Massacre in Rome (Remastered Edition)

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Both suspenseful and thoughtful, the 1973 Massacre in Rome is based on tragic events that took place in 1944 as the Nazi war machine was beginning to come to terms with its eventual failure. Richard Burton plays SS Lt. Col. Herbert Kappler, stationed in Rome at the time of a sneak attack on German troops (leaving 32 dead) by Italian partisans. Kappler, both educated and realistic, resists demands by his immediate superior (Leo McKern) and the High Command to retaliate by shooting a multitude of locals, whether or not they had anything to do with the deaths. Kappler, and other Third Reich officers, sees the killing of the 32 as miniscule compared to losses the Germans are enduring every day in a losing battle against the Allies. A severe punishment against Romans, Kappler reasons, would be both petty and shortsighted, heightening Italian anger over the German presence.

But Hitler himself insists, leaving Kappler with the impractical and unpleasant task of finding 320 Italians to kill in cold blood. Meanwhile, a Catholic priest and art restorer (Marcello Mastroianni), whom Kappler both admires and distrusts, is shielding the partisans and exacerbating the conflict Kappler feels between his duty and his civilized self. Produced by Carlo Ponti (The Passenger) and directed by George P. Cosmatos (Tombstone), Massacre In Rome is both an action movie and a drama of great moral complexity, exploring such tricky issues as the Vatican's cooperation with German looting of Italian art and antiquities. A rich score by Ennio Morricone and a second disc full of special features, including old interviews with Cosmatos and Mastroianni, make this a memorable experience. --Tom Keogh

Description

Torn from the pages of history comes the true account of one of the most devastating massacres in the chronicles of modern warfare.

March 1944. With the fortunes of war turning against the Third Reich, Nazi-occupied Rome is a hotbed of dissent from the growing resistance movement. When the Roman underground ambushes a column of SS military police, killing 33, the German High Command orders the execution of 10 Roman citizens for each of its fallen soldiers.

MASSACRE IN ROME unites two of the greatest cinema icons of the 1960s. Marcello Mastroianni (LA DOLCE VITA, 8Â½) stars as Roman priest Pietro Antonelli, ordered by the Pope to collaborate with Nazi Lt. Colonel Herbert Kappler ( Richard Burton, of WHOâ€™S AFRAID OF VIRGINIA WOOLF?), charged by Hitler with the duty of rounding up 330 civilians for execution. Dedicated to pacifism, Antonelli must choose whether to defy the Popeâ€™s orders and aid the resistance or remain true to his vows and watch his countrymen slaughtered by the SS.

This Carlo Ponti production was the second film by director George Pan Cosmatos (RAMBO: FIRST BLOOD PART II), and benefits from a tense, searing score from Ennio Morricone.

NoShame Films presents for the first time ever a deluxe 2-DVD edition. MASSACRE IN ROME is a commanding, disturbing historical drama of rebellion, heroism and sacrifice by men and women who loved freedom more than they feared death.

Customer Reviews:

Foreign WW2 Drama.......2006-11-05

Having seen many WW2 films, I thought there would be no novel experiences left in watching yet another film on that subject. However, I was pleasantly surprized upon watching this film.
The setting is German occupied Rome toward the end of the war. The story line evolves around the conflict between resistance forces and the occupation forces. What is unique in this film is the brilliant way suspense is developed, keeping all of us glued to our seats during its showing. The fine acting by both British and Italian stars brought an enhanced sense of reality accentuated by the moral dilema encountered by both military men and clergy. (This in spite of the fact that we had to endure the subtitles)
RS

The bureaucracy of evil.......2006-02-20

Massacre in Rome (aka Rappresaglia) is a surprisingly sober look at the bureaucracy of evil. Focussing on the murder of 335 Italian civilians as reprisal for the killing of 33 SS men, it shows how the moral questions were submerged under the purely practical problems of logistics - where do you find them at such short notice? What if there aren't enough prisoners in jail or Jews in custody to make up the numbers? Where do you carry it out? Where do you dispose of the bodies? Who pulls the trigger? How drunk do you have to get your men to finish the whole operation in 24 hours? Throughout, moral implications and guilt are sidelined by paperwork, not just by the Nazis but also the Vatican, reluctant to get involved and still clinging to the belief that the Nazis are their only defense against the atheist threat of communism. This being an Italian film, however, a fictional composite of those priests who did attempt to avert the atrocity is included to avoid offending the faithful (Marcello Mastroianni's priest meeting his crisis of faith in a similar way to Matthieu Kassovitz's similar character in 'Amen' that can be interpreted as either rejection or vindication of his faith). Ironically, the only voices raised in moderation against the reprisal are Germans, because "We don't want our names read out on the BBC, do we?"

For someone who spent most of his career churning out hackwork, George Pan Cosmatos' direction is more than solid enough to avoid most of the usual international co-production pitfalls, trusting the material and, for the most part, keeping the cast from grandstanding. Richard Burton isn't at his peak as the officer in charge, but considering how bad his other work was during this particularly drunken period, Cosmatos gets a remarkably controlled performance out of him that avoids ham and bluster to good effect. Leo McKern does ham it up (although in fairness the Nazi he plays was even less restrained in real life) but Peter Vaughn and John Steiner more than compensate.

Although it does a good job of portraying the way the Germans dominated their fascist `allies' in the last weeks of the invasion of Italy, the script does occasionally lack historical perspective (the Nazi measures in Rome that partially provoked the partisan attack are barely raised), although NoShame's 2-DVD set does fill in these gaps with substantial interviews with Italian partisans and historians. Marcello Gatti's cinematography is also particularly impressive, with a great use of the strong, deep blacks you never see in movies anymore. The massacre sequence itself is slightly botched: the editing is awkward and the scene too tasteful to evoke much of a response. Instead, the most lasting impression is made by the end credits - a list of those murdered that, even in two columns and rolled by very quickly, takes a full two minutes to pass.

Massacre in Rome.......2005-12-19

The film "Massacre in Rome" is a film that conveys the orchestration of the retaliation plan in regard to the assault of the Italian national partisans against the SS brigade stationed in Rome during the WWII era.

We closely watch the orchestration of that massacre through the intrusive look behind all the closed doors at the SS headquarters, the Police Department of Rome and the Roman Catholic Church.

The director provides us a documentary view as if there was a camera within those headquarters and we are thankfully ridden of any over dramatization that certainly destroys the very essence of political cinema. Simply watch all the reasoning and the agendas followed by the implicated authorities to simple matters (such as the number of people to be executed for every dead SS officer. All of them remain very interesting in respect of understanding diplomatic games and saving face against the opponent as well as to the higher ranks.

This is a political film in the very same tradition of the film "Z" where the dialogues are realistic, the pace is timely increasing and the actors are serving the actual characters' reasoning and do not think for one single minute to ride upon their star status.

Richard Burton and Marcello Mastroianni along with a group of excellent actors entice us in a magnificent piece of historical representation. The film rightfully condemns the executioners along with the authorities whose apathy was just as crucial for the execution of all the innocent Italian prisoners.

The end of the film presents the massacre that may have disappointed many viewers due to the fact that it is compared to the today's graphic depiction of violence in films. One though can rightfully hold a different opinion that is based on the character portrayal that sometimes is perfectly stated on the faces of the executioner and the innocent.

The film credits give a list of all the names of the people killed.

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Rome Against Rome
Starring: Rome Against Rome
Manufacturer: Telavista
ProductGroup: DVD
Binding: DVD

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ASIN: B0007VY54E
Release Date: 2006-08-15

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Manufacturer: A & E History Channel
ProductGroup: DVD
Binding: DVD

Product Description

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