Alfred Hitchcock - The Masterpiece Collection (Psycho / Vertigo / Rear Window / The Birds / Shadow of a Doubt / Family Plot / Frenzy / The Man Who Knew Too Much / Marnie / Rope / Saboteur / Topaz / Torn Curtain / The Trouble with Harry)

Product Description

14 of the finest works from the universally acclaimed Master of Suspense come together for the first time in one collection. These captivating landmark films boast three decades of Hollywood legends, including James Stewart, Grace Kelly, Anthony Perkins, Sean Connery and Doris Day. The premium packaging and collectible book make Alfred Hitchcock: The Masterpiece Collection the must-own, definitive anthology of gripping works by a true genius.

System Requirements:

Running Time 1630 Min

Format: DVD MOVIE

Amazon.com

Masterpiece indeed. With 14 films, each supplemented with numerous documentaries, commentaries, and other bonus materials, Alfred Hitchcock - The Masterpiece Collection will be the cornerstone for any serious DVD library. Packaged in a beautiful, conversation-starting velvet box, the individual discs inside come four to a case, decorated with original poster art.

No doubt opinionated fans will argue about what should fall under the rubric of "masterpiece" in Hitchcock's body of work, but with the bona fide classics Vertigo, Psycho, and The Man Who Knew Too Much, there's plenty of timeless movie magic here. Eye-popping transfers and gorgeous sound make this set one of the must-have releases of the year.

Should the Hitchcock fan have the energy for more after imbibing on the movies themselves, a bonus disc provides additional documentaries. These include a revealing interview in which the master of suspense discusses, among other things, how much he dislikes working with method actors, going so far as to name names (we're talking about you, Jimmy Stewart and Montgomery Clift). In an American Film Institute lifetime achievement ceremony, the master of suspense is praised by the likes of Stewart and Ingrid Bergman, and seems to be suffering from severe boredom as celebrities pile on the flattery. Then Hitchcock opens his mouth to accept the award, delivering an endlessly witty stream of perfect bon mots that prove once again that he was a master of high comedy as well. Revealing documentaries about the making of Psycho and The Birds round out the feast of extras. The 36-page booklet, filled mostly with stills and poster art, provides little new information about the films.--Ryan Boudinot

Films Included in Alfred Hitchcock - The Masterpiece Collection

Saboteur
Robert Cummings stars as Barry Kane, a patriotic munitions worker who is falsely accused of sabotage, in this wartime thriller from Alfred Hitchcock. Plastered across the front page of every newspaper and hated by the nation, Kane's only hope of clearing his name is to find the real villain. The script as a whole is a clever one--Algonquin wit Dorothy Parker shares a screenwriting credit, and her trademark zingers make for a terrific mix of humor and suspense. Saboteur is a pleasure whether you're a die-hard Hitchcock fan or just someone who likes a good nail-biter. --Ali Davis

Shadow of a Doubt
Alfred Hitchcock considered this 1943 thriller to be his personal favorite among his own films, and although it's not as popular as some of Hitchcock's later work, it's certainly worthy of the master's admiration. Scripted by playwright Thornton Wilder and inspired by the actual case of a 1920's serial killer known as "The Merry Widow Murderer," the movie sets a tone of menace and fear by introducing a psychotic killer into the small-town comforts of Santa Rosa, California. Through narrow escapes and a climactic scene aboard a speeding train, this witty thriller strips away the façade of small-town tranquility to reveal evil where it's least expected. And, of course, it's all done in pure Hitchcockian style. --Jeff Shannon

Rope
An experimental film masquerading as a standard Hollywood thriller, Rope is simple and based on a successful stage play: two young men (John Dall and Farley Granger) commit murder, more or less as an intellectual exercise. They hide the body in their large apartment, then throw a dinner party. Will the body be discovered? Director Alfred Hitchcock, fascinated by the possibilities of the long-take style, decided to shoot this story as though it were happening in one long, uninterrupted shot. Since the camera can only hold one 10-minute reel at a time, Hitchcock had to be creative when it came time to change reels, disguising the switches as the camera passed behind someone's back or moved behind a lamp. James Stewart, as a suspicious professor, marks his first starring role for Hitchcock, a collaboration that would lead to the masterpieces Rear Window and Vertigo. --Robert Horton

Rear Window
Like the Greenwich Village courtyard view from its titular portal, Alfred Hitchcock's classic Rear Window is both confined and multileveled: both its story and visual perspective are dictated by its protagonist's imprisonment in his apartment, convalescing in a wheelchair, from which both he and the audience observe the lives of his neighbors. Cheerful voyeurism, as well as the behavior glimpsed among the various tenants, affords a droll comic atmosphere that gradually darkens when he sees clues to what may be a murder. At deeper levels, Rear Window plumbs issues of moral responsibility and emotional honesty, while offering further proof (were any needed) of the director's brilliance as a visual storyteller. --Sam Sutherland

The Trouble with Harry
A busman's holiday for Alfred Hitchcock, this 1955 black comedy concerns a pesky corpse that becomes a problem for a quiet, Vermont neighborhood. Shirley MacLaine makes her film debut as one of several characters who keep burying the body and finding it unburied again. Hitchcock clearly enjoys conjuring the autumnal look and feel of the story, and he establishes an important, first-time alliance with composer Bernard Herrmann, whose music proved vital to the director's next half-dozen or so films. But for now, The Trouble with Harry is a lark, the mischievous side of Hitchcock given free reign. --Tom Keogh

The Man Who Knew Too Much
Alfred Hitchcock's 1956 remake of his own 1934 spy thriller is an exciting event in its own right, with several justifiably famous sequences. James Stewart and Doris Day play American tourists who discover more than they wanted to know about an assassination plot. When their son is kidnapped to keep them quiet, they are caught between concern for him and the terrible secret they hold. When asked about the difference between this version of the story and the one he made 22 years earlier, Hitchcock always said the first was the work of a talented amateur while the second was the act of a seasoned professional. Indeed, several extraordinary moments in this update represent consummate filmmaking, particularly a relentlessly exciting Albert Hall scene, with a blaring symphony, an assassin's gun, and Doris Day's scream. The Man Who Knew Too Muchis the work of a master in his prime. --Tom Keogh

Vertigo
Although it wasn't a box-office success when originally released in 1958, Vertigo has since taken its deserved place as Alfred Hitchcock's greatest, most spellbinding, most deeply personal achievement. James Stewart plays a retired police detective who is hired by an old friend to follow his wife (a superb Kim Novak, in what becomes a double role), whom he suspects of being possessed by the spirit of a dead madwoman. Shot around San Francisco (the Golden Gate Bridge and the Palace of the Legion of Honor are significant locations) and elsewhere in Northern California (the redwoods, Mission San Juan Batista) in rapturous Technicolor, Vertigo is as lovely as it is haunting. --Jim Emerson

Psycho
For all the slasher pictures that have ripped off Psycho (and particularly its classic set piece, the "shower scene"), nothing has ever matched the impact of the real thing. More than just a first-rate shocker full of thrills and suspense, Psycho is also an engrossing character study in which director Alfred Hitchcock skillfully seduces you into identifying with the main characters--then pulls the rug (or the bathmat) out from under you. Anthony Perkins is unforgettable as Norman Bates, the mama's boy proprietor of the Bates Motel; and so is Janet Leigh as Marion Crane, who makes an impulsive decision and becomes a fugitive from the law, hiding out at Norman's roadside inn for one fateful night. --Jim Emerson

The Birds
Vacationing in northern California, Alfred Hitchcock was struck by a story in a Santa Cruz newspaper: "Seabird Invasion Hits Coastal Homes." From this peculiar incident, and his memory of a short story by Daphne du Maurier, the master of suspense created one of his strangest and most terrifying films. The Birds follows a chic blonde, Melanie Daniels (Tippi Hedren), as she travels to the coastal town of Bodega Bay to hook up with a rugged fellow (Rod Taylor) she's only just met. Before long the town is attacked by marauding birds, and Hitchcock's skill at staging action is brought to the fore. Beyond the superb effects, however, The Birds is also one of Hitchcock's most psychologically complicated scenarios, a tense study of violence, loneliness, and complacency. What really gets under your skin are not the bird skirmishes but the anxiety and the eerie quiet between attacks. Treated with scant attention by serious critics in 1963, The Birds has grown into a classic and--despite the sci-fi trappings--one of Hitchcock's most serious films. --Robert Horton

Marnie
Sean Connery, fresh from the second Bond picture, From Russia with Love, is a Philadelphia playboy who begins to fall for Tippi Hedren's blonde ice goddess only when he realizes that she's a professional thief; she's come to work in his upper-crust insurance office in order to embezzle mass quantities. His patient program of investigation and surveillance has a creepy, voyeuristic quality that's pure Hitchcock, but all's lost when it emerges that the root of Marnie's problem is phobic sexual frigidity, induced by a childhood trauma. Luckily, Sean is up to the challenge. As it were. Not even D.H. Lawrence believed as fervently as Hitchcock in the curative properties of sexual release. --David Chute

Torn Curtain
Paul Newman and Julie Andrews star in what must unfortunately be called one of Alfred Hitchcock's lesser efforts. Still, sub-par Hitchcock is better than a lot of what's out there, and this one is well worth a look. Newman plays cold war physicist Michael Armstrong, while Andrews plays his lovely assistant-and-fiancée, Sarah Sherman. Armstrong has been working on a missile defense system that will "make nuclear defense obsolete," and naturally both sides are very interested. All Sarah cares about is the fact that Michael has been acting awfully fishy lately. The suspense of Torn Curtain is by nature not as thrilling as that in the average Hitchcock film--much of it involves sitting still and wondering if the bad guys are getting closer. Still, Hitchcock manages to amuse himself: there is some beautifully clever camera work and an excruciating sequence that illustrates the frequent Hitchcock point that death is not a tidy business. --Ali Davis

Topaz
Alfred Hitchcock hadn't made a spy thriller since the 1930s, so his 1969 adaptation of Leon Uris's bestseller seemed like a curious choice for the director. But Hitchcock makes Uris's story of the West's investigation into the Soviet Union's dealings with Cuba his own. Frederick Stafford plays a French intelligence agent who works with his American counterpart (John Forsythe) to break up a Soviet spy ring. The film is a bit flat dramatically and visually, and there are sequences that seem to occupy Hitchcock's attention more than others. A minor work all around, with at least two alternative endings shot by Hitchcock. --Tom Keogh

Frenzy
Alfred Hitchcock's penultimate film, written by Anthony Shaffer (who also wrote Sleuth), this delightfully grisly little tale features an all-British cast minus star wattage, which may have accounted for its relatively slim showing in the States. Jon Finch plays a down-on-his-luck Londoner who is offered some help by an old pal (Barry Foster). In fact, Foster is a serial killer the police have been chasing--and he's framing Finch. Which leads to a classic Hitchcock situation: a guiltless man is forced to prove his innocence while eluding Scotland Yard at the same time. Spiked with Hitchcock's trademark dark humor, Frenzy also features a very funny subplot about the Scotland Yard investigator (Alec McCowen) in charge of the case, who must endure meals by a wife (Vivien Merchant) who is taking a gourmet-cooking class. --Marshall Fine

Family Plot
Alfred Hitchcock's final film is understated comic fun that mixes suspense with deft humor, thanks to a solid cast. The plot centers on the kidnapping of an heir and a diamond theft by a pair of bad guys led by Karen Black and William Devane. The cops seem befuddled, but that doesn't stop a questionable psychic (Barbara Harris) and her not overly bright boyfriend (Bruce Dern, in a rare good-guy role) from picking up the trail and actually solving the crime. Did she do it with actual psychic powers? That's part of the fun of Harris's enjoyably ditsy performance. --Marshall Fine

Customer Reviews:

Necessarily flawed.......2007-09-14

The best this set rates is 3 stars, and not only for packaging issues previously mentioned.

It's unfortunate that a deal couldn't have been worked out with MGM/UA so that NORTH BY NORTHWEST might have been included here rather than the boring TOPAZ. Even better would be the inclusion of such great WARNER BROS. titles like DIAL M FOR MURDER instead of MARNIE, THE WRONG MAN rather than ROPE and STRANGERS ON A TRAIN as replacement for TORN CURTAIN.

Let's tell it plainly here. This is not so much a "masterpiece collection" as it is the best Hitchcock titles that UNIVERSAL/MCA has in their vaults (along with some less-than-great filler). With such a substantial project as this, perhaps the various studios owed it to Hitchcock to cooperate. And if they had, wouldn't the four substitutions suggested above TRULY make this DVD set Hitchcock's masterpiece collection?

ALFRED HITCHCOCK PRESENTS - SEASON THREE features some of the best TV episodes from the Master of Suspense.

A GREAT SET FOR THE PRICE! MISSING SOME GREAT FILMS!.......2007-09-08

I didn't have any of these films on DVD so,..... When I saw it on sale for around $65.00 I thought it was a great deal for 14 films with some extra material. I would have liked to see a few different films in this set,but they ended up putting most of those in another DVD set with the exception of "LifeBoat" and "Notorious". I think all "Hitches" missing films should be put into similar sets. This is a nice set, but wait to see it at the right price. These will be dropping way down before you know it. The transfers look very good!

Pick this along with the Signature Collection and you're done!.......2007-08-23

First things first - This collection is brilliant and the packaging is also good. Its a velvet box containing 4 DVD boxes, each box containing 4 or 3 discs/films and a booklet with a short writeup on each film.

When it arrived, one of the 4 sets was missing, and one was duplicated.
That is: I had 2 sets of the same films, and one set was missing.

I wrote back to the Amazon Customer Support and got an immediate reply saying they will replace it.

This set does not include certain must-have classics like
Strangers On A Train
North By North West
Dial M For Murder
Foreign Correspondent etc.

All this is available in the Signature Series which I picked up from here.

So if you buy these 2 box sets, you're done!!!

5 Stars for the movies, 1 Star for the packaging.......2007-08-13

I would love to have most of the DVDs in this collection, but I won't get it because of the poorly-designed packaging. I don't want 4 DVDs crammed into one case with the artwork reproduced one-quarter size and overlapping. I want each DVD in its own case with full-sized artwork on the cover. If the idea was to make it more compact, the space saved is insignificant. I think the real reason is corner-cutting to save a few bucks. The other Hitchcock set did it the right way- 1 DVD per case. This is very disappointing. For a lot of us, aesthetics count for a lot. Actually, my ideal preference would for all box sets to be packaged chronologically, in the order each film was released.

Poor packaging........2007-06-01

This is a great set minus the annoying packaging. As someone mentioned earlier the DVD cases are fitted to go in a certain order and if they don't go in in that order then they get stuck and the edges of the DVD cases get frayed. The corners of the cases get frayed anyway because the cases are a paper and cardboard-based binding with the plastic DVD holders glued on to them. So I put them in spine first now. Open and close them enough times and you get those white, worn edges on the spine. Another problem with the cases is that the plastic glued on part that hold the DVDs in place are notorious for getting de-glued. Yet another thing. . .one disc is now not holding in the case properly. How could I remedy this problem? Buy an entire new set??? The door on the velvet box doesn't snap shut in anyway so if you hold the wrong side down. . .the DVDs will fall out. So watch out. The velvet box looks and feels nice but it collects dust very easily and is not easily cleanable. I tried to brush off some of the dust and the silvery logos and such began to flake off.

Average customer rating:

Good not Great!!
"Don't you realize that Americans dislike having their children stolen?"
Good remake
One of Hitchcock's "entertainments," and a pleasant two hours it is
A thrilling climax at London's Royal Albert Hall...

The Man Who Knew Too Much
Starring: Patrick Aherne , Frank Atkinson , Yves Brainville , Hillary Brooke , and Barbara Burke
Manufacturer: Universal Studios
ProductGroup: DVD
Binding: DVD

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ASIN: B000CCW2TS
Release Date: 2006-02-07

Amazon.com essential video

Alfred Hitchcock's 1956 remake of his own 1934 spy thriller is an exciting event in its own right, with several justifiably famous sequences. James Stewart and Doris Day play American tourists who discover more than they wanted to know about an assassination plot. When their son is kidnapped to keep them quiet, they are caught between concern for him and the terrible secret they hold. When asked about the difference between this version of the story and the one he made 22 years earlier, Hitchcock always said the first was the work of a talented amateur while the second was the act of a seasoned professional. Indeed, several extraordinary moments in this update represent consummate filmmaking, particularly a relentlessly exciting Albert Hall scene, with a blaring symphony, an assassin's gun, and Doris Day's scream. Along with Hitchcock's other films from the mid-1950s to 1960 (including Vertigo, Rear Window, and Psycho), The Man Who Knew Too Much is the work of a master in his prime. --Tom Keogh

Customer Reviews:

Good not Great!!.......2007-06-21

I like this movie and can watch it over and over but it isn't Rear Window or Dial M for Murder. You can't go wrong with Jimmy Stewart and Doris Day. I thought they were great together. I know some reviews don't like Doris in this part but I thought that it shows what a great actress that she is. I would recommend that you watch and rate yourself.

"Don't you realize that Americans dislike having their children stolen?".......2007-04-26

"The Man Who Knew Too Much" (1955) is Alfred Hitchcock's own remake of his 1934 thriller about a married couple (James Stewart and Doris Day) on vacation in Morocco where they got caught up in a nightmare that include murder, espionage, assassinations and the worst of all, kidnapping of their 10-years-old son. The movie which Hitchcock himself considered superior to the original is a great fun. Stewart and Day have a good chemistry together. The film is filled with the wonderful comical scenes and dialogues as well as the scenes of chilling suspense.

The inclusion of "Que Sera, Sera" proved to be a stroke of genius because rarely the song fits the content and plays such an important role in the movie like "Que Sera, Sera" did in "The Man Who Knew Too Much".

Hitchcock also treats us to the live music playing from Arthur Benjamin "Storm Cloud Cantata" for almost ten minutes while scene in London's Royal Albert Hall where the assassination of a very important politician was attempted takes place and both, the scene and the cantata are simply marvelous.

Good remake.......2007-03-05

Having seen both the original and the remake I found it difficult to decide which version I prefer and that shows the quality of this one. Classic Hitchcock, well directed and solid perfomances. The only , in my opinion, grey spot is the selection of Doris Day which seems not to work as well as the other leading ladies Hitchcock chose for his other films. However, to her credit, she makes a good couple with James Stewart.
All in all an intense thriller that will satisfy the viewer.

One of Hitchcock's "entertainments," and a pleasant two hours it is.......2007-01-13

I like The Man Who Knew Too Much (1956; I've never seen the 1934 version) the same way I like To Catch a Thief. Both are big, fat, satisfying entertainments made by professionals at the top of their game but perhaps without much to chew on afterwards. This isn't much of a criticism; I just don't put the film in the same category of some of Hitchcock's other, greater films. One weakness (which also is a strength) is Doris Day. When she's sobbing and being hysterical she gets on my nerves. It's too much and too "actorly." Her strength in the movie is that for most of the time she's good company, and she's believable as a woman who will do what it takes to rescue her son. She paired well with Stewart in both star power and likable personality.

I do think the movie is too long, the curse of so many movies beginning in the Fifties. For me, this undermined some of the set pieces; I wanted Hitchcock to get a move on. The scenes I particularly liked were the unease and suspicion that developed in the church, the cocktail party chit chat, the build-up in the Albert Hall and the rescue of Hank.

And let's hear it for some fine actors who made appearances. I have a lot of admiration for Brenda de Banzie who played the wife of Bernard Miles. She was a fine actress; just see her in The Entertainer as Olivier's wife or in Hobson's Choice when she makes a man of John Mills and masters Charles Laughton (who detested her). Bernard Miles was a first class actor who could play just about anything but aristocrats. For those who like medals and honors, Miles was made a Sir in 1969 and became a lord in 1979 (the first actor to do so after Olivier). Not bad for the son of a farm laborer and a cook. The cocktail party had some old friends it was good to see. Among the familiar faces were Alan Mobray, Hillary Brooke and Carolyn Jones. And among the best of the best is Reggie Nalder, who played the assassin. According to IMBd, he was a handsome guy who, when a young man, was burned severely over the bottom third of his face. He was a chilling killer in The Man Who Knew Too Much who made the premise of the film -- a political assassination -- believable and dreadful.

A thrilling climax at London's Royal Albert Hall..........2007-01-08

Many people have the irritating habit of dying before completing a vital message, thus confusing the hero, not to mention the audience...

Dr. Ben McKenna (James Stewart) and his wife Jo, a former musical star (Doris Day) are vacationing in Morocco with their son, Hank (Christopher Olsen), when they meet Mr. and Mrs. Drayton, a British couple (Brenda de Banzie and Bernard Miles). They are also befriended by a charming Frenchman, Louis Bernard (Daniel Gelin), who invites them to dinner but then cancels at the last minute...

The MacKennas go to a restaurant and end up having their meal with the Draytons, when they spot Louis Bernard...

The next day in the market place, they are caught in an assassination intrigue... While they are wandering in the local market, the crowds suddenly scatter to reveal an Arab fleeing from his pursuers... Dr. McKenna stands amazed as the Arab falls into his arms, a knife sticking out of his back...

Gulping his last breath, the dying man mutters some words and collapses... Dr. McKenna is completely taken aback when the Arab's hood falls from his head and he is revealed as Bernard in disguise... McKenna is left knowing too little, but as far as the assassins are concerned, too much...

To prevent Dr. McKenna from revealing what he knows, the conspirators kidnap his son as a hostage... The film is primarily concerned with the dilemma of kidnapping--how to get the little boy back safely... The subplot about the assassination is just the setup...

The film is a breathless escapade... The death of Bernard comes suddenly and points out that death comes when we least expect it...

Stewart is charged with emotion as the Midwestern doctor, accidentally involved in political intrigue... His perceptive facial expressions and indignant delivery made him convincingly human--a person we could easily identify with... It is his temperament that actually sets the pace for the entire film...

By 1956, the lovely Doris Day had won increasing esteem as an actress as well as a singer... She had been particularly strong opposite James Cagney in the Ruth Etting's biopic, 'Love Me or Leave Me,' but she was still unsure of her basic Thespian talents...

The casting of character actor Reggie Malder as the assassin, is brilliant... The man looks like a menace and his effusive portrayal radiates evil...

Average customer rating:

Great performance by Lorre
Great Atmosphere and Cast
International Intrigue from Hitchcock
A Terrorist Plot in London
Edge of Your Seat HITCHCOCK

The Man Who Knew Too Much
Starring: Leslie Banks , Edna Best , Peter Lorre , Frank Vosper , and Hugh Wakefield
Director: Alfred Hitchcock
Manufacturer: Delta
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ASIN: B00000CQK0
Release Date: 1999-07-24

Amazon.com

Alfred Hitchcock himself called this 1934 British edition of his famous kidnapping story the work of a talented amateur, while his 1956 Hollywood remake was the consummate act of a professional director. Be that as it may, this earlier movie still has its intense admirers who prefer it over the Jimmy Stewart-Doris Day version, and for some sound reasons. Tighter, wittier, more visually outrageous (back-screen projections of Swiss mountains, a whirly-facsimile of a fainting spell), the film even has a female protagonist (Edna Best in the mom part) unafraid to go after the bad guys herself with a gun. (Did Doris Day do that that? Uh-uh.) While the '56 film has an intriguing undercurrent of unspoken tensions in nuclear family politics, the '34 original has a crisp air of British optimism glummed up a bit when a married couple (Best and Leslie Banks) witnesses the murder of a spy and discovers their daughter stolen away by the culprits. The chase leads to London and ultimately to the site of one of Hitch's most extraordinary pieces of suspense (though on this count, it must be said, the later version is superior). Take away distracting comparisons to the remake, and this Man Who Knew Too Much is a milestone in Hitchcock's early career. Peter Lorre makes his British debut as a scarred, scary villain. The print of the film used in the DVD release is serviceable and probably comparable to an average 16mm classroom or museum presentation. The DVD also includes a Hitchcock filmography, trivia questions, a director biography, and scene access. --Tom Keogh

Description

A Frenchman who befriends a vacationing family is shot through the heart during a dance with the young mother. Before dying, he whispers a secret... This story so appealed to Hitchcock that he remade it 21 years later.

Includes the trailer for Hitchcock's film "Saboteur"

Menus: English • Spanish • Chinese • Japanese
Subtitles: Spanish • Chinese • Japanese

B&W/75 min.

Customer Reviews:

Great performance by Lorre.......2007-08-31

This was Lorre's first big break in English speaking movies. As a European Jew, he had just escaped to England from Nazi Germany the year before, and barely spoke any English. According to wikipedia, he learned most of his lines phonetically for this movie.

If true, that represents quite an achievement because even working under that handicap Lorre still manages to steal every scene he's in. He plays the villain in the best tradition of spy movie villains. He is charming, polite, pleasant, and would cut your heart out in a minute.

This film is the only Hitchcock film to be later remade by Hitchcock himself, so it is not to be confused with the more famous 1956 Jimmy Stewart version. This is the 1934 version when Hitchcock was still making British films.

After recently watching several old classic films that don't feel like old classic films, this by contrast is a film that's showing its age a bit. The footage is grainy, the sound is staticky, and the cuts between shots are very abrupt. It might be tempting to explain all this away simply because of the movie's age, but then why do films like "Casablanca" "The Big Sleep" "The Maltese Falcon" or "Citizen Kane" retain such a smooth modern feel? With another film we could blame it on the director, but this film was made by Alfred Hitchcock himself.

Someone more versed in film history is going to have to explain this to me. Part of it is probably no doubt due to the fact that all of the British films Hitchcock made have now slipped into the Public Domain and so there is little profit motive for any would-be restorer of the work. That would explain at least the graininess and the static, but not so much the rough cuts. (Or I don't know, would it? How much stuff happens when you restore a film?) Maybe some of this is because Hitchcock didn't have as much money to play with when he was working for the British film industry. Or it could be because Hitchcock considered himself later considered his early work that of a talented amateur.

(Or, could it be that this movie was 1934, and all the other examples I cited above are from the 40s. Does that much change in 5 years? I'm going to have to re-watch a few1930s films for comparison).

...Anywho, despite all the production flaws on this film, one can see the Hitchcock genius popping up in a lot of the scenes. There's a few scenes were the tension is masterfully drawn out. And a big bang shoot 'em up finally at the end. Frankly I was surprised that a film this old would have such an intense shooting scene at the end. (Based apparently on the real life Siege of Sidney street, again according to wikipedia.)

Great Atmosphere and Cast.......2007-03-27

This entertaining thriller from Hitchcock's British period is proof that bigger budgets don't always mean better pictures. He remade this in America during the 1950's, in color no less, and while it has some fine moments also, first prize still goes to this more charming and fun to watch black and white original.

This is the film which got Hitchcock noticed and those who haven't seen the original version are urged to do so. Everything is just right in this one, from the script by Charles Bennett and D.B. Wyndham Lewis to the photography of Curt Courant, to the charming atmosphere of early 1930's Switzerland and London. Much like "Sabotage," it may be a tick behind "39 Steps," "The Lady Vanishes" and, my personal favorite, "Young and Innocent," but there isn't a lot to quibble about.

Lesle Banks and Edna Best are excellent as the carefree couple on vacation in Switzerland with their teenage daughter Betty (Nova Pilbeam). That happy-go-lucky sense of living it up at dinner parties and ski resorts carried over from the 1920's will change suddenly, however, when their pal Louie is killed while dancing with Jill (Edna Best). He will have just enough breath left to give her an urgent message regarding a planned assasination of a politician which could throw the world in turmoil.

Before she and her husband can relay the message to those who need to know, however, their lively daughter Betty is kidnapped, an insurance policy against their talking. They return to London holding the key to preventing a muder, but must remain silent to save their beloved daughter. Lawrence (Leslie Banks) will not let them go on unpeeded, however, and he and Betty's uncle, Clive (Hugh Wakefield), will follow a trail that leads to a disturbed little criminal named Abbott (Peter Lorre) who tends to apologize for what he must do.

Hitchcock makes effective use of music to build a tense mood of apprehension during a concert scene at Albert Hall where the murder is to occur. While Jill is put in the untenable position of warning the victim at Albert Hall or saving her daughter, Lawrence finds Betty and uses a booldy shootout as an opportunity to help his lovely young daughter escape. Trapped on a ledge with a killer, it may be a mothor's love, and skill at skeet shooting, which will make the difference when Betty's life is hanging in the balance.

There is a nice look and atmosphere to this black and white film which makes it far superior to the 1950's remake. The terrific Nova Pilbeam would star a bit later as the grown young female lead in "Young and Innocent" and it's a real shame she did not get a chance to work with Hitch again. A very underrated film no Hitchcock fan can miss.

International Intrigue from Hitchcock.......2007-01-04

This movie is marvelously entertaining. James Stewart and Doris Day make for the All American couple. The Albert Hall sequence is a great highlight. Bernard Herrmann's score is outstanding. There are some truly frightening scenes. This is a real nail biting movie.

A Terrorist Plot in London.......2006-12-19

The Man Who Knew Too Much
The film shows a ski jumping exhibit in St. Moritz Switzerland. Mrs. Lawrence takes part in a skeet shooting contest, and misses. The polite chatter tells something about the times and popular culture. There is a shot, and Mrs. Lawrence's dancing partner dies after giving a message. Mr. Lawrence goes to the man's room to retrieve an object - a message in a shaving brush handle. He now asks to speak to the British consul. But he gets a message warning him to say nothing or his child will never be seen again! Upon his return to England they are questioned by the authorities. Mr. Gibson tells them Louis Bernard was a special agent for the Foreign Office, and knew of a plot to assassinate Mr. Rapa, a foreign official. A telephone call reminds them not to talk to the authorities. The call is quickly traced to Wapping (the name on the message). Mr. Lawrence and his friend Clive visit the name on the message. The dentist gets a treatment instead. Mr. Lawrence hears the words of two conspirators. Next they visit the Tabernacle of the Sun. But they are caught! During a fight Clive escapes to warn Mrs. Lawrence.

When a policeman shows up the conspirators convince him that Clive was drunk and disorderly, so he is arrested. We then learn more about their assassination plot. Mrs. Lawrence is warned against interfering. A scream is heard before the shot is fired. Their plans have gone awry. The shooter is followed back to their lair. They open fire on the police, who send for rifles at a local gunsmith's store. (No gun ban in those days.) The police open fire then break into the building. The shoot-out at the end is unusual for a Hitchcock film. Their daughter escapes to the roof, and her mother takes aim to protect her from her pursuer. None of the terrorists are taken alive. [It must have some political message for the audience.]

Two decades later another version of this story was filmed, updated for a new audience. Four decades later yet another film was made from this story ("Foul Play"). Comparing them will tell how they match popular culture of their times.

Edge of Your Seat HITCHCOCK.......2006-11-27

1956'S THE MAN WHO KNEW TOO MUCH is Hitchcock's effective remake of his own 1934 version. An American couple (James Stewart and Doris Day) visiting Morocco have their young son kidnapped as part of an international murder plot which they can not help but be drawn into. Doris Day's performance is brilliant as the mother whose son has been taken from her. Her initial reaction to the news is almost unbearable to watch. This film is very suspenseful and disturbing, as the odds against the family regaining their boy seem insurmountable as the film progresses. This is reinforced by Bernard Herrmann's almost minimal score, which adds an undercurrent of discomfort to the psyche of the viewer. There are some very memorable scenes such as when James Stewart is followed by echoing footsteps in the empty London streets on his way to finding Ambrose Chappell. The suspenseful Albert Hall assassination scenes are brilliantly filmed and edited. The face of Reggie Nalder as Rien the Assassin is unforgettable. Brenda de Banzie turns in a complex performance as Mrs. Drayton. Bernard Miles as Mr. Drayton also gives an effective performance through the various identities he goes through. And that is one of the strengths of this film: people and places are not exactly as they seem. Characters constantly evolve. Some grow in strength while others are mere shadows of virtue.

Average customer rating:

Good not Great!!
"Don't you realize that Americans dislike having their children stolen?"
Good remake
One of Hitchcock's "entertainments," and a pleasant two hours it is
A thrilling climax at London's Royal Albert Hall...

The Man Who Knew Too Much
Starring: Yves Brainville , Hillary Brooke , Naida Buckingham , Doris Day , and Brenda De Banzie
Manufacturer: Universal Studios
ProductGroup: DVD
Binding: DVD

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ASIN: B000055Z4M
Release Date: 2001-03-06

Amazon.com essential video

Customer Reviews:

Good not Great!!.......2007-06-21

"Don't you realize that Americans dislike having their children stolen?".......2007-04-26

Good remake.......2007-03-05

One of Hitchcock's "entertainments," and a pleasant two hours it is.......2007-01-13

A thrilling climax at London's Royal Albert Hall..........2007-01-08

Alfred Hitchcock: The Collection (The Lady Vanishes / The Man Who Knew Too Much (1934) / Blackmail / The Farmer's Wife / Murder! / Sabotage / The Lodger / Easy Virtue / Rich and Strange / The Sorcer's Apprentice [TV Episode])

Average customer rating:

A very young promise in progress!
Strictly for the Film Historians
Wrong running time
Imperdible...
A Hitchcock Film In Name Only That Goes On For Ever

Alfred Hitchcock: The Collection (The Lady Vanishes / The Man Who Knew Too Much (1934) / Blackmail / The Farmer's Wife / Murder! / Sabotage / The Lodger / Easy Virtue / Rich and Strange / The Sorcer's Apprentice [TV Episode])
Starring: Alfred Hitchcock
Manufacturer: Delta
ProductGroup: DVD
Binding: DVD

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ASIN: B00000JQSQ
Release Date: 1999-07-24

Amazon.com

Essentially a one-joke story line based on Eden Philpotts's comic play, the 1928 silent film The Farmer's Wife makes up for its lack of substantive material with a noticeable leap in Alfred Hitchcock's cinematic skills. Jameson Thomas stars as a rustic farmer named Sweetland whose recently deceased wife has left a hole in his home and life. The subsequent marriage of his daughter inspires Sweetland to contemplate the altar again, and he enlists the aid of his lovely housekeeper, Minta (Lillian Hall-Davies), to draw up a list of available if ill-considered candidates. One by one, Sweetland proposes to the ladies and is rebuffed, then huffs his way home to a warm reception by the woman he should obviously be with: Minta. In almost anyone else's hands, this slight and silly tale would instantly evaporate, but Hitchcock takes it as an opportunity to make a lively, good-looking film full of delightful transitions (this is the kind of movie where a wordless exchanged glance leads us from one world and into another), at least one early experiment with a rapid dolly shot (all roads lead to Vertigo, don't you know), and a remarkable amount of suggestively grim humor. One paving stone on the path to Hitchcock's full, brilliant career, The Farmer's Wife reveals a great talent still growing. Tom Keogh

Description

7 DVD SET INCLUDES:
Sabotage
The Lodger
Blackmail
Easy Virtue
Rich and Strange
The Sorcerer's Apprentice
The Farmer's Wife
Murder!
The Man Who Knew Too Much
The Lady Vanishes

B&W/826 min.

Customer Reviews:

A very young promise in progress!.......2007-03-09

Believe or not, this is a slapstick comedy, in spite of the fact we are talking about an early Hitchcock. The dramatis personae turns round a humble farmer who seeks desperately a bride after his wife has died. He doesn't seem to realize his housekeeper is in love with him since a long time. A very interesting proposal of a director in progress by then.

Strictly for the Film Historians.......2006-08-30

OK, let's get this over with; none of us would even consider watching this movie if it weren't for the fact that it was directed by a young Alfred Hitchcock. Indeed, it's doubtful that the movie would have even survived into the 21st Century if it weren't for the director who was to go on to much greater heights. Yet Hitchcock WAS the director and we KNOW he was a masterful director so he must have done a GREAT job, right? Well, not really. I found myself interested somewhat in "The Farmer's Wife" because there is a fair amount of humor in it. I don't know if I laughed out loud but I smiled a few times. I considered asking my wife to waych it and see if she thought I'd end up the same way. However, the one real problem with this movie is that it is TOO long. Frankly, I breathed a sigh of relief when I thought the movie was over. "Maybe it wasn't all that long afterall" I told myself. Yet when the film actually did end about 10 minutes after I thought it would, I had to admit, a lot of it belong on the film editor's floor. For the record, this is a silent movie (Hitchcock directed England's first "talkie" shortly after he made "The Farmer's Wife"). Silent movies need good expressive acting to succeed and I felt that this movie had that. It was proably it's stregth (along with the humor). It's the story of a widower who decides he'll take another wife and how he is angered when his choice of spouse isn't receptive to the idea. He goes through several disappointments all seemingly in the same day before he discovers the obvious choice.

I got this movie as part of an "Early Hitchcock" set. In that sense, I have no qualms that I bought the DVD. I would have been disappointed to have bought this by itself. I liked it well enough but I doubt (due to its' length) that I'll ever watch it again.

Wrong running time.......2001-01-22

Even though the film originally ran about 97 minutes, and even though Amazon's info shows the running time to be 93 minutes, this Laserlight's DVD version of THE FARMER'S WIFE runs 129 minutes. Apparently, the wrong film speed was used in transferring the film to DVD, stretching the film by an additional half hour. The film's tempo is therefore slowed down a great deal, and the pacing and timing of the various comedy scenes are very much ruined. The DVD does have decent picture and sound (mono) quality.

This dated and predictable film was nevertheless well-acted by Jameson Thomas as the farmer and Lillian Hall-Davis as his housekeeper. Hall-Davis also starred in another Hitchcock's silent comedy "The Ring" (a much better film), also available as a Laserlight DVD.

Imperdible..........2000-09-25

En esta era de la tecnología y el gusto por lograr las mejores imágenes y los mejores efectos, esta colección nos lleva a darnos cuenta que las grandes obras de arte se deben edificar a partir de eso, "El Arte". Y esto es precisamente lo que demuestra este box set. El arte de la cinematografía puesta en las manos del genial Hitchcock. Ni que hablar de la producción: Siete discos, cada uno en su propio estuche, excelente sonido, y todo el material subtitulado (includo extras, introducción y trailers), además de que los discos son multizona. Cabe destacar que esto no fue obra de una gran empresa sino de LaserLight Video, pero es algo que los grandes estudios deberían tomar como ejemplo, hartos ya de ver películas con extras sin subtítulos. Si a eso le sumamos el costo del set, nos encontramos con una joya que no podemos desperdiciar. Muy recomendable.

A Hitchcock Film In Name Only That Goes On For Ever.......2000-06-26

I have nothing against silent films. In fact Clara Bow's 'It', Lon Chaney's 'The Phantom of The Opera' and Louise Brooks's 'Pandora's Box' are amongst my all-time favourites. But with the exception of 'The Lodger', Hitchcock never really got going in silent films. 'The Farmer's Wife' certainly had the potential for an easy going, enjoyable comedy, but NOT when it lasts over 2 hours. I challenge anyone to watch this film in one sitting without their eyelids feeling increasingly heavy. On the plus points, Laserlight has dispensed with one of those embarrassing Tony Curtis introductions, and has provided us with a newly recorded (and very good) score. The picture quality is also very good. If you're tempted to buy this DVD because it's a Hitchcock film, I'd say don't. It is only worth a look to anyone with an interest in silent films or a genuine Hitchcock enthusiast.

Alfred Hitchcock Thrillers - The Man Who Knew Too Much/Secret Agent/The Lady Vanishes

Average customer rating:

Definitive Hitch...Three From The 30's
I didn't like them
Budget Release Meets/Exceeds Expectations

Alfred Hitchcock Thrillers - The Man Who Knew Too Much/Secret Agent/The Lady Vanishes
Starring: Frank Atkinson , Leslie Banks , Edna Best , D.A. Clarke-Smith , and George Curzon
Manufacturer: Vintage Home Ent.
ProductGroup: DVD
Binding: DVD

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ASIN: B0000A02V1
Release Date: 2004-01-06

Customer Reviews:

Definitive Hitch...Three From The 30's.......2007-02-10

Three from Hitch's early British works that are filled with great actors and all those special touches that just say Hitch.

From 1936..."The Secret Agent". You'll find Hitch's unique sense of humor well integrated with the suspense and his definitive style, in this terrific film about espionage at the onset of WWI. A reluctant spy is recruited to kill an enemy spy. He is given a false name and a fake wife to keep up appearances. He goes after the target, but does he have the right man? Could there be another who is the real culprit? And what a cast.. John Gielgud stars with Madeline Carroll,Robert Young and Peter Lorre(fabulous as always) as his very strange accomplice.Other notables to look for include Lilli Palmer and Michael Redgrave.

Where's Hitch.....alas, there seems to be no appearance by Sir Alfred here...4 stars

From 1934.."The Man Who Knew Too Much"(He remade this one in 1956). A great thriller about a carefree family on a winter holiday, who unwittingly become involved in an assassination plot. The Lawrences are having a wonderful time, but when their dear friend is shot, he reveals to them a plot to assassinate an important statesman before he dies. The would be killers kidnap the young daughter of the family in order to ensure their silence.Working with the police is out of the question and the Lawrences must take matters into their own hands as they try to rescue their daughter and stop the murder, which is to take place at the glorious Albert Hall.

Hitch keeps the suspense going through out with an edge of your seat climatic scene. Watch for one of his famous trademark staircase scenes in this early film.The film stars Leslie Banks and Edna Best as the Lawrences, and Peter Lorre at his most menacing!

Where's Hitch: Sorry Hitch watchers, again there doesn't seem to be any appearance by the master...5 stars

"The Lady Vanishes"(1938)
Of all Hitch's early British made films(mostly made during the late 1920's and 1930's), "The Lady Vanishes" is by far the most captivating one for me. A train trip is the setting for this mystery. A woman's traveling companion has disappeared. Where could she be? The train is only so big. She tries desperately to find her friend, but is alone in her quest. No one seems to believe that she even had a companion to start with.All seem to have their own mysterious reasons for denying her any help.Finally one man is convinced to help, and together they try to solve this possible crime.

There are lots of tense sequences to keep you in suspense, and your heart pounding. Hitch mixes up the thrills with his marvelous sense of humor and his wonderful trademark style. Wonderful performances by the likes of Dame Mae Whitty, Margaret Lockwood and Michael Redgrave add to the enjoyment of this one.

Looking for Hitch:....You must be patient. Check Victoria Station almost at the end of the film...5 stars

Enjoy.....Laurie

I didn't like them .......2005-05-02

I love Alfred Hitchcock movies but I didn't like these three. But that's just me. Other people might really like them. They are very old & slow.

Budget Release Meets/Exceeds Expectations.......2004-05-05

First the usual warnings: caveat emptor, you get what you pay for, etc. etc. etc., yadda yadda yadda, blah blah blah. With that out of the way, let me say that getting these three early Hitchcock films at such a low price is an extremely good deal. Sure they're blurry in parts and there are occasional picture/sound glitches, but nothing really interferes with either the storytelling or the suspense, which is really why you're watching them in the first place.

Let me add that the four-star rating is for the DVD as a whole. None of the films are presented at four-star quality (The Lady Vanishes is maybe three-and-a-half), but the fact that you get three movies instead of one or two bumps the score from average to slightly-above.

The Man Who Knew Too Much is the oldest of the three movies and its print and sound quality are the most deteriorated. Nevertheless, the symphony scene and the final gunfight retain their suspensefulness. The movie holds its own against the 1956 remake; Leslie Banks is no Jimmy Stewart, but at least Edna Best doesn't sing.

Secret Agent features a young John Gielgud, only a year or two out of short pants, I'm sure. Peter Lorre steals the show here, however, as an assassin or curious nationality. Of the three, I felt this was the least Hitchcockian in comparison with his later - and greater - work. It works on a psychological level, like his very-early Blackmail, rather than building the suspense of the other two films on this DVD or terror of Psycho or The Birds. The "self-translating" cypher notes are a nice effect; the spinning bowls and train crash are nice attempts at special effects that fall a little short of the mark.

The Lady Vanishes is the most recent of these films, and sports the best sound and picture. It also has some of the most recognizable Hitchcockian touches. The poisoned brandies framed in the extreme foreground, the hero(ine) whose sanity is in doubt, etc. It's also the most comedic throughout (although Lorre and Robert Young play their roles for laughs in Secret Agent, too).

If you want pristine remastered prints of these films, look elsewhere and expect to pay significantly more than a few dollars per movie. If you can "make do" with versions that look 65-70 years old, and want to experience Hitchcock early in his career, give this DVD a spin. If it turns out not to be to your liking, at least you haven't paid a lot to find that out. Odds are you'll find you get a lot for the price (a brief biography of Hitchcock appears on the disc, trivia factoids appear on the packaging), and won't experience buyer's remorse or feel ripped off by your purchase.

Alfred Hitchcock The Masterpiece Collection - Psycho / The Trouble With Harry / The Man Who Knew Too Much / Vertigo (DVD)

Average customer rating:

These Are the Best
Coming Full Circle or Not at All

Alfred Hitchcock The Masterpiece Collection - Psycho / The Trouble With Harry / The Man Who Knew Too Much / Vertigo (DVD)

Manufacturer: Universal
ProductGroup: DVD
Binding: DVD

General | Mystery & Suspense | Genres | DVD | Video
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ASIN: B000M2NLO8

Product Description

Four Disc Set Each disc contains bonus features for each film

Customer Reviews:

These Are the Best.......2007-04-04

PSYCHO, THE TROUBLE WITH HARRY, THE MAN WHO KNEW TOO MUCH and VERTIGO were all directed by Alfred Hitchcock. All four also were scored by compser Bernard Herrman. You don't get much better than that. Terror, humor, romanticism and suspense, these films cover the gamut. They are the best from the master.

Coming Full Circle or Not at All .......2007-04-04

1956'S THE MAN WHO KNEW TOO MUCH is another good DVD transfer and is Hitchcock's effective remake of his 1934 version. An American couple (James Stewart and Doris Day) visiting Morocco have their young son kidnapped as part of an international murder plot which they can not help but be drawn into. Doris Day's performance is brilliant as the mother whose son has been taken from her. Her initial reaction to the news is almost unbearable to watch. This film is very suspenseful and disturbing, as the odds against the family regaining their boy seem insurmountable as the film progresses. This is reinforced by Bernard Herrmann's almost minimal score, which adds an undercurrent of discomfort to the psyche of the viewer. There are some very memorable scenes such as when James Stewart is followed by echoing footsteps in the empty London streets on his way to finding Ambrose Chappell. The suspenseful Albert Hall assassination scenes are brilliantly filmed and edited. The face of Reggie Nalder as Rien the Assassin is unforgettable. Brenda de Banzie turns in a complex performance as Mrs. Drayton. Bernard Miles as Mr. Drayton also gives an effective performance through the various identities he goes through. And that is one of the strengths of this film: people and places are not exactly as they seem. Characters constantly evolve. Some grow in strength while others are mere shadows of virtue. Sir Alfred Hitchcock was trying to make a statement that we as moviegoers are voyeurs and are just as fanatically obsessed by the images on the screen as "Scottie" Ferguson is with Madeleine in VERTIGO. VERTIGO is in effect a movie about people who love the cinema and are captivated by it. Those people who do not like VERTIGO state that it is not realistic and too improbable. That is just the point. VERTIGO is about an artificial world and the fascination of that world. Those who like VERTIGO are drawn to it over and over because it is about something that is inside each of us that is ever so fleeting and will always remain unobtainable. Bernard Herrmann, the film's composer seems to have understood the essence of this film as he captured the erotic passion and ultimate hopelessness of its characters with his haunting score. Herrmann had always expressed his desire to be a symphony conductor, yet the lure of the cinema was more than just a means of collecting a paycheck for him. I think he had a great understanding of the cinema and its power over human emotions, yet it seems to have remained an enigma even for him. The Autumnal colors of New England seen in THE TROUBLE WITH HARRY are a beautiful backdrop to this dark comedy enhanced by Bernard Herrmann's reflective score. As life comes full circle the quirkily eccentricities of the human heart take on new meaning as an artist (John Forsythe) somehow, perhaps unwittingly, makes it all come into perspective. THE TROUBLE WITH HARRY is one of my favorite Hitchcock films. 1960'S PSYCHO is probably Hitchcock's best known film. Its images and sounds are indelibly etched into the psyche of our culture. Anthony Perkins as Norman Bates, the Bates Motel, Bernard Herrmann's score, Saul Bass' main title designs, the shower scene and many other elements are cinematic icons. One element of this film that has not been given due recognition is Martin Balsam's performance as Milton Arbogast the private investigator. Balsam embodied the personification of professionalism and determination yet he was cut off in mid stream. I think there is a statement being made about the very nature of justice and fate and that life is not always fair.

Alfred Hitchcock 3-Pack (The 39 Steps / The Lady Vanishes / The Man Who Knew Too Much)

Average customer rating:

The 39 Steps
The original is best!
The 39 Steps

Alfred Hitchcock 3-Pack (The 39 Steps / The Lady Vanishes / The Man Who Knew Too Much)
Starring: Alfred Hitchcock
Manufacturer: Delta
ProductGroup: DVD
Binding: DVD

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ASIN: B00004YKRS
Release Date: 2004-07-23

Description

3 DVD SET INCLUDES:
The Lady Vanishes
The 39 Steps
The Man Who Knew Too Much

B&W/266 min.

Customer Reviews:

The 39 Steps.......2003-06-22

This is one of the best movies ever made. Do NOT get the later versions. The original Hitchcock film is great. It has Hitchcock's famous premise - the innocent man being chased by police and criminals alike. Robert Donat and Madeline Carroll are terrific together, and the political rally scene is one for the ages.

The original is best!.......2001-02-21

How can anyone say that the original 39 steps movie is not the best? If nothing else it was directed by the great man himself. I have seen 2 re-makes of this film, both poor relations of the first in my opinion. This film is a must see, and surely must be credited as being one of the films that started a revolution in suspence films. Buy this version you will not be disappointed

The 39 Steps.......2001-01-03

This take of the original novel is fairly decent, however there is much better version available. In 1979 a Brittish film company produced a color version of the original story, which I think is outstanding. Though extremely hard to find, spend the extra time to locate the '79 Brittish version of the 39 Steps. It is much more accurate and suspenseful, compared to the Hitchcock versions. Quite frankly, don't waste your time watching Hitchcock's movie.

Average customer rating:

The Man Who Knew Too Much

Manufacturer: Digiview Productions
ProductGroup: DVD
Binding: DVD

General | Mystery & Suspense | Genres | DVD | Video
ASIN: B00069GD60

Average customer rating:

Great performance by Lorre
Great Atmosphere and Cast
International Intrigue from Hitchcock
A Terrorist Plot in London
Edge of Your Seat HITCHCOCK

The Man Who Knew Too Much
Starring: Leslie Banks , Edna Best , Peter Lorre , Frank Vosper , and Hugh Wakefield
Director: Alfred Hitchcock
Manufacturer: Diamond Ent. Corp.
ProductGroup: DVD
Binding: DVD

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ASIN: B00005Q63P
Release Date: 2003-01-01

Amazon.com

Customer Reviews:

Great performance by Lorre.......2007-08-31

Great Atmosphere and Cast.......2007-03-27