Monument Ave.

Description

Denis Leary (TV's THE JOB) and Martin Sheen (THE AMERICAN PRESIDENT) star in this explosive story about the power of loyalty, community, and friendship in the world of organized crime. In a tough Irish-American neighborhood, Bobby (Leary) is a small-time car thief working for the area's top mobster (Colm Meany -- CON AIR, THE SNAPPER). But then, Bobby's own gang kills members of his family, leaving Bobby faced with a tough choice: defend his family honor or obey the rigid neighborhood code of silence! With co-stars Billy Crudup (ALMOST FAMOUS) and Famke Janssen (GOLDEN EYE), MONUMENT AVE. is gripping entertainment in the tradition of GOODFELLAS!

Customer Reviews:

The easy life in a microcosm of car ring gang.......2007-06-13

MONUMENT AVE (aka SNITCH 1998), is somewhat of a chick-flick in a
masculine version, telling a story of a number of youths all from the
same neighborhood, who somehow escaped the radar screen of law
enforcement. This is said to stem from from the incompetence of the
constable, his being on the take, or from looking the other way due
to his shared ethnicity (Irish-Americans, Martin Sheen) with the
other delinquent elements.

The lead characters, among them Denis Leary, Kevin Chapman somehow
wind up at between 30 and 40 years of age, in almost an identical
spot as when they were youths growing up together, rejecting the 9 to
5 routine, in favor of a constant presence in pubs, drinking, high
on cocaine, whiskey, gambling, without having learned a trade or
profession.

They agree to defraud an insurer with a simulated theft of luxury
automobiles in some cases, and in others, sell those for parts as
part of a car ring on the East Coast of the USA.

The easy life, and excess familiarity with their own neighborhoods,
leads this gang to unrealistic expectactions in regards to their
ability to stop the hands of time and the winds of change, in terms
of their own neighborhood in the city from when they were kids,
fearing housing projects and other communities from setting shop in it.

In regards to business, the ring leader admits taking out a number of
well known community members over the years, to eliminate any and all
risks of informants to the police and any challenge to his leadership
position.

Surprisingly, this microcosm in which they sustain themselves
stays unchanged over a period of years, until the skeletons seem too
many, the truth too hideous to remain hidden in the closet. At their
age, the cognitive dissonance between right and wrong and the
expectations of their boss, grows too large to reconcile, such that a
desire to break free from this scene grows increasingly irresistable.

The overwhelming experience of this movie, is the skill of the
director underplaying his presence, by almost totally eliminating
music, special effects, cinematic inventions, by sticking to a
simplicity, and a low-key presence of the cameras. The action as it
unfolds feels authentic to the viewers, with the actors offering
realistic performances, in a movie that appears strongly
autobiographical in nature.

The weak point, is obviously the lack of consequences and pain felt by
the ring members from their actions, the easiness of their
lifestyles, and excess pleasure they seem to partake in, as well as
the astonishingly absent moral reflections, repercussions, analysis
of their gestures. In other words, the audience may have difficulty
identifying with the characters's shallow humanity.

Vastly Underrated -- Best Boston Movie Ever.......2006-09-07

Anyone who grew up in Boston in the 1980s and 1990s will tell you, this is one of the best Boston movies ever made and comes as close as a fictional movie can to feeling like, at times, a documentary (only "The Verdict" comes as close to capturing what Boston is all about). It absolutely blows Good Will Hunting away. (The film "Southie", while truly awful at parts, is actually better than most people think, starred a Dorchester native, and was written by another. While it was set in NYC, "State of Grace" is a close cousin to this movie, but Monument Avenue does not have a ridiculous, horrible ending, which "State of Grace" unarguably did). Believe it or not, Monument Avenue is in almost all ways actually a better film than "Mystic River", and it is much more evocative of Boston. The guys in "Mystic River" are great characters but are obviously just that, characters, while the guys in Monument Avenue feel like the real thing, and few movies capture the dead-end, small-time criminal life of blue collar white NE ethnics better. Monument Avenue is also beyond dark, the final montage that closes the movie is practically unwatchable to anyone who knew or was related to someone who was a part of what was going on in Boston at this time and features one of the most effective uses of stills and mood music in American cinematic history. Charlestown is brought to life so vividly in this film that it is a character in the movie. Everyone in the cast (except for a jarringly weak Colm Meaney) nails it. Leary being great in this movie is no surprise (even though he is a hick from Worcester), but Famke Jansen is shockingly good. The movie is based on what happened in the 1980's-1990's when gentrification hit Boston's Irish Neighborhoods and an epidemic of bar-room shootings took place in Charlestown, in full view of people, with no witnesses stepping forward (a prime motiviation behind most of the witnesses not talking was the desire to settle the score by killing the shooter themselves later on, or preserving the right of the victims friends or family members to do so -- the feuds in Charlestown were so widespread that over 125 murders similar to those in this film are said to have taken place in 10 years -- that is not a misprint). Mothers Against Violence formed in response to this epidemic of murders and refusals to cooperate with the police in Charlestown (this is foreshadowed in the film during a funeral scene). All of Boston's tougher Irish (at that time) neighborhoods -- South Boston, Dorchester, Jamaica Plain, Hyde Park, Roslindale -- had a well-known unwritten code of silence and their share of feuds and unending cycles of vengeance, but Charlestown's was by far the most infamous, all-encompassing and unforgiving. The best-kept secret to outsiders that are not from Boston is that Charlestown is, far and away, Boston's toughest neighborhood. A powerful, elegant, and unfairly ignored film. Truly spectacular.

GREAT CRIME DRAMA.......2006-07-27

ACTING IS GREAT, STORY IS SOLID. SMALL REALISTIC POCKETS OF ACTION.

DENNIS LEARY NAILS HIS ROLE AS WELL AS THE REST OF THE SUPPORTING CAST.

MUST SEE

overlooked, underrated little crime gem.......2005-08-18

If you've watched Rescue Me over the last couple years or seen The Job, you know the typical Denis Leary character: tough, profane, ethically and morally challenged, funny as hell, smarter than those around him but never as smart as thinks he is, and deep down, knows it, and always waiting for the roof to collapse on him, as he knows it eventually will, for he is no idiot though he acts like one 70% of the time. Leary, to me, is one of the best things on television, as is Rescue Me, clearly the equal of the great HBO shows and other FX notables like The Shield. If you appreciate Leary and the dark, tragic yet often comic sensibility he lends to Rescue Me, it would be worth your while to check out Monument Ave. Based on positive reviews in the NY Times and the New Yorker, I saw it on the big screen when it came out in 1998 along with about three other people in the theatre. Not surprisingly it disappeared in a week and is rarely mentioned when critics talk about great crime films, particularly crime films of the post Mean Streets type, a film that clearly was an influence on Monument Ave. And that might be because, like Rescue Me and The Job and Leary's other great film, also made by Ted Demme, The Ref, Monument Ave. pretends to be something it really isn't, in this case a Scorsese like genre piece. But at heart really more of a contemporary tragedy closer in spirit to something like Mystic River than Mean Streets and all the clones that film and Reservoir Dogs created. Monument Ave. has a plot of sorts--will Bobby, the small time car thief Leary plays, turn on his boss Jackie played by Colm Meany who has everyone around him terrorized into silence as his henchmen kill anyone who crosses him, leaving a host of grieving mothers in their wake. For Bobby this betrayal would mean going against a code of silence that has ruled his neighborhood--insular, parochial Charlestown, MA, fifteen minutes from downtown Boston but for Bobby and the rest of the characters, townies all, a thousand miles away for all intents and purposes--and his life. So in effect, as all tragedies, are, Monument Ave. is a morality play, where to do the right thing means going against all your culture and society has said is correct. Monument Ave. is a small film, one that appropriately enough airs every so often IFC, and has all the strengths that can come with a small film. Excellent performances by a strong cast, Leary in particular, but also Ian Hart, probably best known for playing John Lennon in both The Hours and The Times and Backbeat, Famke Janssen showing probably for the first time that she was not simply eye candy, and in one of his first screen roles, Billy Cruddup. Monument Ave. is no Chinatown or even Mean Streets, its aspirations and intents are much smaller, more economical, but as a finely tuned portrait of an imperfect character coming to some moral stance, one that carries consequences he could never envision, this is a film well worth seeing.

A great role for Leary in "Monument Avenue".......2004-02-25

I bought "Monument Avenue" on a whim. I'm a Denis Leary fan, and was interested to see how Leary performed in the role of an Irish thug type. It's a fitting role for Leary. He was properly cast as Bobby, a small time car thief. Leary excelled at the role, coming off as very authentic. I agree with the other reviewer who said Leary doesn't have to play piss and moan roles to shine.

The movie has a couple slow spots, but it's a good mobster story nonetheless.

DVD:

DVD

DVD