Amazon.com
Spanning two decades and countless light years of interstellar adventure, Star Trek: The Motion Pictures Collection is a testament to the enduring goodwill of Gene Roddenberry's optimistic sci-fi concept. Long before Star Wars sparked an explosion of big-screen science fiction, Roddenberry had planned a second Star Trek TV series; the project fizzled, but its pilot script evolved into the first film in Paramount's most lucrative movie franchise. Despite its sluggish pace and bland "pajama" costuming, Star Trek: The Motion Picture (1979) offered a welcomed reunion of the "Classic Trek" cast, packed with Douglas Trumbull's still-dazzling special effects. Trekkers were even more ecstatic when The Wrath of Khan (1982) revived the spirit of the original series, even though director Nicholas Meyer was a Trek neophyte. With Leonard Nimoy directing, The Search for Spock (1984) began where Khan left off, with a thrilling (albeit contrived) obligation to resurrect the formerly ill-fated Mr. Spock.
A box-office smash, Nimoy's The Voyage Home (1986) is the franchise's most accessible adventure--a high point offset by William Shatner's comparatively dreadful Star Trek V: The Final Frontier (1989). Meyer (and his penchant for quoting Shakespeare) returned for The Undiscovered Country (1991), a conspiracy thriller that put the series back on track, inspiring fans to invoke the "even number" rule in rating their franchise favorites. Generations (1994) gracefully passed the torch to TV's The Next Generation, bidding farewell to Captain Kirk with honor and integrity intact. Highlighted by the evolving humanity of Brent Spiner's android Lt. Cmdr. Data, First Contact (1996) explored Star Trek history with a logical (hint) surprise encounter, and Insurrection (1998) provided an adequate expansion of the successful NextGen series. Taken as a whole, these ten films demonstrate the consistent vitality of Roddenberry's original vision, stoking any Trekker's appetite for "ongoing missions" in Nemesis and beyond. --Jeff Shannon Most of the feature films were released early in the DVD era, but are represented here in their vastly improved two-disc special editions, which boast widescreen anamorphic pictures, director's cuts of the first two films, numerous commentary tracks by cast and crew, humorous and informative trivia subtitle tracks by Michael and Denise Okuda, and a wide variety of new and vintage documentaries and galleries.
Customer Reviews:
Star Trek Movie Collection.......2007-07-22
The DVDs were without flaw (not always the case for Star Trek disks). As usual - The Voyage Home - & - First Contact - were the best. Paramount could have never made Insurrection and Nemesis and nothing would have been lost. The CGI in the last two are second to none but; the story line is wanting. If it were not for the last two movies I would have rated this collection 5 stars.
GREAT SET.......2007-07-16
This is a GREAT set of the star trek movies. And at a GREAT PRICE. Love that they are the special edition 2 discs for each film.
Star Trek Movie Collection.......2007-06-27
Overall this is an excellent collection of films. The Special/Director's Editions are wonderful upgrades to the original Dvd releases of the films. I would rate each individual movie as follows:
Star Trek: The Motion Picture
B-
Star Trek II: The Wrath of Khan
A+
Star Trek III: The Search for Spock
A-
Star Trek IV: The Voyage Home
A
Star Trek V: The Final Frontier
C+
Star Trek VI: The Undiscovered Country
A-
Star Trek: Generations
A-
Star Trek: First Contact
A
Star Trek: Insurrection
A-
Star Trek: Nemesis
A+
A Must Have!.......2007-06-27
I have seen all the movies before but with the extras it is a new expeience.
Star Trek DVD.......2007-05-29
100% Satisfied.
Bonus CD's are marvelous.
Delivered well within the time limit in perfect condition
Average customer rating:
- Science and reason over myth
- Not what I was expecting
- A Very Well Made Film
- A tragically overlooked and underrated classic
- Good Flick W Flaws
|
Contact
Starring:
Jena Malone ,
David Morse ,
Jodie Foster ,
Geoffrey Blake , and
William Fichtner
Director:
Robert Zemeckis
Manufacturer: Warner Home Video
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| ( M )
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Similar Items:
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Close Encounters of the Third Kind (Widescreen Collector's Edition)
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The Abyss (Special Edition)
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2010: The Year We Make Contact
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2001 - A Space Odyssey
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Independence Day (Single Disc Widescreen Edition)
ASIN: 0790733226
Release Date: 1997-12-30 |
Amazon.com
The opening and closing moments of Robert (Forrest Gump) Zemeckis's Contact astonish viewers with the sort of breathtaking conceptual imagery one hardly ever sees in movies these day--each is an expression of the heroine's lifelong quest (both spiritual and scientific) to explore the meaning of human existence through contact with extraterrestrial life. The movie begins by soaring far out into space, then returns dizzyingly to earth until all the stars in the heavens condense into the sparkle in one little girl's eye. It ends with that same girl as an adult (Jodie Foster)--her search having taken her to places beyond her imagination--turning her gaze inward and seeing the universe in a handful of sand. Contact traces the journey between those two visual epiphanies. Based on Carl Sagan's novel, Contact is exceptionally thoughtful and provocative for a big-budget Hollywood science fiction picture, with elements that recall everything from 2001 to The Right Stuff. Foster's solid performance (and some really incredible alien hardware) keep viewers interested, even when the story skips and meanders, or when the halo around the golden locks of rising-star-of-a-different-kind Matthew McConaughey (as the pure-Hollywood-hokum love interest) reaches Milky Way-level wattage. Ambitious, ambiguous, pretentious, unpredictable--Contact is all of these things and more. Much of it remains open to speculation and interpretation, but whatever conclusions one eventually draws, Contact deserves recognition as a rare piece of big-budget studio filmmaking on a personal scale. --Jim Emerson
Customer Reviews:
Science and reason over myth.......2007-09-15
In the movie Contact, the brave radio astronomer with SETI, struggles
with her scientifically driven personality, while wondering if there
is anyone else in our cosmos. I identified with Sparks, in that she did
not really believe in god. I came to that same conclusion, while view-
ing this movie. Sometimes people want so badly for something of faith
to be true, that we "mentally invent" such things from within us, while,
in truth, have no "objective reality". For thousands of years, men, and
civilization have been held back by religion and superstition ( magick),
and now we must be courageous enough to break free of the chains of gross
ignorance and step forth into a New Age. If it may be true that man came
from the stars, perhaps, it will one day be our collective destiny to
return to them. Enjoy the movie! May it liberate you as much as it did me.
Not what I was expecting.......2007-09-14
I was really disappointed in this movie. Absolutely gutted. I just didn't 'get' it. It had some good points, but they were far outweighed by the bad points.
I did really like Jodie Foster in Contact, she played the part really well, but Matthew McConaughey was just a waste of screen time. What was his part in this exactly? He could have been lost completely from the movie, and it wouldn't have made a difference. David Morse was seriously underused (I loved him in Green Mile), as was Jena Malone, as she's a really great actress. Another cast member who was underused was the great William Fichtner, playing a blind scientist. I still think he looks like the gorgeous Peter Greene. (That's the second time I've confused the two.)
I think the reason why I didn't get this movie, was I've never been interested in science, or religion. I'm not saying that to offend anyone out there, my Dad had previously read the book, and he watched it with me, and he's interested in science. The ending seemed to me, in my opinion, a major let down, a big cop out, but then it's simply cos it seemed like a big lead up, and then it fell flat. But this is just my opinion. Maybe it was because they blew the budget on the wormhole sequence (not ruining it for anyone?), that they couldn't show any actual aliens. It was also dragged out way too much.
I think I was expecting to see aliens, to see an alien world, which essentially (without ruining it for others) you do, but just not the way I expected. I was thinking it would be this, that, and the next thing, but I didn't get that. But then if every film is what we expect from a glance at the cover/blurb, then it would be pretty rubbish wouldn't it? Would we have wanted to see little green men, with funny eyes, who make beeping noises? I think the answer there is no, and the director did put a really unexpected twist on this, but this film just wasn't for me. I apologise to everyone who loves this movie, but just not for me I'm afraid.
Hey I like the little green men.
A Very Well Made Film.......2007-08-26
This is a very well made film. It is one of my favorites of all time!
A tragically overlooked and underrated classic.......2007-08-16
Occasionally in sci-fi movie magazines, you'll see articles like "Top 10 Women In Science Fiction," and it's always the predictable fan-fave list of hot babes kicking the butts of vampires, zombies, robots, etc. You never see Jodie Foster in "Contact" on such lists, and that's a shame. Why? Because that would involve an actual WOMAN (an intelligent, mature woman of integrity and subtance, as opposed to a kung-fu sex object on steroids) in an actual SCIENCE FICTION movie (an intelligent, thought-provoking premise, as opposed to yet another action movie in space).
Robert Zemeckis made "Contact" as a follow-up to his record-breaking, critically acclaimed "Forrest Gump," and the two make an oddly matched pair. Both are epic stories centered around a single point-of-view character, one the simple man who takes us on a tour of our past, the other a complex woman who leads us into the future. Foster's performance is easily the equal of Tom Hanks' Oscar-winning turn, but sadly this gem of a film didn't get quite the attention it should. (Possibly because, like "The Abyss," another classic, it was swallowed up in the midst of too many summer blockbusters.)
"Contact" follows in the footsteps (and the high quality) of both "2001: A Space Odyssey" and "Close Encounters of the Third Kind," treating its subject of alien intelligence with serious thought: the most plausible aliens ever put on film are the ones we can't quite see. This leaves us free to use our imaginations -- which far exceed Hollywood's abilities in any event -- but also keeps the focus on the story's most truly important aspect, ourselves and our reactions to the prospect that we are not alone in the universe.
Although the story may sound dry on paper -- there are no ray guns, bug-eyed monsters or flesh-eating mutants in this movie -- the pace is never dull, and there's plenty to keep audiences engrossed, including a large amount of sideshow silliness from the world media, some devious government politicking, a chillingly plausible subplot about religious extremists (with Jake Busey, a dead ringer for his dad Gary), and an exasperatingly funny convention of every UFO-loving nutjob in the western hemisphere.
The cast is uniformly impressive, with charismatic actors like Angela Bassett, David Morse, Tom Skerritt, and the always enjoyable James Woods. Stealing the show (and giving us the pleasure of having 2 "Alien" veterans in the cast) is John Hurt as a manipulative Howard-Hughes-ish recluse whose scenes are few but played with "Silence of the Lambs" intensity and power. Personally, I'm not a big Matthew McConaughey fan, but he serves well as the pseudo-love-interest who quietly challenges the beliefs of Foster's character and makes her (and us) reexamine her deepest motives.
Jodie Foster, however, carries the film's emotional center with aplomb, making herself both admirably resourceful and empathetically flawed in equal amounts. Her emotionally wounded character is driven to delve into the heart of the universe through strictly scientific methods, yet resists any suggestion of religious faith, realizing only at the end that both are flipsides of the same coin. Foster allows this conflict within herself to drive the story as much as the global events occurring around her. (Note, incidentally, the recurring characteristic trait of curling into a protective fetal position while perched on the very edge of something -- a chair, a bed, a porch, a canyon -- and gazing upward and outward even while retreating inward. Nice touch, Ms. Foster!)
The plot is well-developed, with a particularly wicked double-twist ending, and there is some insightful social and philosophical commentary in this movie. But, for sheer thrills, it also boasts the most exciting climactic sequence I saw that entire year, as Foster's character makes the last walk to embark on the journey to end all journeys. And frankly, for the summer of '97, that's saying something!
(P.S.: Can't let this review go by without a nod to author of the book, Carl Sagan. Rest In Peace, Carl, and thanks for the great story!)
Good Flick W Flaws.......2007-08-15
but doesn't track the novel well. It tries to be less intellectual than Sagan's masterpiece but ironically still falls short in the visceral realm. Jodie Foster's performance is believable yet annoying, 'I did go ...I really did go' she exclaims in the next to final scene and I'm embarrassed for her cause she sounds like an 8 year old. On her last ditch desperate plea for funding to Hadden Industries she has a 'Tom Cruise' moment when she ends her pitch with 'In the history ...of history !' The novel holds more answers and far less gratuitous drama. The movie raises mostly questions. The little power plays reveled in by James Woods(Kits) and Tom Skerritt(Drumland) who in the novel is a definite 'good guy' are written over the top to appeal to a young audience but adults may find them unbelievable to comical. Having pointed out some flaws, I loved the special effects,(as scarce as they were). The huge alien machine was believable and Jodie's little wormhole trip was impressive. The movie also makes you feel something which is a positive. The surreal Pensicola scene with Elie's beloved dad is the best scene in the movie; although it probably won't make you cry unless you can 'crawl inside' Dr. Arroway(Jodie Foster) which I couldn't do.
Average customer rating:
- A must-have for any Trek fan...
- Excelente!!!
- First Contact... should have been the last contact!!
- Star Trek saga
- Great Movie!!!!
|
Star Trek - First Contact (Two-Disc Special Collector's Edition)
Starring:
LeVar Burton ,
James Cromwell ,
Michael Dorn ,
Michael Horton , and
Alice Krige
Manufacturer: Paramount
ProductGroup: DVD
Binding: DVD
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| ( B )
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| ( C )
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Star Trek - Insurrection (Two-Disc Special Collector's Edition)
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Star Trek - Generations (Two-Disc Special Collector's Edition)
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Star Trek VI - The Undiscovered Country (Two-Disc Special Collector's Edition)
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ASIN: B00078XGRO
Release Date: 2005-03-15 |
Amazon.com
Even-numbered Star Trek movies tend to be better, and First Contact (#8 in the popular movie series) is no exception--an intelligently handled plot involving the galaxy-conquering Borg and their attempt to invade Earth's past, alter history, and "assimilate" the entire human race. Time travel, a dazzling new Enterprise, and capable direction by Next Generation alumnus Jonathan Frakes makes this one rank with the best of the bunch. Capt. Picard (Patrick Stewart) and his able crew travel back in time to Earth in the year 2063, where they hope to ensure that the inventor of warp drive (played by James Cromwell) will successfully carry out his pioneering warp-drive flight and precipitate Earth's "first contact" with an alien race. A seductive Borg queen (Alice Krige) holds Lt. Data (Brent Spiner) hostage in an effort to sabotage the Federation's preservation of history, and the captive android finds himself tempted by the queen's tantalizing sins of the flesh! Sharply conceived to fit snugly into the burgeoning Star Trek chronology, First Contact leads to a surprise revelation that marks an important historical chapter in the ongoing mission "to boldly go where no one has gone before." --Jeff Shannon
Description
In their second big screen adventure, the year is 2373 and the crew of the Enterprise-E has learned the Borg has returned. Because of Captain Picard's past experiences with the Borg, Starfleet has ordered the Enterprise to stay out of the fight. Realizing too much is at stake, Picard disobeys orders and takes the Enterprise to Earth. His knowledge of Borg technology leads the Federation fleet to victory, but a Borg sphere escapes and opens a temporal vortex. The Enterprise pursues and travels back to April 4, 2063; the day before the first warp flight.
Customer Reviews:
A must-have for any Trek fan..........2007-09-14
...but I must say...
There's nothing like a good running commentary, and Jonathan Frakes' is nothing like a good running commentary...
Excelente!!!.......2007-07-12
Los dos discos son para deborar, a sí, todo tiene subtitulos en español, y los comentarios son actuales. Solo para disfrutar de una de las mejores pelis de la serie.
First Contact... should have been the last contact!!.......2007-07-10
This was the last movie that was even halfway decent. After this one, I don't know why any more were ever made. There is so much you can do with the star trek franchise and THIS film proves it. It's the first time they have the screen all to themselves (which is to say without the old crew) and it's the only time that they do a decent job of carrying on the torch that was passed to them by the original crew.
First Contact has some of the best actors around. James Cromwell and Alfrie Woodard are positively wonderful additions to the Star Trek phenomena. There were just too many questions left. Too many loose ends left untied. And too many times when I said "so what." during the show. The crew exists as cardboard cutouts of their television personas. The most dynamic character in this movie is the Borg Queen. And that is just amazingly disappointing.
Star Trek saga.......2007-05-13
Good epilogue for the BORG neverending threat to humanity!!! Great Jean-Luc PICARD in the end against the BORG QUEEN!!!!! Not so bad the Klingon WORF!! Nice and offhands rendering of the human race left (especially the creator of the warp dirve engine, COCHRANE, played amazingly well by James CROMWELL!) after the nuclear world war!!!
Great Movie!!!!.......2007-04-05
I really love this movie but beware, I don't know what I was thinking I thought this was the directors cut which usually puts back all the deleted seens in a movie. Well this one isn't it. It will show you the seens deleted as extras but not intergrated back into the movie. Thats my only complaint but that is a minor complaint and totally my fault. The movie itself is a great, try watching it on a big sreen TV you will love it esp. the opening fight seen in the movie when the Borg attack the fleet. This is a great buy so don't hesitate if you haven't seen the movie or just want it for you collection.
Average customer rating:
- Good movie but.....
- When all else fails, blow up Jupiter!
- Decent but Clunky Move with No Sense of Wonder
- A Sci-Fi Classic That Deserves More Respect Than It's Gotten
- Good sequel Hal
|
2010: The Year We Make Contact
Starring:
Roy Scheider ,
John Lithgow ,
Helen Mirren ,
Bob Balaban , and
Keir Dullea
Director:
Peter Hyams
Manufacturer: Warner Home Video
ProductGroup: DVD
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2001 - A Space Odyssey
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Contact
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Close Encounters of the Third Kind (Widescreen Collector's Edition)
ASIN: B00004VVN8
Release Date: 2000-09-19 |
Amazon.com
No director could ever have hoped to repeat the artistic achievement of Stanley Kubrick's 2001: A Space Odyssey, and nobody knew that better than Peter Hyams, who made this much more conventional film from the first of three sequel novels by Arthur C. Clarke. Whereas Kubrick made a poetic film of mind-expanding ideas and metaphysical mysteries, Hyams shouldn't be blamed for taking a more practical, crowd-pleasing approach. In revealing much of what Kubrick deliberately left unexplained, 2010 lacks the enigmatic awe of its predecessor, but it's still a riveting tale of space exploration and extraterrestrial contact, beginning when a joint American-Soviet mission embarks to determine the cause of failure of the derelict spaceship Discovery. Having arrived at Discovery near the planet Jupiter, the American mission leader (Roy Scheider) and his Russian counterpart (Helen Mirren) must investigate the apparent failure of the ship's infamous onboard computer, HAL 9000, as well as the meaning of countless mysterious black monoliths amassing on Jupiter's surface (an interpretation Kubrick originally left up to his viewers). Meanwhile, Earth is on the brink of nuclear war, and an apparition of astronaut David Bowman (Keir Dullea) appears to repeatedly promise that "something wonderful" is about to happen. --Jeff Shannon
Customer Reviews:
Good movie but............2007-08-20
...what you get will not resemble the product shown. The product shown has a picture of the planet Jupiter and one of its moons in the background, Discovery floating in the foreground, with the monolith (full of stars) in between, movie by MGM studios. What you'll get will be the el cheapo snap case with Jupiter and the infant on the cover, movie by Warner Bros., which you can typically find at WalMart for $7.50.
I thought I would get a decent copy of 2010 in a keep case, what I got was the bargain bin copy in a snap case that I paid too much for.
The 3 stars is for the deception, not the movie. The movie rates 4 stars, with 2001 a strong 5. -kd5-
When all else fails, blow up Jupiter!.......2007-07-16
I think my first review writing on this film lost the one person who decided to respond to my short write up, feeling my write up didn't help them. After thinking this through a little further, I'm taking time to expand on this write up, as I feel my first attempt to express myself made for an ambiguous writing in need of clarification. So let's start over shall we?
I remember the day when I sat in the theatre as a young boy and the opening for the film "2001 A Space Odyssey" appeared on the silver screen. All of us kids were not only stunned by Trumball's great and real like special effects, but by the subtle message Stanley Kubric and Arthur C. Clarke worked to deliver in that film's simple story line. The appearance of the star child in the end, suggestive of reincarnation or rebith or neverending life, was an intersting concept to give Christian dominant America back in those days. Many Christian parents didn't want their kids seeing this film because of the controvery of faith it created for stout Church attending believers back in the early 1960's.
When you thought the film makers of 2001 couldn't say anything further, out comes 2010, with not only a great story line, but even more awesome special effects to help tell the story.
Most people don't realize that the original 2001 story was drawn from premises found in Hindu religion as revealed in the Upanishads of India. It's clear Arthur C. Clarke was versed in these religious studies as you watch both films. The overtones of what God might really be as the formless light holding the creation inside his being; as captured in Hindu & Buddhist writings, not to mention the Christian Bible, takes on form as the Monolith in this film, a life giving force, representing the Creator; who is formless: A message that is made clear at the end of this film if you just listen to what is said at the end. Not to know this is to interpret the message in 2001 incorrectly concerning the issues of the Universe, eternity, physical life and the existence of parallel expressions of the one Universe scientists call "parallel Universes".
From the Latin, the word "Universe" means "One Word" and you find Jesus Christ in the Bible always refering to Himself as the "One Word". In John the Apostle's writings we find the location of the Universe given in John 1:1-3, which reads from the Septuigent Greek into the English; "In the beginning was the One Word; the One Word was with God and the One Word was God". If you insert the word "Universe" for every instance of the passages where it reads the "One Word", you get the true location of the Universe and what God was talking about concerning the Tree of Life spoken about in the Garden of Eden as you read Genesis of the Bible. The passage now reads; "In the beginning was the Universe; the Universe was with God and the Universe was God". We then learn the creation is suspended inside of God made out of the pure white light stuff of God's being.
E=MC2, which Albert Einstein discoverd via the Bible codes he was playing around with back in the 1940's actually read from God's point of view as m=E/C2. What this tells any scientist is that God created mass, i.e., planets and stars with the byproduct revealing time and space as we know it and this was done by slowing down His white light energy (E) by the speed of light squared (C2) which condensed down into gross solid matter. Scientists call this the "big bang theory", but this revelation well supports the law of the Conservations and transferance of energy in physics. The result was the revealing of time and space as you look up into the night sky making it possible for God to create a physical creation suspended inside of his being. These overtones are throughout the 2010 film, especially the message given at the end of the film.
Man reads the equation as E=MC2, because that is the process needed to turn all energy, which has been slowed down into solid mass, back into God's pure white light stuff, the first demonstration of that being revealed with the building & detonating of the first atomic bomb. One of the fears the scientists had when detonating the first atomic bomb is that the chain reaction of energy released might go on indefinitely converting the whole planet into the pure white light you see released from the detonation. Fortunately that didn't happen, since the strength of the reaction lessened as it came in contact with the atoms of our atmosphere slowing down and limiting the chain reaction we classify as an "explostion" for lack of a better word to call it in layman's terms.
From the Upanishads, the same revelation, hiding in the Bible, reads as follows: "Enumbete then realized 'I am indeed this creation. For I have poured it forth from myself and in that way He became the Creation. Verily, He who knows this, becomes in this creation, a creator". The Bible reveals that man is made in the "image" of God, meaning God is a creating force and as a result we see man expressing this ability in all he raises up from the ground as he creates on this earth. Even the soul takes its origins from Kabbalist teaching out of the pure white light stuff of God's being while God separated his consciousness into individual consciousnesses called souls. In short, you are not a body with a soul upon knowing this, but a soul having been given a body in order to take presence on the earth and participate in it. Knowing all of this makes it easier to understand what the monolithe is in both films and the purpose it serves in its appearance in both films.
You also find the same revelation given in Jewish Kabbalist teaching. In fact, an excellent book I purchased off of Amazon earlier this year, written by Rabbi Moshe Hayim Luzzato; entitled "The Kabbalah of the Ari Z'al", starts with the first chapter of his book assuming that the reader/student already knows this absolute truth about the Universe. Not to know it is to get lost with even the first chapter of his book, which would then appear abstract to the more earthly minded who might not know this simple basic absolute truth of how the Creation was done. God certainly didn't make everything out of nothing. That doesn't make any sense to any reasonable thinking person, espeically if you can see by God's laws, even with the help of Man's science that God is a logical thinking God, perfect in all His thinking and expression in working with the Creation. However, God did have plenty to draw from out of His own being, when He became the Creation itself suspended as the Tree of Life inside of Him, if you can even use gender to qualify God at this point of understanding. Knowing this also makes is easy to read and understand the deeper revelations of the Holy Bible, if you are a Christian believer who is well beyond fundamentalism in your studies.
While 2010 does not have the esoteric ambiance felt in 2001 with its final revelation discourse, this is still a well done story, following along the lines of the spiritual premise revealed in 2001 concerning the story; with excellent acting and great special effects helping the new story along.
This is really great for the whole family and a must see in my book. No real violence to speak of in this film; just good character development, balanced with good action working to reveal a mystery in the end. It will give you pause to think of the Universe in a way you never thought of before just watching both films and it helps to know the things I know about the religions of the world along with man's science if you really want to understand the message being given in both of these films.
Decent but Clunky Move with No Sense of Wonder.......2007-06-18
First off, the original movie 2001 is in a league of it's own, and few movies can or will ever acheive it's lofty heights.
Having said that, 2010 is a decent movie in the vein of "Alien" or a standard Star Trek movie, but it comes off as very 'clunky' and does nothing to stir our imagination. One reviewer said it plays like a TV-movie, and they're absolutely right. Something about it just seems "off", with abrupt scene cuts, scenes that go nowhere and just end, and absolutely no sense of wonderment or excitement.
The editing is infuriating too. We're jarringly thrown from one scene to another with absolutely no attempt at a smooth transition. One example that dove me nuts - they'll show the monolith floating by Jupiter with the great music playing, then cut to inside the ship with no music, then back outside with music, then inside with no music, etc. Talk about clunky - it gets pretty damn annoying after a while.
The narration by Roy Schieder makes you think you're watching "SeaQuest" and is a bit of overkill as this movie just has to explain EVERYTHING. This movie tells you exactly what's happening before, during and after it has happened, which dilutes any or all excitement. You can definitely check your brain at the door for this one, because it doesn't require you to think about anything - it's all table-spoon fed to you constantly during the film, and that becomes annoying as well.
And there is absolutely no sense of awe or wonder in this film. I do think it's a good Arthur Clarke story, and his stories usually end with Man or another race ascending to a higher plane of existence, and the ending here is similarly along that vein.
It was nice, however, to see Keir Dullea and hear Hal again and to re-visit some of those sets.
Another nitpick - they got the read-out screens wrong in the Discovery. In the scene in the pilot's chair of the Discovery, when they show Hal's eye flanked by the screens, you can see that they used simple CRT screens instead of the flat screens used in 2001. Because there is so much glare on the CRTs, the read-outs don't pop out brightly like they did in the first film. Again, everything just seeme a little 'off' in this film. And the awesome Centrifuge set is nowhere to be seen.
All in all, it's a decent, clunky, un-exciting journey, worth a look or two but destined to collect dust in your DVD collection. By contrast, how many times have you seen 2001?
A Sci-Fi Classic That Deserves More Respect Than It's Gotten.......2007-06-03
True, this movie could never compare to Kubrick's "2001," but I don't necessarily think that's a bad thing. Perhaps it's because I was in high school when "2010" came out, but I relate a lot more to the sequel than the original, which I think could have shed the beginning and final acts and still been a coherent movie.
As a stand-alone movie, it's one of the more thoughtful sci-fi films I've ever seen, and the performances are quite good, especially Dame Helen Mirren and John Lithgow. And the vidual effects...Richard Edlund does a sublime job of following in Douglas Trumbull's footsteps.
The only fault I found with the film, and this is mainly in retrospect, is Peter Hyams' choice to have the US and Russia at loggerheads, considering that no such conflict existed in either the books of "2001" and "2010," nor in the film version of "2001." It dates the film somewhat, but it's still a good movie.
Unfortunately, the same can't be said for the transfer. "2010" has never had a decent transfer to video, and the DVD version is about as bad as it gets. Surely a better print exists of this film, and while the sound doesn't have the same "shuddering" quality the earliest VHS release had, it's still sub-par.
Hopefully either Warner or MGM will remaster this film for HD-DVD and/or Blu-Ray.
Good sequel Hal.......2007-03-19
2010 is a good sequel to 2001. 2001 is better but the way the Russians Americans and Hal work together makes a good point. Visually 2010 is close at times but not breathtaking. 2010 has elements 2001 didnt have that make it an interesting watchable sequel.
Description
NOT JUST ANOTHER TELEVISION SPECIAL
IT'S A NEWS MAKING EVENT! Close Encounters: Proof of Alien Contact brings you the first physical proof of alien encounters, all new footage and exclusive interviews! * For the first time ever, see pieces of the alien craft that crashed at Roswell. Concealed for 50 years, this material is extraterrestrial! * Former NASA astronaut Gordon Cooper breaks his silence and discusses his close encounters with alien craft! * Witness UFO photographs taken in space by former NASA astronaut, James Mc Divitt!
TOP SECRET FOOTAGE THE GOVERMENT DOESN'T WANT YOU TO SEE! * Proof of alien abductions! Watch renowned surgeon, Dr. Roger Leir, remove an actual alien implant! * Travel inside AREA 51 with former government scientist, Bob Lazar! * Featuring appearances by Steven Spielberg, Will Smith, Sigourney Weaver, Robert Wise and David Duchovny. * Witness over 250 UFOs caught on tape. See shocking and never-before-seen UFO footage! Close Encounters: Proof of Alien Contact is actual proof . . .
WE ARE DEFINITELY NOT ALONE!
Customer Reviews:
Very good Video of UFOS.......2007-08-18
I really liked this video alot which provided for me alot of information and video. The video was well done and had alot of details. Interviews with Bob Lazaar, Roger Leir, Gordon Cooper, Linda Howe and more! Definetly a must for any UFO seeker. I was impressed. Good get it already!!!
Good.......2007-07-30
It was a very good dvd... I mean maybe is because I have so many, that I thought it was good.. I wish it was a little bit longer though, I like the fact that it went from point A to B.. talking to many experts etc
EXCELLENT INFO.......2006-12-28
This DVD was informative and enjoyable to watch. I have watched a lot of alien documentaries and this is by far one of the best.
Compelling.......2006-03-08
The footage in this film is exceptional ... you'll find yourself rewinding to review it time after time. The film shifts from expert interviewee to expert interviewee, with some a bit more credible than the others. I certainly recommend a viewing.
OUTSTANDING presentation! A cut above the norm!.......2006-01-20
Don't listen to those noisy negativists! This is a great dvd, one of the best I've found! Terrific footage, over 250 clips! Interviews with Bob Lazaar, Roger Leir, Gordon Cooper, Linda Howe and more! See saucers, probes, and the surgical removal of an alien implant from an abductee - simply a must-have!
Average customer rating:
- Contact-Great/Sphere-Not..
- how good is Contact!
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Contact/Sphere
Starring:
Jena Malone ,
David Morse ,
Jodie Foster ,
Geoffrey Blake , and
William Fichtner
Director:
Robert Zemeckis , and
Barry Levinson
Manufacturer: Warner Home Video
ProductGroup: DVD
Binding: DVD
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The Abyss (Special Edition)
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ASIN: B000FOPPEM
Release Date: 2007-01-02 |
Description
Is something or someone out there? Messages from outer space raise hopes (and, for some, fears) that intelligent beings from light years away are reaching out to us...and sending design plans for the machine that can take us to meet them. Jodie Foster and Matthew McConaughey star in and Robert Zemeckis (Forrest Gump) directs an exhilarating adaptation of Carl Sagan's Contact (Side A), the dazzling tale of humanity's greatest voyage of discovery. The excitement runs deep in Sphere (Side B) as officials find a huge spacecraft that plunged into the Pacific - 300 years earlier. Dustin Hoffman, Sharon Stone and Samuel L. Jackson lead an underwater expedition into the mysterious craft in this adventure directed by Barry Levinson (Rain Man) and based on Michael Crichton's novel. Step aboard for a new dimension in thrills!
Customer Reviews:
Contact-Great/Sphere-Not.........2007-07-25
Contact is one of my favorite stories of all times. I loved Carl Sagan and had read the book long before it had become a movie.And Jodi Foster &
Matthew McConaughey did a great job with this story!
Sphere,on the other hand,also was a great book HOWEVER the 'movie' was lacking severly. Although the actors were all great people for other projects I am clueless as to how anyone ever thought they needed to be in this story.Still it is an ok scifi film to have in your collection but my advice would be to buy the book as well because it really was a BETTER story when read.
how good is Contact!.......2007-05-13
A surprisingly good film based on the SETI project, with a great question at the end!!
I did not find Sphere to be as interesting as Contact.
Description
THE RENEWAL OF CONTEMPORARY PHOTOGRAPHY The world's greatest photographers reveal the secrets behind their images. A collection of films that uncover the artistic processes of the greatest contemporary photographers from an original perspective. Using images (contact prints, proofs, prints, or slides) with commentary by the artists themselves, the viewer is thrust into the secret universe of creativity and into the heart and method of the evolution of a photographic body of work.
Customer Reviews:
great nuggets.......2007-02-23
The format of the DVD is great for breaking up and talking about the work geared toward specific projects/subjects--people vs. landscapes etc. But it is also great because you're hearing the artist speak a little about his concept or method and the backstory of his imagery/series. True, the translator (English or French) sounds stilted and hokey and doesn't quite drown out the native tongue--but c'mon. This is photography as art, not reportage or documentation--therefore, it should not be watched as a how-to technical manual either.
Photographers include..........2007-01-10
Covers the following photographers: Sophie Calle, Nan Goldin, Duane Michals, Sarah Moon, Nobuyoshi Araki, Hiroshi Sugimoto, Andreas Gursky, Thomas Ruff, Jeff Wall, Lewis Baltz, Jean-Marc Bustamante.
Description
THE GREAT TRADITION OF PHOTOJOURNALISM The world's greatest photographers reveal the secrets behind their images. A collection of films that uncover the artistic processes of the greatest contemporary photographers from an original perspective. Using images (contact prints, proofs, prints, or slides) with commentary by the artists themselves, the viewer is thrust into the secret universe of creativity and into the heart and method of the evolution of a photographic body of work.
Customer Reviews:
Great.......2007-09-16
It is a very good documentary of last earlier century photographers. From this film of their work and what they said in the film, we can understand why, how, to take those pictures. They represented one genuation of photographers. The way of thinking and their value at that time. These all directly affect how they took and why they took. Even though, the way they took was very similar, after anaylized they were quite different and each one of them has his own style. It taugh us a lot. First we can try to see which style will be good for ourselves. Then we can intimate their work. Slowly we will develope our own style.
Photographers include...,.......2007-01-10
Covers the following photographers: Henri Cartier-Bresson, William Klein, Raymond Depardon, Mario Giacomelli, Josef Koudelka, Robert Doisneau, Edouard Boubat, Elliott Erwitt, Marc Riboud, Leonard Freed, Helmut Newton, Don McCullin.
Description
CONCEPTUAL PHOTOGRAPHY The world's greatest photographers reveal the secrets behind their images. A collection of films that uncover the artistic processes of the greatest contemporary photographers from an original perspective. Using images (contact prints, proofs, prints, or slides) with commentary by the artists themselves, the viewer is thrust into the secret universe of creativity and into the heart and method of the evolution of a photographic body of work.
Customer Reviews:
Photographers include..........2007-01-10
Covers the following photographers: John Baldessari, Bernd & Hilla Becher, Christian Boltanski, Alain Fleischer, John Hilliard, Roni Horn, Martin Parr, Georges Rousse, Thomas Struth, Wolfgang Tillmans.
Educator Recommended.......2006-10-25
I teach at the college level, and find this series of DVD's to be helpful in introducing the students to a wide range of photographer-artists. This third DVD in the series is a strong introduction to the photography of several of the most important contemporary conceptual photographers.
Is this a guide to photography (how-to book)--most definitely not. Is it an introduction to contemporary fine-art photographers--most definitely. Also, one reviewer thinks these photographers are all French--yikes!--there are actually many contemporary photographers from several nationalities...
Not what I expected.......2006-08-07
I purchase a lot of educational videos on photography and Photoshop, but this one was not at all what I expected. It has little, if any, educational value. Instead, the video shows photos taken by French photographers with commentary (in French). Don't buy this as an educational video.
Conceptual Photography!.......2006-02-21
In contrast to a lot of American productions on art/artists, this stands out for being tasteful, informational, and interesting. For relying on the strength of the actual photographs, instead of irritating editing or distractions related to the process or a heavy biography on the creator's personal life.
It's also willing to rely on the artist's narration of their own work, so you'll get to hear them explain their thoughts in-depth and you'll view their work entirely differently than if you'd just seen it in a book or a gallery. The first few minutes will be boring if you make quick judgements about their work, soon after though, you'll see the depth of their interests and the way their mind operates. Plenty of reason to pay attention!
You'll be turned out to a lot of new photographers, this is way better than any modern photography book you can get your hands on.
Customer Reviews:
Queen of Outer Space.......2006-08-07
Emmanuelle gets elected to become the captain of a group of strange, space men and women from a distant galazy, led by Haffron, a cute guy who knows next to nothing about sex. Haffron has a sort of Patrick Swayze looks and must come from some kingdom too poor to buy any underwear. Emmanuelle, ever playful, has had a showdown with her earth boyfriend, Philip, not a bad sort but a jealous fellow who won't let her explore her sense of adventure. With this in mind, she has sex with Haffron as they perform monitored with a hundred wires which allow the rest of the crew to monitor their bodily sensations.
What can Emmanuelle, a lovely girl played by the incomparable Kirsta Allen, teach a bunch of overeducated, brainiac space creatures? Well, first off, none of them have ever had sex since in their nation, to procreate one must simply slough oneself in two, and that's how children are made, therefore there has n ever ben a need for sex. Bowever, Haffron so enjoys the earthly delights of Emmanuelle that he becomes a sex addict sort of, and poses as Emmanuelle's brother as she returns to earth to confront jealous Philip, who, as it happens, is giving his missing fiancee a taste of her own medicine by throwing a wild orgiastic party. She twitches her nose and changes out of Krista Allen's body into another (so that Phil won't recognize her) and attempts to seduce him to test her theory that he's a cheater, while Haffron tries to pick up different [...] at the party. They succeed and the two couples have sex in adjoining rooms. Dumb old Haffron picks up a "professional" who asks him for $200. "What's 'money'?" he asks in his inane royal hiccup. When he drops his pants her eyes widen and she rushes right over. "Never mind, this is a freeby!" she announces.
In space, Emmanuelle accepts the thanks of the space people for treating Haffron so well, but says that even becoming their queen won't satisfy her need for travelling to Egypt so they better let her abdicate. Instead, they accept all her conditions, and allow her to go on her planned barge down the Nile on a swinging singles cruise. Haffron accompanies her, telling her he loves her and to prove it, he says, that even if she changes her body for another female passenger, he will still know it's her, instantly. Farcically he fails to identify her and beds four other women, all of them charming and witty and nubile, but none of them really up to Krista Allen's gold standards.
Badly shot on cheap video stock, but highly recommended nevertheless. FIRST CONTACT's a winner all the way through.
Another Spacey Softcore Flick.......2006-01-19
I'm not sure what everybody is up in arms about. I watched the movie a few hours ago and saw plenty of Kirsta Allen, though, except in the beginning, she was mostly dressed. I think the reason, is the version I watched, which I rented from Café DVD, was unrated. Anyway the other girls were nothing sneeze at and though the sex scenes could have been more sensual there were plenty of them. Overall I thought Emmanuelle in Space - First Contact was an average soft porn flick. Hence the three star rating but only the unrated version.
What are we talking about here people.......2002-12-18
Now if any of you have ever read one of my reviews you know that I take movies at face value. I don't read into them... I don't look to them for hidden meaning or anything like that. That being said why are we trying to find quality in porn. I know this might come as a shock to you all but this is porn... soft-core safe for the teenager in you porn. Nothing more. Saying that I'm disappointed in this movie is like saying that the production value of the hardcore movies is terrible. Why... Why waste your time reviewing this...get what you need out of it (and you all know what I mean) and move on
not so great :(.......2001-05-13
i wasn't happy with this movie...i should have listened to the reviews. there was hardly any krista allen at all. i was expecting something along the lines of the uncut emmanuelle movies ms. allen had done back in 95 and 96. i have all 7 of these unedited movies. each movie is 90 minutes in length and there's a total is 7 movies for a grand total of 10 and a half hours of krista!...
Dissapointing.......2000-10-14
I have waited so long to see this movie and i was very disapointed with it. The only thing good about it was Krista Allen and she was hardly in the movie. The sex sceens werent even that great. There were very dull and boring. Very bad r rated version and im not sure if the unrated is much more. Im glad i didnt spend movie to buy this. If you want to see a good Emmanuelle movie see Emmanuelle 5 the best of all.
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DVD
DVD