Out of Africa

Amazon.com essential video

Sydney Pollack's 1985 multiple-Oscar winner is a sumptuous and emotionally satisfying film about the life of Danish writer Karen Blixen (Meryl Streep), better known as Isak Dinesen, who travels to Kenya to be with her German husband (Klaus Maria Brandauer) but falls for an English adventurer (Robert Redford). The film is slow in developing the relationship, but it is rich in beautiful images of Africa and in the romantic tone surrounding Blixen's gradual discovery of her life and voice. One downside: while we may all love Redford, he is as convincingly British as Kevin Costner is in Robin Hood: Prince of Thieves. --Tom Keogh

Description

The most acclaimed motion picture of 1985 stars Robert Redford and Meryl Streep in one of the screen's great epic romances. Directed by Oscar winner Sydney Pollack, Out of Africa is the fascinating true story of Karen Blixen, a strong-willed woman who, with her philandering husband (Klaus Maria Brandauer), runs a coffee plantation in Kenya, circa 1914. To her astonishment, she soon discovers herself falling in love with the land, its people and a mysterious white hunter (Redford). The masterfully crafted, breathtakingly produced story of love and loss earned Oscars for Best Picture, Director, Screenplay (based on material from another medium), Cinematography, Original Score, Art Direction (Set Decoration) and Sound.

Customer Reviews:

"Out of Africa": The Movie, the Book, the Feminist.......2007-09-11

The book, "Out of Africa," is a memoir of the Danish Baroness Karen Blixen's habitation near Nairobi in Kenya from 1914 to 1931 on a fertile 6000-acre coffee plantation, "at the foot of the Ngong Hills" (1992: 3). Blixen writes under the pen-name Isak Dinesen. Karen Blixen went to British East Africa (in a location in present-day, Kenya) to join her German husband (Baron Bror Blixen), and upon separation she stayed in Kenya to manage the farm by herself. The extent of her adventures in Africa, and to what extent she is a feminist is borne out by the book, as well as the film "Out of Africa," that is based on the book. This piece will examine such, as well as comparisons between the book and the film.

Isak Dinesen (Karen Blixen) presents geographical detail, oftentimes comparisons and contrasts within this fertile land of the Kikuyu people that would several decades later be the crux of the Mau-Mau rebellion over whites' displacement and dispossession of natives from their land. Dinesen also compares features with those of her native Europe. Dinesen writes of the equatorial habitat, "Everything that you saw made for greatness and freedom, and unequaled nobility...Up in this high air you breathed easily, drawing in a vital assurance and lightness of heart: Here I am where I ought to be" (1992: 4). Dinesen writes of "heavy-scented lilies," of "long-rains," "ever-changing clouds," of "hills from the farm [that} changed their character many times in the course of the day, and sometimes looked quite close and at times very far away" (1992: 4). Dinesen, in precise and elegant language displays love and fascination for the geography, the clean air, the animals, the beauty of this African environment; she becomes possessed by the place.The movie captures the large, picturesque, mysterious, and varied eastern equatorial Africa where the eland, the buffalo, and the rhino are quite common sights; the movie impressively and unanimously earned, Oscar, "Best Picture of the Year."

In the end Dinesen is forced to give up her plantation, this scenario elicits a heartache and sadness. Dinesen's memoirs, years after she had left Africa could be a reflection of her nostalgic dealing with her loss of the farm as well as overall experiences in Africa. Dinesen stands out as a courageous and strong woman, one who is in the feminist direction. She lost her philandering husband, but stayed on bravely, for nearly 20 years in a foreign harsh environment, one with languages and cultures far-fetched from her own. Dinesen worked well at being appreciative of an environment that was new to her, during an era of colonialism in Africa, a time when Darwinian relegation of black Africans to the lowest of human species and elevation of whites to the upper rung was very strong. Dinesen cuts through the female traditional roles, she tries flying in planes, the goes on safari, she learns how to shoot and even shoots and kills game. She is open and welcomes countless visitors from all over the world to her home and farm. This was an age of exploration and acquisition of "Dark Africa," by Europeans and Asians. Dinesen is quite aware of her feminine strength. She rescues and adopts a wounded antelope she names Lulu; Lulu becomes a celebrity on the farm; Dinesen searches, discovers and celebrates the feminist strength in Lulu: "But Lulu was not really gentle, she had the so-called devil in her. She had, to the highest degree, the feminine trait of appearing to be exclusively on the defensive, concentrating on guarding the integrity of her being, when she was really, with the force in her, bent upon and defensive" (1992: 74). Also, "Lulu of the woods was a superior, independent being...she was in possession. If I had happened to have known a young princess in exile, and while she was still a pretender to the throne, and had met her again in her full queenly estate after she had come into her rights, our meeting would have had the same character" (1992: 78).

The book displays that Karen Blixen exemplified the Europeans with the upper hand in colonial world conquest and politics. It is to be recalled that the three weapons used by Europeans to subjugate Africans were the gun, the Bible, and the anthropologist. Karen used guns to protect herself. Catholic (mostly Belgian and French), Protestant (mostly British), and Muslim (mostly Arabic) agencies vied for power in Africa. The Germans were in present-day neighboring Tanzania (German East Africa) to the south. They would be ousted during this significant, "Scramble for Africa." The book illustrates how Karen Blixen took great interest in which religious group the young natives (some of whom served her) adhered to. Many native followers, taught to kneel and pray to an invisible white Almighty god, became converted to the political/ religious groups, as they became dispossessed of their land resources. The anthropology aspect, as mentioned, involved relegation of black Africans to the lowest rungs of evolutionary mankind...the white was relegated as the superior, the master, the savior, the benevolent, the genius. The movie is great at casting Meryl Streep as the beautiful, rosy-cheeked clean, statuesque woman amidst muddy, black African paradise! The real Karen Blixen likely had more rugged looks and likely often got "down-and-dirty," than is depicted in the movie. An equatorial Africa of long and heavy rainy seasons, of continuous tropical sun, and of limited running water would not leave the Danish heroine so clean and collected.

It is to be recalled that Dinesen is writing from an overly European point of view, hence, negative criticism of her will not be short. Her attitude to black Africans is racist and condescending. In the movie, Denys Finch-Hatton (Robert Redford) rebukes her for instructing native porters to get off her belongings by "shooing," them off!. Finch-Hatton, in shock, remarks to her, "Shoo?" as if telling her, "I do not believe you addressed these people that way!" Finch-Hatton (who became Dinesen's lover) knows the native languages (Kiswahili and Kikuyu), and goes on to communicate her instructions to the porters. Black Africans are prevalently depicted in the movie as poverty-stricken servants, laborers and porters, as helpless people close to animal nature. In tune with the movie, here Dinesen writes, "They were poor people, small and underfed; they looked like a pair of badgers on my lawn...I could hardly distinguish them against the grass. They were sank in deep grief; their bereavement and their economic loss melted into one overwhelming distress" (1992: 108). Dinesen is surprised that the, "Natives," are strikingly open, adapting, welcoming and unprejudiced. Yet, as prevalent in the colonial fashion, she does not attribute this to the inner traditions and workings of indigenous African society, but from influence from foreigners including slavers! "The lack of prejudice in the Natives is a striking thing, for you expect to find dark taboos in the primitive people. It is due...to their acquaintance with a variety of races and tribes, and to the lively human intercourse that was brought upon East Africa, first by the old traders of ivory and slaves...and...by the settlers and big-game hunters" (1992: 54).

Dinesen wishes the natives would understand and appreciate her more. It is always presumptuous to be confident of having fully understood a foreign culture and people; she does not seem to believe she is prejudiced and why the natives to a good extent regard her as a foreigner far different from them, and difficult to comprehend. She writes, "If I know a song of Africa,---I thought,---of the Giraffe, and the African new moon lying on her back, of the ploughs in the field, and the sweaty faces of the coffee pickers, does Africa know a song of me?" (1992: 83). At the same time, Dinesen quite often acknowledges that newcomers from Africa are from a noisy and rushed world, they do not have the patience and connectedness of native Africans. European colonialists imposed on the natives an alien system of forced dispossession and displacement and of monopoly. So much of this colonial intrusion was quite new to the prevalently communalist and family-oriented, egalitarian way of native African subsistence.

Karen Blixen's marriage starts out as more of a convenience than of romance. She left Denmark to marry the German Baron Bror Blixen (Klaus Maria Brandauer) and start a dairy in Kenya. Bror is actually the brother of her lover. Karen is offering her fortune for companionship and adventure (and for the title of, "Baroness") much more than for enjoying the security of a man. So, from the outset, Karen's feminist inclinations are strong. The husband changes his mind about the diary, and instead invests her money in a risky venture of growing coffee. The husband is unfaithful, philandering, gives her syphilis that will disable her from having children; the marriage breaks up. Karen is left to manage the farm, she has to battle with floods and fire. Hardly anything of British big game hunter Denys Finch-Hatton's romance with Dinesen (Karen Blixen), is mentioned in the book; the movie likely borrows from other sources depicting the life of Karen Blixen. Unfortunately the English accent of Denys Finch-Hatton is not conveyed by Redford, compared to Karen's excellent outflow of a Scandinavian accent. Yet, the movie depicts their chemistry, Denys is impressed by her strength and independence, Karen's ability to tell and weave stories, they kiss, and in one scene have sex. Karen does seem to desire long-term companionship and commitment from Denys, desire for a man who will sacrifice to be with her. She stands against having a man like Denys who wants to be "free-wheeling," one who will come and go depending on need and desire, he loves the African outdoors. Finch-Hatton is mysterious, elusive and emotionally distant, but he is miscast in that in the movie: he seems to represent an all-American jock that waywardly found his way into Africa. Karen was wounded before, and this encounter with Denys is only a brief moment of ecstasy, but she bravely soldiers on, appreciating more of what is around her. Karen is indeed confident, stoic and creative in face of the odds. She did resist going on safari with Denys, but she eventually succumbed to his quite undeniable invitation. Eventually, they got closer, she broadened her horizons, she better adapted to and better accepted foreigners and their ways.

In conclusion, the movie emphasizes the romantic issues and episodes in Karen Blixen's life in Africa (romance and sex sells in Hollywood), much more than the book does. The book seems to be constructed from a breadth of notes of what Blixen put together while in Africa, and weaved them into a good fairy tale. The truth is that Blixen dealt with aspects like fluctuating coffee prices, sometimes drought and heavy rains, discontented dispossessed natives, scrambles for Africa amongst several European agencies, African diseases and sometimes unsanitary conditions, wildlife from untamed neighborhoods. The movie does display the exquisite beauty of tropical Africa which Blixen did dwell on, but not on the colonial wranglings. There is lyrical beauty in Blixen's writing, and the movie does elicit an African peaceful mood through the excellent music. Blixen, in both the movie and the book is a strong and opinionated woman, yet flexible and open to ideas, people, and adventure. She is a significant precursor of modern-day feminism.

Wonderful movie.......2007-09-04

I didn't see this movie when it came out in 1985 - but I wish I had !
Fantastic scenery (shot in Kenya) and a terrific performance by Streep, Brandauer and Michael Kitchens.
This was based on a true story about author Isak Dinesen (not certain about that spelling; her pen name was Karen Blixen. Or maybe its the other way around).
It helps to know a bit about the story beforehand; and also something about colonial Africa. Otherwise it may not hold your interest (especially younger adults).
Biggest drawback is Redford's character Denis Finch-Hatton. Finch-Hatton was and Englishman but Redford makes no attempt at a British accent. Redford has the right rugged good looks but the accent messes up the character.
I highly recommend this film.

A classic!.......2007-08-28

One of the all-time best movies!...gorgeous sound track, gorgeous scenery..beautiful story beautifully narrated..top cast. I own it and view it repeatedly.

The Best Movie Ever Made!!.......2007-07-30

So Often when I ask people if they've seen this movie, they say no. I'm shocked at that, as it is, for sure, the best movie ever made. In its day it won 7 Academy Awards! First of all the acting, the scenery, and music are superb. But the story, based on the true adventures of an amazing lady will touch you forever. For Ladies, if you've ever been a woman seeking idealistic love or a woman trying to being successful in your professional efforts, you will relate to Karen, her life, her joys and her frustrations. For men, you will relate to that need men have to keep their safe distance from matters of the heart and to go out and be adventurers. Also, it may help you understand the complexities of women. I warn you both though, this movie will give you a yearning to visit Africa. I recommend you watch the director comments and especially the music comments, then go back and watch it again and again. I recently had the pleasure of meeting director Sydney Pollack and told him i've seen it about 22 times, he told me that was a record!

Delight in "Out of Africa".......2007-07-23

I wanted to update my movie collection by buying a DVD to replace my VHS tape of "Out of Africa." The quality is much better and nicer to watch. In addition, there are "extra features" on the DVD that were added and are interesting to see. For example, Meryl Streep talks about making the movie. Fascinating stuff. What an elegant movie with gorgeous photography and an amazing story of interesting people living in interesting times.

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Hair!
Hair
Favorite Movie Ever
Fantastic musical!
A Classic

Hair
Starring: John Savage , Treat Williams , Beverly D'Angelo , Annie Golden , and Dorsey Wright
Director: Milos Forman
Manufacturer: MGM (Video & DVD)
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Gillette Fusion Power Replacement Cartridges, 8-Count Package

ASIN: 0792841638
Release Date: 1999-04-27

Amazon.com essential video

The Age of Aquarius is brought to life by the filmmaker who made Amadeus a household word. Milos Forman directed this version of James Rado, Gerome Ragni, and Galt MacDermot's landmark musical in 1979 between his Oscar-winning films One Flew Over the Cuckoo's Nest and Amadeus. With mixed reviews (Gene Siskel named it that year's best film) and lukewarm box-office grosses, the film all but disappeared from the collective consciousness. Yet the film beautifully delivers on its promise to bring the '60s back to life. Hair re-creates a colorful world of counterculture finding an anvil to pound on: the Vietnam War. Forman and his design team allow the film to wash over you, starting at the free-flowing opening in which masses of hippies, police, and even their horses eagerly groove to the familiar beat of "Aquarius." In the best work of his career, Treat Williams makes his leading- man debut as Berger, the leader of the Central Park troop who takes draftee Claude (John Savage) under his wing on his trip through New York City and the apex of what the '60s was. The new recording of the music is quite fine, with Chicago band member Don Dacus's rendition of the title song a highlight. As Berger's pièce de résistance number says, "I've Got Life"; so does the film, right down to its poignant declaration to "let the sunshine in." --Doug Thomas

Description

Brimming with the energy, passion and music that rocked a nation, Hair is an entertaining and powerful tribute to the turbulent spirit of the '60s. Brilliantly recreated by OscarÂ(r)-winning* director Milos Forman and screenwriter Michael Weller (Ragtime), this vibrant screen version of the Broadway phenomenon ranks "among the best film musicals" (The Hollywood Reporter)! Fresh from the farm, Claude Bukowski (John Savage, The Thin Red Line) arrives in New York City for a date with the Army Induction Board, only to walk into a hippie "happening" inCentral Park and fall in love with the beautiful Shelia (Beverly D'Angelo, American History X). Befriended by the hippies' pacifist leader, Berger (Treat Williams, Mulholland Falls), and urged to crash a formal party in order to declare his love for Shelia, Claude begins an adventure that lands him in jail, Central Park Lake and, finally, in the army. But Berger's final effort to save Claude from Vietnam sets in motion a bizarre twist of fate with shocking consequences. *1975: One Flew Over the Cuckoo's Nest; 1984: Amadeus

Customer Reviews:

Hair!.......2007-09-05

A timeless classic-one to share with your kids when old enough!
Great musical!

Hair.......2007-08-26

Love the music but this film version doesn't stand the test of time despite the cast.

Favorite Movie Ever.......2007-07-09

This is one of my all time favorite movies ever. No extras but that's ok because the movie is just so timeless.

Fantastic musical!.......2007-06-24

This movie was upbeat and fast paced. An extremely interesting storyline taking place during an extremely interesting time period in America. The tunes were catchy and I recommend buying the original broadway soundtrack- you'll memorize every song before you know it :-P
I actually had to watch this movie for my Asian Religions class...it's amazing what intellectual insights you can gain from this movie!

A Classic.......2007-05-16

Even if you don't usually like musicals, like me, you should still like this one, it is one of my all time favorites. It has some classic songs in it, including "Easy to be Hard", one of the very few that we are forced to listen to at work that I actually like, here are the lyrics to it:

"How can people be so heartless
How can people be so cruel
Easy to be hard, easy to be cold

How can people have no feelings
How can they ignore their friends
Easy to be proud, easy to say no

{Refrain}
Especially people who care about strangers
Who care about evil and social injustice
Do you only care about bleeding crowd
How about a needing friend, I need a friend

How can people be so heartless
You know I'm hung up on you
Easy to be proud, easy to say no

{Refrain}

How can people be so heartless
How can people be so cruel
Easy to be proud, easy to say no
Easy to be cold, easy to say no
Come, on, easy to give in, easy to say no
Easy to be cold, easy to say no
Much too easy to say no

Lyrics by James Rado

It has a young Treat Williams and John Savage, the latter playing a country boy who goes to the big city before he is supposed to go in the military. He meets a bunch of cool hippies led by Treat's character. There are some other classic songs in it like "Aquarius" and "Good Morning Starshine". Glad to see it on DVD. A bit of trivia via IMBD, it was the highest grossing film in Hungary in 1980. You can watch the trailer there, too, at IMBD. This is a very entertaining film, check it out.

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It was good.
Delivery and condition
Charming Movie
Paradise Hawaiian Style -
Elvis Presley Fan

Elvis Presley: Paradise, Hawaiian Style
Starring: Elvis Presley , Suzanna Leigh , James Shigeta , Donna Butterworth , and Marianna Hill
Director: Michael D. Moore
Manufacturer: Paramount
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ASIN: B00007ELFD
Release Date: 2003-01-07

Amazon.com

Elvis and Hawaii go together like one of Graceland's peanut-butter-and-banana sandwiches. To be honest, though, Paradise, Hawaiian Style finds the King looking puffier and sleepier than he did in the salad days of Blue Hawaii. Making matters worse is the song selection and the prominence of an allegedly adorable child actor--always a bad thing in an Elvis picture. Despite all that, there's something casually likable about the film: costar James Shigeta is a welcome performer (he plays the island pilot who goes into business with flyboy Elvis), leading lady Susanna Leigh is an above-average companion, and the location shooting is a big upgrade over the cardboard backdrops of many late-career Presley vehicles. Extended musical sequences take place at the Polynesian Cultural Center--nothing wrong with that, but rock & roll has been left pretty far behind. --Robert Horton

Description

In "Paradise, Hawaiian Style," Elvis plays Rick Richards, an ex-airline pilot who starts a charter helicopter sightseeing service in Hawaii and finds himself surrounded with pretty tourists. Co-starring Suzanna Leigh and James Shigeta, "Paradise, Hawaiian Style" features the memorable melodies "A Dog's Life," "Sand Castles" and "Bill Bailey, Won't you Please Come Home."

Customer Reviews:

It was good........2007-02-01

This was the oddest Elvis movie I have ever watched. The whole movie was like a travel guide to Hawaii. It wasn't about the King. He spent the whole movie promising every girl on the islands that he was going to "scratch their back.. if they scratched his" He co-owned a helicopter company that transports people back and forth around the islands. It made me feel like I was at the Tiki-Room in Disneyland. One of my favorite parts was the dog transport. He has 6 dogs that need to get to a dog show. He sings a song about the dogs, it is classic Elvis. It was ok, I think that he had better movies, but it was fun to watch him.

Delivery and condition.......2006-11-06

I am very happy with this product the delivery and condition of was very good

Charming Movie.......2006-10-14

Elvis plays great as always despite what anyone thinks about his movie roles. Can not go wrong with the songs he sings. They are far enjoyable throughout each selected scene. And though our "King" is gone and has "left" the building, he still brings back great memories. It is part of who he was. Wish he made more serious movies been alive to view our reviews of what everyone thought of him. I highly recommend this movie along side his rest of them he made.

Paradise Hawaiian Style - .......2006-07-03

By reviewing the film Paradise Hawaiian Style , I am definitely giving away my age. To pretend that the film hasn`t aged and that that the plot line isn`t thin would be a lie , however this film , like most of Elvis`s films serves as a platform to showcase Elvis the singer. And that he could. With his warm velvety voice and charm he could win over any female heart , add to that his gyrating pelvis and the ladies was screaming for more. The film might have dated but Elvis is as fresh as the day the film was made. For Elvis and all other movie buffs.

Elvis Presley Fan.......2004-11-08

I have seen almost every Elvis movie but I like more of his movies , this movie is great I got more on dvd and vhs if you are a true Elvis fan you should get this.

Average customer rating:

Try with a little tenderness!
Prepare to have your heart touched.
More Kevin Costner than Clint Eastwood
Dismal movie
Good acting, interesting plot, real sense of 1960's Texas

A Perfect World
Starring: Christopher Reagan Ammons , Leo Burmester , Kevin Costner , Darryl Cox , and Laura Dern
Manufacturer: Warner Home Video
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ASIN: B00006RCOA
Release Date: 2002-10-01

Amazon.com essential video

This curiously overlooked drama from Clint Eastwood, released just after his Oscar triumph with Unforgiven, concerns a prisoner (Kevin Costner) on the lam with a kidnapped young boy as protection and the Texas Ranger (Eastwood) and federal agent (Laura Dern) on his tail. Eastwood manages a number of nice touches--the boy's innocence is nicely contrasted with Costner's soft-spoken desperado by the Casper Halloween costume he wears, and the law-enforcement officials look vaguely foolish, tooling around the countryside with a high-tech camper in tow. Eastwood gives a grizzled performance that, despite its seen-it-all surface, still feels fresh after all these years, and he coaxes surprisingly sensitive work out of Costner. But it's the sheer, modest scale of this piece that makes it so disarming--no planet lies in jeopardy, there are no cosmic make-or-break consequences here, just committed people doing their job and a well-meaning bad guy hoping things don't get too out of hand while he prevents them from doing it. --David Kronke

Description

Double Academy Award winners' Kevin Costner and Clint Eastwood confront each other from opposite sides of the law in A Perfect World, an acclaimed, multilayered manhunt saga (directed by Eastwood) that rumbles down Texas backroads toward a harrowing collision with fate. Costner plays Butch Haynes, a hardened prison escapee on the lam with a young hostage (T.J. Lowther in a remarkable film debut) who sees in Butch the father figure he never had. Eastwood is wily Texas Ranger Red Garnett, leading deputies and a criminologist (Laura Dern) in a statewide pursuit. Red knows every road and pothole in the Panhandle. What's more, he knows the elusive Haynes-because their paths have crossed before.

Customer Reviews:

Try with a little tenderness! .......2007-08-07

Texas, 1963. An ex con captures a boy as hostage, the police force is aware of that, but meanwhile a warm and tender relationship is built among this smart boy and this outlaw, until the fate makes its definitive judgment.

Clint Eastwood directed this uneven film, spattered of interesting vignettes here and there, but unprovided of dramatic consistency; however I would like to remark this is the best performance of Costner in his lifetime; extremely convincing in this hard role, due the multiple psychological turns inside this tormented and hopeless human being.

Laura Dern gives too a remarkable performance in that secondary role, the film is overlong, specially toward the end and that weakens the climax sequence; on the other hand the boy's character looks pretty stereotyped, but it's Costner's performance that leads this movie to safe waters and avoids it strands in the middle of the road.

Prepare to have your heart touched........2007-03-10

Kevin Costner portrays an escaped convict who, for all of his shortcomings, has not lost his sense of humanity and compassion. Taking a young boy hostage to prevent the boy from harm the two become inseperable. A convict who hated his father and a hostage who never had one, a relationship blossoms between them. A good date movie.

More Kevin Costner than Clint Eastwood.......2006-10-15

Just wanted to clarify that, for any Clint Eastwood fans. That said, Kevin Costner performs admirably in his role, as does the kid. Rather light, simple fare altogether, similar to many other Clint Eastwood movies. Nothing new under the sun here. But is that necessarily bad? I don't think so.

Somehow, this movie makes you cheer for an overgrown adult boy/man who is encouraging a six year-old to be a juvenile delinquent. That sounds bad, but it's actually not so bad. Costner, who plays an escaped convict, is a polite gentleman bandit on the order of Robin Hood and the like, a hero/villain. He abides by certain principles, and is not entirely wicked, unlike his fellow escapee, a cretinous goblin. Discerning the good versus the bad in his character is the whole point of the movie. We also learn what may have contributed to making him the way he is.

As for the boy, he has no father and was being raised by a strict single mom that did not let him do hardly anything that has any fun in it--for religious reasons, apparently. He was in dire need of a father figure, and finds that in Costner. What might have been interesting is seeing whether the mother and the escaped con could actually have worked together as a family unit. I doubt she could have done much better than this guy.

Dismal movie.......2006-08-29

I'm surprised that others have reviewed this movie with high rankings. It's basically a mediocre movie, with not much of a story, nothing much that is enjoyable or uplifting, and some questionable content.

For most of the movie, Kevin Costner's character is chain-smoking cigarettes, cussing, and generally being a bad influence in front of the young boy he takes hostage, as they travel across Texas evading the law and breaking the law together. There's nothing of value that comes out of this movie. I'm glad I only paid a small amount to rent it, and not blow more money and time in the theatre.

Good acting, interesting plot, real sense of 1960's Texas.......2006-08-11

I could never understand all the excitement regarding Kevin Costner in his heyday but he is absolutely great in this movie. He manages to make an escaped convict both realistic and sympathetic. The child actor playing Phillip/Buzz is also wonderful. Clint Eastwood is Clint Eastwood and though I have never been a Laura Dern fan she does well in her role as a criminologist. The script is not perfect and the movie is over long but still compelling and very watchable. The movie is set on Halloween and the couple of days following in 1963 Texas. JFK's upcoming Dallas trip plays a small part in the film and helps anchor the setting firmly in the viewer's mind.

The Tales of Beatrix Potter (with Dancers of The Royal Ballet)

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Beatrix Potter Ballet
Ballet for Children and grownups
The Tales of Beatrix Potter (with Dancers of the Royal Ballet)
A charming and joyful film
Enjoyed by the Whole Family

The Tales of Beatrix Potter (with Dancers of The Royal Ballet)
Starring: Frederick Ashton , Alexander Grant , Julie Wood , Ann Howard (III) , and Bob Mead
Director: Reginald Mills
Manufacturer: Starz / Anchor Bay
ProductGroup: DVD
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ASIN: B0000844JM
Release Date: 2004-02-10

Customer Reviews:

Beatrix Potter Ballet.......2007-08-23

I absolutely loved this. If you like Beatrix Potter books and stories, you will love this. The costumes are great, so like her paintings that you forget they are people. And the ballet and music is wonderful too. Loved everything about it. In fact I bought another one for a neighbor.

Ballet for Children and grownups.......2007-08-13

I loved this dvd. For the very young however, it is a bit long and as there is no audio they would need to know the stories. The scenery, costumes, and dancing were outstanding.

The Tales of Beatrix Potter (with Dancers of the Royal Ballet).......2007-05-25

Joyous! For ballet lovers and children of all ages. Even the littlest ones will enjoy the antics of Potter's characters. Filmed in the English countryside as well as in the studio, this is a delight for the eye. Never tire of watching this one.

A charming and joyful film.......2007-03-29

This film is a wonderful production that engages the viewer and brings across the charm and wit of Beatrix Potter's beloved characters. Everytime you view it,you appreciate the effort made by the dancers to convey the spirit of her stories. I think this film is a good introduction for children (and their parents) to the world of ballet.

Enjoyed by the Whole Family.......2007-03-26

Tales of Beatrix Potter by the Royal Ballet is exceptional. It has been a delight for my granddaughter who asks for it to be played whenever she visits. One of my best buys. The whole family have been amazed by it.

Average customer rating:

The Good Earth
The Good Earth - A great film.
History comes to life in this powerful film
A Flawed Classic But Still A Classic
A childhood memory!

The Good Earth
Starring: Paul Muni , Luise Rainer , Walter Connolly , Tilly Losch , and Charley Grapewin
Director: Gustav Machatý , Victor Fleming , and Sidney Franklin
Manufacturer: Warner Home Video
ProductGroup: DVD
Binding: DVD

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ASIN: B000BYA4HO
Release Date: 2006-01-31

Amazon.com

MGM's status as the "class" studio was fully engaged when production chief Irving Thalberg took on this expensive, serious adaptation of Pearl Buck's Pulitzer Prize-winning novel. A smooth entertainment with a stiff portion of this-is-good-for-you seriousness, The Good Earth epitomizes Thalberg's idea of Art, which was also the prevailing idea of the period he dominated in Hollywood. The story follows Wang Lung (Paul Muni), a humble farmer, who makes an arranged marriage to a slave, O-Lan (Luise Rainer). The couple's great struggle is to procure--and then, against withering odds, keep--a piece of land, ownership of which makes the difference between self-determination and near-slavery. The film's physical production is truly eye-filling, with location shooting in China providing exterior shots and backdrops (and blending seamlessly with the footage shot in the U.S.). No wonder the great cinematographer Karl Freund won an Oscar for the photography, which includes an awesomely staged locust plague.

Also copping an Oscar was Luise Rainer for best actress--her second consecutive award, after The Great Ziegfeld. Rainer's underplayed portrait of self-effacing stoicism is a contrast to Muni's broader performance, although in some odd way he's exactly right for his role. Caucasian actors play the main characters (Walter Connolly is the family's bothersome, and tiresome, know-it-all uncle), with Asian actors--including Keye Luke--filling out the supporting parts. The blend of sobriety and hokum is vintage Thalberg, and this is the one MGM movie with an onscreen dedication to the young dynamo; he died during production, age 37. --Robert Horton

Description

First came marriage, an arranged union of peasant farmer Wang Lung (Paul Muni) and kitchen slave O-Lan (Luise Rainer). Then, through poverty and wealth, family and betrayal, war and pestilence, came love. From Pearl S. Buck's Pulitzer Prize-winning novel, The Good Earth combines Wang and O-Lan's story with a sweeping saga of China in upheaval. Muni and Rainer had both won 1936 Academy Awards?,* and Rainer repeated here with another Best Actress Oscar?.* The film also won for Best Cinematography - with camerawork most powerfully on display in the astonishing locust-plague sequence. Producer Irving Thalberg, known for combining literary prestige with commercial success, died during the production, and the film is dedicated to him.

Customer Reviews:

The Good Earth.......2007-07-23

If you're looking for some kind of analysis on the plot and that kind of stuff, you're in the wrong place. Let's begin...

It's weird to watch a black & white movie with all the HDTV and special effects going on right now but sometimes it can be relaxing in a way too. I had just finished reading the book and loved it so much I had to have the movie as well. I was not disappointed. It is a great movie and I'm glad I purchased it.

The Good Earth - A great film........2007-04-15

Such a rare film of this era that follows the book so closely. A few variations but understandable. Top acting and delightful to watch. A real golden oldie.

History comes to life in this powerful film .......2007-03-30

I saw this film after I read "The Good Earth" by Pearl S. Buck so I was cynical. The book was so rich that I couldn't imagine a film that could capture the depth of the written story. Not so. This film is a gem. It documents the life of one family during the revolutionary changes in China during the beginning of the 20th century. It looks at the struggles and triumphs with a personal, sensitive eye while following the general, sweeping changes in China with honesty and detailed objectivity.

It is a great film but before you see it, get the book. Reading this book was like going back in time. It was fascinating, enlightening and grand.

Get them both if you can.

A Flawed Classic But Still A Classic.......2007-01-19

When I was in my early teens I first read the novel by Pearl S. Buck. At around the same time I discovered the movie on TV and was captivated. Just earlier this year I re-read the book and found it to be better than I had remembered. So I decided to watch the movie once again and see what I thought of that as well.

I think one of the most difficult things to keep in mind when viewing a classic from another era is to remember the limitations of that era. I'm sure 70 years from now the movies we consider "classics" will pale in comparison to what movie viewers consider a great movie. And it seems "The Good Earth" suffers from this as well, unfortunately.

One item that does come through the screen is the cinematography. Even though the film has been shot in black and white and is what is described as "postage stamp" (a square rather than wide screen), to get caught up in the landscape is easy. It is not difficult to imagine the squalor of the farmhouse that Wang Lung lives in and to compare that to the opulance of the fine house where O-lan has been a slave. When the Lung family is forced to move to the big city to survive, the viewer can truly feel the press of human bodies and the squalid living conditions. The filming of the locust attacking the farmer's fields is amazing. (A bit of trivia here: there actually was an attack during filming for the movie, so what is seen on the screen is truly real!)

So, what could possibly detract? Unfortunately, the actors themselves. At least for me. Casting Paul Muni and Luise Ranier into the leading roles just doesn't work for me. However, it did when I first saw this movie, so go figure! Both are capable actors, so it isn't that. But both are so overwhelmingly Western that there is no possible way they can pass for Asian. And Luise Ranier's German/Austrian accent is nowhere near anything that remotely sounds like anything from the Asian continent. Perhaps that is why she says very little in the movie? Even more distracting is the actor playing the role of the grandfather, whose voice is immediately recognizable as the grandfather in "The Grapes Of Wrath," and also as Uncle Henry in the "Wizard of Oz." What is distractingly funny is that all the children of the Lung household look very, very Asian. Now, I do understand that Paul Muni and Luise Ranier were established actors at the time. I do recognize that Irving Thalberg did want to cast all Chinese people into the roles, but there were not enough actors for the roles. And I do realize that, due to the Sino-Japanese War, China had stated refusal to allow filming if Japanese actors were used. (If they could do a world-wide search for Scarlett, why not find Asian actors?) But I feel it really does create a barrier in this movie that is otherwise well thought out and painstakingly presented.

What would be ideal is if this movie could somehow be re-made, sensitively, more in line with the book (the book is more about Wang Lung, whereas the movie centers on O-lan), and include a cast that is representative of Chinese people - or at least Asian.

Still, I do think this movie is a classic and has appeal. This movie also has a number of "firsts:" the first time an actress received back to back Oscars for Best Actress and the first (and only) time Irving Thalberg's name appeared onscreen in any movie (he died before this movie was completed). But this classic does have some flaws.

A childhood memory!.......2006-11-27

I saw this movie many times on TV because this was my Mom's favorite movie. She came from a farming village outside of Canton. This movie was a reflection of her life. Her marriage to my father was arranged. She had to flee from the Japanese during WWII. This was one of the few movies that really depicted life in a Chinese village. A timeless classic and great addition to any DVD collection.

By the way she never complainted that the major actors were white.

Average customer rating:

Not Masterpiece Theater- but well done
Achingly sadly beautiful
Genealogy gone berserk
Not such a special edition
One of the most beautiful films ever, faithfully told.

Tess (Special Edition)
Starring: Nastassja Kinski , Peter Firth , Leigh Lawson , John Collin , and Rosemary Martin
Director: Roman Polanski
Manufacturer: Sony Pictures
ProductGroup: DVD
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ASIN: B0002O7XVI
Release Date: 2004-09-28

Amazon.com essential video

Roman Polanski adapted Thomas Hardy's novel Tess of the D'Urbervilles and came up with this moody, haunting film starring Nastassia Kinski as the farm girl who is misused by the aristocrat for whom she works and who is then caught in a marriage where her initial happiness soon turns to grief. Fans of the novel may feel unpersuaded by Polanski's effort to marry Hardy's Dorset vision with his own fascination with psychosexual impulses toward survival, but the film is an often stunning thing to see, and Kinski's sensitive, intelligent performance lingers in the memory. --Tom Keogh

Description

First time on DVD! Academy Award®- winning timeless adaptation of Thomas Hardy's classic romance! A rural clergyman in 19th-century England tells a simple farmer that he may be descended from the illustrious d'Urberville family. The farmer sends his daughter Tess to check on a family named d'Uberville living in a manor house less than a day's carriage ride away. However, her so-called cousin purchased his ancestral name and coat of arms. Tess plays her own game of illusion when she finds, loses, and finds again her true love. Starring: Nastassia Kinski, Peter Firth. Directed by Academy Award® winner Roman Polanski (The Pianist, Best Director - 2002).

Customer Reviews:

Not Masterpiece Theater- but well done.......2007-05-28

While taking artistic liberties from the novel , Polanski's Tess is a very entertaining and beautifully filmed movie. The settings and costuming recreate the feeling of Hardy's Wessex as well as any filmed version of his works ever has.
Nastassja Kinski was beautiful in the role and although her acting can be somewhat wooden at times she does make a memorable Tess. The rest of the cast make up for her shortcoming by providing outstanding performances.
The pace tends to slow in certain parts of the film but if you are a fan of period films loosely based on classics you can do worse than spending some time watching this.

Achingly sadly beautiful.......2007-05-01

I didn't read the novel so I have no comments about the accuracy of the adaptation. I had no problem understanding it. (Some reviewers said that it was necessary to read the book in order to follow the film.) I had no problem, either with the length. In fact I was glad it was so long; I wanted to get "the whole story" not a compressed version.

The photography, as others have mentioned is exquisite. It's worth seeing again, with the sound off, just to see the gorgeous country shots.
The music was perfect too--just right for the mood of the film--not too intrusive.

Nastassja Kinski was perfect as Tess. I can't imagine anyone else playing the role. All of the other principle actors were just right and gave excellent performances. How we loved the divine Angel until his rejection of Tess on their wedding night!

The whole film is gorgeously earnest and deeply felt. The only reason I subtracted one star is that the story is just so damned depressing! Knowing what we do of Polanski's life, one can see how he'd be attracted to such material, but for me...I would have preferred some happiness and joy for poor Tess.

Genealogy gone berserk.......2007-01-25

I like to think of the novel's premise as genealogy really going to someone's head. When John Durbeyfield is informed by the town historian that his family used to be a noble one (and the original name was "D'Urberville"), he sends his daughter Tess (Teresa) to rich relatives in the English countryside for financial help. It's there that she meets with Alec D'Urberville, effectively beginning a downward spiral for everyone concerned.

As always, one can trust a book adaptation in Roman Polanski's more than capable hands. He faithfully adapted Ira Levin's "Rosemary's Baby" in 1968 and Roland Topor's "The Tenant" in 1976 before tackling Thomas Hardy's 1891 novel "Tess of the D'Urbervilles" in 1979.

It's common knowledge that Roman adapted the book to honor Sharon Tate's memory (it was reportedly the last book she read. She put a copy on his night-table with a note suggesting that it would make a good movie). The continuous personal attacks on him are really unnecessary (and, f.y.i., they make the attacker look really dumb ... especially when their missive is a grammatical masterpiece).

For having just learned English during preparation for her role in the title part, Natassja Kinski managed very well. She conveyed the vulnerable and melancholy Tess appropriately. At times during the course of the movie, one can almost feel themselves being sucked into Tess's depressing vortex, snapping out of it with her ... only to fall right back in again.

Leigh Lawson played a right-on Alec D'Urberville. He was the monster I envisioned Alec to be while reading Hardy's novel. Peter Firth as Angel was also excellent in his role. Roman nailed the English countryside dialect and he always does a fantastic job with Victorian England scenery (he repeated that success with 2005's "Oliver Twist").

Roman did an excellent job, as always, with "Tess of the D'Urbervilles." The book could be adapted a thousand times after his version and they still couldn't match up to his vision. Roman took Thomas Hardy's always depressing vision and turned it into a beautiful movie (for further proof of Hardy's depressive novels, check out his final book, "Jude the Obscure").

The DVD and Book collection series was a great idea to try to get people to read the classics alongside the movie.

"Tess" is a must-have for the DVD collection. - Donna Di Giacomo

Not such a special edition.......2006-12-17

Columbia's DVD of Tess is doubly disappointing - not only is it a disappointing transfer but it's also the cut version of the film, which tends to lose a little heart and more than a little irony. There's still much to admire, from the beautiful Scope cinematography and Phillipe Sarde's superb score to Polanski's feel for time and place (even if it is shot in France rather than Wessex) and, ironically, sexual prejudice, although Nastassja Kinski never really convinces in the lead and Leigh Lawson's despoiling cad seems constantly on the verge of twirling his moustache. The murder still seems a plot contrivance, although it does throw in one great moment of vintage Polanski with a spot of blood on the ceiling.

Still, at least the 72-minute documentary is very good.

One of the most beautiful films ever, faithfully told........2006-10-24

Every once in awhile a film comes along that it should only be spoken of in hushed tones. Roman Polanski's TESS is one of those films. To place it in context, there are moments in the film DR.ZIVAGO that are some of the most beautiful on film... they are a stark relief to the majority, which is snow covered and bleak. , Being set in lush countryside, 80% of TESS is that gorgeous, making it one of the most visually beautiful films ever made. It won Geoffrey Unsworth & Ghislain Cloquet 1981's Best Cinematography Oscar. (Unsworth died of a heart attack ½ way through production.) It also rightfully won for Art Direction and Costume Design.
Like DR.Z., this film tells the story of the downfall of a lower class girl who has neither the schooling or upbringing to fight for herself, in Hardy's unrelenting sad story (written after he had become depressed in the wake of reading Darwin, and saw the dying way of life that industrialization was bringing about).
Natassja Kinski is luminous and looks a bit like Sharon Tate, and reminiscent of young Ingrid Berman here, in look, but also very much in persona and even her voice. Now wonder it has been hard for her to follow this film. Few roles could match it, few productions have gelled this completely. Peter Firth as her misguidedly moral husband is perfectly matched with her, and they both give richly felt performances.
The musical score is soaring and melancholy, the costumes are just right, whether they be the muddy field workers or the finery of a fallen woman, and the shades of class within different farms are delineated here, too, in costumes and set, and the golden days of the happy farm to the grey skies of the sad. All elements are in perfect accord in this literary adaptation that necessarily cuts a few scenes from the novel, but keeps the story amazingly intact.
I've read the book twice. The BBC did a Miniseries of TESS OF THE D'URBERVILLE'S in the late 1990s, and while it's length maintains some of the details of the story, neither it's somnambulent leading lady nor it's visuals can compare to the wonderful performance here of Kinsky, and the constantly awe inspiring visuals, scene after breathtaking scene.
Polanski tells us that Tate had given him this book, as she had been told it would be perfect for her. He did not read it until after her death, so this film is a fully realized bittersweet chanson d'amour. A classic of cinema in every sense of the word.

Average customer rating:

not as good as other Brit mystery/thrillers (with some spoilers)
Disappointing.
starts well and goes downhill from there
Great characters, great writing, intriguing stories.
McCallum: THE COMPLETE SERIES

McCallum: The Complete Series
Starring: John Hannah , Zara Turner , Richard Moore (III) , Gerard Murphy (II) , and Richard O'Callaghan
Director: Patrick Lau , David Tucker , and Richard Holthouse
Manufacturer: Koch Vision
ProductGroup: DVD
Binding: DVD

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ASIN: B000FDECH4
Release Date: 2006-07-11

Description

From deep within the morgue at St. Patrick's Hospital in London's East End, Dr. Iain McCallum (John Hannah) and Dr. Angela Moloney (Zara Turner, Sliding Doors) along with a team of brilliant pathologists and detectives help the dead tell their stories. Together, they painstakingly use their expertise to deduce how and why a life has ended - proving that while it may be too late to find a cure, it's never too late to solve the puzzle.

Customer Reviews:

not as good as other Brit mystery/thrillers (with some spoilers).......2007-06-01

I bought this boxed set because Amazon customers had rated it so highly and it popped up on my recommendation list. I must say it's the first time that the combination of rating and recommendation has let me down. While McCallum (the series) is adequate, it's not nearly as enjoyable as Kavanagh QC, Set 1, Wire in the Blood - Complete First Season, or Silent Witness (the latter of which also has a pathology component).

It seems that McCallum's focus was rather scattered. In addition to having a completely unbelievable premise of Pathologists working for a hospital (rather than the Home Office), the show struggles to find a focus. At one point it's HIV infection (when Bobby is cut during an examination), at another it's McCallum's serial monogamy (Joanna his regular girlfriend, who later and inexplicably disappears without much of a mention), or the affair that the student pathologist is having with one of the St. Patrick's staff, or the "mystery disease" that McCallum's one-time lover (I can't really call her a girlfriend) Joanna suffers after returning from a (convenient) trip abroad.

After a while I found the show tedious. McCallum will have his woman-of-the-day, have to run off to a scene of crime (on his motorcycle, of course!), exchange numerous stares with Angela (a coworker), have a tiff with Paddy (his boss), engage in some witty conversation with Fuzzy and Bobby (coworkers). In the end, everything is wrapped up nicely. Of COURSE Paddy is the "bad guy", as McCallum can only be "good"; his only (seeming) failing ever shown is his fondness for women and his motorcycle.

Disappointing........2007-05-15

The series suffers from an obsession with promiscuous sex and nudity that add nothing to the plots of the episodes. When the characters aren't preoccupied with sex, they are preoccupied with drinking. In the midst of this the writers throw in a murder and the characters take a break from their debauchery just long enough to solve the crime and catch the bad guys. Not worth owning.

starts well and goes downhill from there.......2007-05-04

John Hannah and rest of cast struggle with a common problem...writers who start like an Olympic sprinter and end totally unravelled barely able to get across the finish line. Too much silly business of McCallum acting like a 12 yr old and then audience expected to believe he is a crack intellect full of perception...without sense enough to keep his pants zipped...people are just written out of the series and others grabbed to fill the void..the last show it would seem we are to believe McCallum in living the good life in LA...no other explanation and a new head pathologist and VERY irritating and unprofessional assistant...if they weren't going to meet Hannah's salary just end the program...which is what must have happenned....UNRAVELING and whimpering to an end...too bad...it was a good premise

Great characters, great writing, intriguing stories. .......2007-04-01

John Hannah is one of the most talented, naturally gifted actors working today. This series was compulsive for me. I had to see every epidsode after Rebus, with Hannah, ran out. Somehow, the Brits always get into the characters so well..why is that? Could it be the casting is perfect? Hannah,as Dr. Iain McCallum, carries the series, is a devil with women, and everyone in the show does an amazing job. Where do these actors come from? I recognized only Hannah. The women have such a different,natural beauty, and none of the men could pose for underwear ads. Yes, they play compelling characters and are somehow much more interesting for looking like regular folk. The writing is superb; so much better than even the best shows on American t.v. With each episode, I could not take my eyes away from the screen because I had to know what McCallum was going to do and how he was going to get thru another big mess because often. motorcycle- riding McCallum is his own worst enemy. His personal life becomes as intriguing as who is raising the body count; and what is obvious, is that the writer of the series knows medicine and science well, so that the viewer is learning in every scene. This is not glamorous London; it's the seedy side of the East End of London and is as deadly and dark as Edinburg,Scotland in the Rebus series. Don't miss McCallum if you like an intelligent and entertaining experience. I wish there were many more episodes but Hannah is on to other assignments.

McCallum: THE COMPLETE SERIES.......2007-02-23

very interesting series, enjoyed it very much, good
quality dvd's.

Average customer rating:

Out of character for a Gordon film...
Is this horror ??
Not bad if you like cheesy horror
satisfying but unexceptional
What what what???!!!

Castle Freak
Starring: Jeffrey Combs , Barbara Crampton , Jonathan Fuller , Jessica Dollarhide , and Massimo Sarchielli
Director: Stuart Gordon
Manufacturer: FULL MOON
ProductGroup: DVD
Binding: DVD

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