The 39 Steps" (1935) and "The Lady Vanishes" (1939). Of the earlier talkies, "Young and Innocent" has the quintessential plot of an innocent man and a girl who somehow winds up with him being chased by the police. "Rich and Strange" (1932) is not a thriller but has a shivery sequence as a couple on a sinking boat sees the water seeping into their cabin--just before it stops sinking.
"Jamaica Inn" (1939) has an over the top performance by Charles Laughton (whose dialogue is hard to follow even on this restored version) and the first appearance of Maureen O'Hara. And for once, Robert Newton plays the Good Guy. "Sabotage" (1936) is based on a Joseph Conrad tale and has the famous scene of the boy on a bus with a bomb on his lap. (Later, Hitchcock commented he should not have let it go off.) "Secret Agent" (1936) gives us a young John Gielgud as a spy who kills the wrong man, Peter Lorre in a very bizarre role (helped or hindered by his drug-taking on and off the set), and the suavest villain of them all--Robert Young!
"Number 17" (1932) is one of the films Hitchcock did not want to film, and he gave us a great spoof on the genre of the spooky houses, diamond smugglers, and derring-do. "Murder" (1930) boasts a super cool Herbert Marshall as a jurist who reluctantly says guilty at a woman's murder trial and then spends the rest of the film proving her innocent.
More fascinating is "Blackmail" (1929), which existed in silent and talking versions. We have the latter and the often commented upon scene in which Hitchcock plays with the soundtrack so that only the word "knife" can be heard during the last part of a long monologue. Another trick he was forced into was the use of a British actress reading out the lines of the foreign-born heroine.
"The Skin Game" (1931) is weakest of the talkies included in this set; and indeed the dialogue is almost impossible to understand.
Of the silents, "The Lodger" (1927) is in the worst shape but it shows very clearly the influence of the silent German film on Hitchcock's early (and later) technique. Of course the long takes of a face staring into the camera are laughable today; but this is an historical document and demands a certain degree of detachment. "The Ring" (1927) does strain credibility, while it shows Hitchcock's love for show business of any sort, even circus freakshows and boxing.
"The Manxman" (1929) is slow and predictable with its love triangle, a misreported death, and the return of the husband. "Easy Virtue" (1927) is based on a Noel Coward play, which it follows only half way through the film, and shows a sympathetic view of the "woman with a past"--in this case, a divorce--together with a condemnation of those who cannot accept her. More Social Studies than good drama here.
However, "The Farmer's Wife" (1928) is quite funny once the somewhat jerky widower offers himself to three unlikely women while his housekeeper loves him in silence and has to assist him in his wooing spree.
One feature of these DVDs you will probably not need is the ability to hear the talkies in English, Spanish, Chinese or Japanese; or to subtitle the dialogue cards in the silents in the last three languages.
A strange feature of these DVDs is that they immediately take you into the film rather than into the menu. This should be changed in future printings.
So all in all, I would guess you would want to see some of the talkies many, many times, some of the silents less often, and some of them never again. But once more, this is a very valuable set for students and just plain lovers of film history, especially the part played in that history by Hitchcock.
Imperdible..........2000-09-25
En esta era de la tecnología y el gusto por lograr las mejores imágenes y los mejores efectos, esta colección nos lleva a darnos cuenta que las grandes obras de arte se deben edificar a partir de eso, "El Arte". Y esto es precisamente lo que demuestra este box set. El arte de la cinematografía puesta en las manos del genial Hitchcock. Ni que hablar de la producción: Siete discos, cada uno en su propio estuche, excelente sonido, y todo el material subtitulado (includo extras, introducción y trailers), además de que los discos son multizona. Cabe destacar que esto no fue obra de una gran empresa sino de LaserLight Video, pero es algo que los grandes estudios deberían tomar como ejemplo, hartos ya de ver películas con extras sin subtítulos. Si a eso le sumamos el costo del set, nos encontramos con una joya que no podemos desperdiciar. Muy recomendable.
Product Description
"Jamaica Inn" 1939 99min. Directed by Alfred Hitchcock. Set in Cornwall around 1800, a young orphan, Mary, is sent to live with her aunt and uncle who are the landolrds of the Jamaica Inn. "Easy Virtue" Also Hitchcock, 79min. After divorcing an abusive husband, an innocent woman makes a valient effort ot beginning her new life, but cannot escape her past.
Customer Reviews:
One was silent.......2004-10-21
I was very surprised to find that Easy Virtue was a silent movie but it was a good movie & easy to follow.
And Jamaica Inn was really good
Average customer rating:
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Alfred Hitchcock's Jamaica Inn
Starring:
Maureen O'Hara ,
Charles Laughton ,
Robert Newton ,
Horace Hodges , and
Hay Petrie
Director:
Alfred Hitchcock
Manufacturer: Miracle Pictures
ProductGroup: DVD
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Laughton, Charles
| ( L )
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Newton, Robert
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O'Hara, Maureen
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The Snows of Kilimanjaro
ASIN: B00023BLVM
Release Date: 2004-06-29 |
Customer Reviews:
Good for the Price.......2006-10-13
Another Charles Laughton Classic that just happens to be Directed by Alfred Hitchcock. How can you go wrong with that formula?
The DVD matching this Cover Art -
This DVD isn't too bad, but I would rather have a more expertly created product. The DVD starts off with a typical FBI Warning and then a bump that says Passion Productions. (Note: Passion Productions is not written on the Cover Art or Disc itself.) Then the DVD proceeds to a Menu. You hit play and the movie begins with the first part of the opening title sequence missing. It stays in form at the end with a good portion of the end title sequence missing as well. Other than that the problems aren't too bad. There are a few momentary jump cuts here and there as well as some signs of wear and age, but for the most part the image is quite nice at times. The audio does seem a bit muffled from time to time. Also, like many budget DVDs, if you go to the Chapter Menu you can only start with Chapter 2 or higher. All and all I will probably spend a little extra to get a better version of this film. I just hope the more expensive versions have been created more carefully.
Average customer rating:
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Jamaica Inn
Starring:
Robert A'Dair ,
Marie Ault ,
Leslie Banks ,
O.B. Clarence , and
George Curzon
Manufacturer: Westlake Budget
ProductGroup: DVD
Binding: DVD
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| ( B )
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| ( J )
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| ( L )
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ASIN: B0006N5H68
Release Date: 2004-02-10 |
Product Description
SPECIAL FEATURES INCLUDE BIOGRAPHIES, FILMOGRAPHIES, PHOTO GALLERY, INTERACTIVE MENUS, JUMP TO SCENE, DOLBY SOUND, PC/ MAC COMPATIBLE
Product Description
Jamaica Inn: When her parents die, Mary is sent to Cornwall, Englandto live with her Aunt Patience and Uncle Joss. Uncle Joss is the owner and proprietor of the Jamaica Inn, a seemingly normal business. However, Mary soon discovers that all is not what it seems: her uncle is a leader of a gang of pirates who lure ships to their doom on a rocky coast. When Mary discovers the truth, though, she begins to fear for her life. This early classic from the master of suspense is adapted froma novel by Daphne Du Maurierand features screen legend Charles Laughton.
Sabatage: Mr. Verloc leads an unassuming life as the manager of a small cinema. At least, thats what his wife and brother in law think. What they don't know is that Mr. Verloc is actually part of a gang of saboteurs. When Scotland Yard assigns a detective to work next door to the cinema, Mr. Verloc's life takes a dramatic turn in this tense, edge of your seat thriller.
The 39 Steps: In the London music hall, Canadian tourists Richard Hannay is enjoying a production of Mr. Memory. Just before it ends, however, there is a disturbance in the hall and Richard;s life becomes intertwined with that of Annabella Smith, a woman on the run from a spy ring. He agrees to protect her, but later that night, she is murdered. Fearing he will be accused of the crime, Richard goes on the run to bring down the spy ring and prove his innocence. Along with 1934's The Man Who Knew Too Much, this is the film that made Hitchcock a household name.
Easy Virtue: Larita Filton has just had her life turned upside down, a scndelous divorce case and subsequent suicide have left her with scourge of the community. She escapes to France where she meets John Whittaker and they fall in love. When John's family finds out her secret, though, Larita may be in for more than she'd ever bargained for.
Customer Reviews:
Wow! 5 1/2 hours of Pure Suspense From the Master!.......2006-06-06
4 complete films; 5 and a half hours! All decent transfers in glorious B+W for a truly bargain basement price! You can't go wrong with this Digiview 2006 release of Hitchcock's best classics from his early period.
Product Description
4 dvd box set, digitally mastered, interactive menus, with chapter selections. Contains these 9 movies; BENEATH THE 12-MILE REEF / MUTINY / LEGEND OF SEA WOLF / CAPTAIN KIDD / CAPTAIN CALAMITY / THE BLACK PIRATE / WALLABY JIM OF THE ISLANDS / JAMAICA INN / SEA WOLF: THE PIRATES CURSE
DVD:
- Kamikaze Taxi
- Kathy Smith - Timesaver - Lift Weights to Lose Weight
- Kickboxer 5: Redemption
- Krakatoa, East of Java
- Kung Fu Classic - Avenging Eagle
- Land of the Dead (Unrated Edition)
- Lara Croft - Lethal and Loaded
- Legendary World War II Movies (Gung Ho!/Go for Broke!/The Immortal Battalion)
- Mastering Jujitsu
- Mean Guns 20 Movie Pack
DVD
DVD