Average customer rating:
- Good Buy
- Disturbingly violent ...
- For Frank Miller die-hard fans only
- Incredible!
- A true "Collector's Edition" DVD!!
|
Sin City
Starring:
Robert Rodriguez ,
Frank Miller (II) ,
Jessica Alba ,
Devon Aoki , and
Alexis Bledel
Manufacturer: Dimension
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ASIN: B00005JNTX
Release Date: 2005-08-16 |
Amazon.com
Brutal and breathtaking, Sin City is Robert Rodriguez's stunningly realized vision of Frank Miller's pulpy comic books. In the first of three separate but loosely related stories, Marv (Mickey Rourke in heavy makeup) tries to track down the killers of a woman who ended up dead in his bed. In the second story, Dwight's (Clive Owen) attempt to defend a woman from a brutal abuser goes horribly wrong, and threatens to destroy the uneasy truce among the police, the mob, and the women of Old Town. Finally, an aging cop on his last day on the job (Bruce Willis) rescues a young girl from a kidnapper, but is himself thrown in jail. Years later, he has a chance to save her again.
Read our interview with Frank Miller. |
Based on three of Miller's immensely popular and immensely gritty books (The Hard Goodbye, The Big Fat Kill, and That Yellow Bastard), Sin City is unquestionably the most faithful comic-book-based movie ever made. Each shot looks like a panel from its source material, and director Rodriguez (who refers to it as a "translation" rather than an adaptation) resigned from the Directors Guild so that Miller could share a directing credit. Like the books, it's almost entirely in stark black and white with some occasional bursts of color (a woman's red lips, a villain's yellow face). The backgrounds are entirely digitally generated, yet not self-consciously so, and perfectly capture Miller's gritty cityscape. And though most of Miller's copious nudity is absent, the violence is unrelentingly present. That may be the biggest obstacle to viewers who aren't already fans of the books and who may have been turned off by Kill Bill (whose director, Quentin Tarantino, helmed one scene of Sin City). In addition, it's a bleak, desperate world in which the heroes are killers, corruption rules, and the women are almost all prostitutes or strippers. But Miller's stories are riveting, and the huge cast--which also includes Jessica Alba, Jaime King, Brittany Murphy, Rosario Dawson, Benicio Del Toro, Elijah Wood, Nick Stahl, Michael Clarke Duncan, Devin Aoki, Carla Gugino, and Josh Hartnett--is just about perfect. (Only Bruce Willis and Michael Madsen, while very well-suited to their roles, seem hard to separate from their established screen personas.) In what Rodriguez hopes is the first of a series, Sin City is a spectacular achievement. --David Horiuchi
More Sin City at Amazon.com
The Graphic Novels and Books |
Films by Robert Rodriguez |
From Graphic Novel to Big Screen |
The Soundtrack |
Films by guest director Quentin Tarantino |
Crime on DVD |
Description
An amazing cast of big-screen favorites is directed by Robert Rodriguez (DESPERADO, FROM DUSK TILL DAWN), Frank Miller -- and special guest director Quentin Tarantino (KILL BILL 1 and 2, PULP FICTION) -- in an acclaimed and visually stunning hit that's the coolest movie of the year! Straight from the pages of Miller's hip series of "Sin City" graphic novels, Bruce Willis stars as a cop with a bum ticker and a vow to protect a sexy stripper (Jessica Alba -- FANTASTIC FOUR); Mickey Rourke (MAN ON FIRE) as an outcast misanthrope on a mission to avenge the death of his one true love (Jaime King -- PEARL HARBOR); and Clive Owen (KING ARTHUR) as Dwight, the clandestine love of Shellie (Brittany Murphy -- LITTLE BLACK BOOK), who spends his night defending Gail (Rosario Dawson -- THE DEVIL'S REJECTS) and her Old Town girls (Devon Aoki and Alexis Bledel) from a tough guy (Benicio Del Toro -- 21 GRAMS) with a penchant for violence. Also starring Elijah Wood, Nick Stahl, Michael Madsen, Carla Gugino, and Michael Clarke Duncan.
Customer Reviews:
Good Buy.......2007-09-15
The item I purchased was in perfect condition upon arrival. It was everything the description said it would be. Shipment of the item was very fast. I think I got it three days sooner than I was expecting it. Amazon always offer such a variety of products with really good deals. I'm very happy with the site and I shop here often.
Disturbingly violent ... .......2007-08-17
The innovative approach to the look of this film is the primary seduction. Studying the visual effects in isolation is reasonable and informative. Regarding the story itself, I found the form and portrayal of violence in the film to be disturbing. While characters are rendered by living actors (certainly some of my favorite), the violence inflicted by characters on each other in many cases is lethal with the film representing it as survivable. The effect is to create a struggle between a sense of realism and its creative suspension that leaves us with a film that is extremely uncomfortable to watch. Unless you are a fan of the graphic novel series from which the story was adapted, I cannot recommend this film.
For Frank Miller die-hard fans only.......2007-08-13
...the rest of us skip this movie. I'll admit the best thing about the movie is the way it looks. Rodriguez did an excellenct job in bring a comic book to life. However, some things need to stick to their original medium. I'm counting these illogical wrecks of mini-stories as those that fit in this catagory. After Micky Rourke's short (the best one, IMHO) I was ready for this movie to end. Clive Owens seemed miscasted, but Benico sort of saved the day on that story, but it was still riding on the so-so part. After that, I'm thinking surely that's the end...BUT NO. It keeps going and going, until I'm practically begging the DVD player, please no more. Then there's just one more bit, that I was so close to pulling my hair out, that I was relieved that it only lasted less than a minute. Oh, Thank God. If over the top violence is what gets you off, then this is the movie for you. If not, please, please avoid this movie.
Incredible!.......2007-08-06
This is what it looks like when you make a movie from a comic book/graphic novel. Period. Everything else is just crap compared to this, when it comes to making movies from comic books/graphic novels. Period.
A true "Collector's Edition" DVD!!.......2007-07-29
This is one extended edition dvd worth purchasing. Unlike other "double dips" that are marketed as special/collector's/limited/extended edition, this is a release that truly delivers. Not only does this dvd contain the extended edition of each story presented in the film, it also contains the original theatrical edition. The Marv and Hartigan storylines have the most material added to them, you can hardly notice the additions to the Dwight storyline. One of the bonus features explains the chronology of the events in the film, for those who were/are confused. If you don't own the movie, buy this edition. If your a fan buy this edition and sell your single disk release.
Average customer rating:
- Good Buy
- Disturbingly violent ...
- For Frank Miller die-hard fans only
- Incredible!
- A true "Collector's Edition" DVD!!
|
Sin City - Unrated (Two-Disc Collector's Edition)
Starring:
Jessica Alba ,
Devon Aoki ,
Alexis Bledel ,
Powers Boothe , and
Jude Ciccolella
Director:
Frank Miller (II) , and
Rodriguez, Robert
Manufacturer: Dimension
ProductGroup: DVD
Binding: DVD
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ASIN: B000BCKFWK
Release Date: 2005-12-13 |
Amazon.com
The two-disc edition of Sin City easily makes the earlier single-disc theatrical-cut release obsolete by including the regular theatrical cut on the first disc, recutting the movie into four extended segments on the second disc (separated by story line), then piling on an impressive load of bonus features. But there's a catch. Billed as "Recut, Extended, Unrated," with "over 20 minutes" of new footage, the new set's four separate stories are extended by only about 6.5 total minutes of movie action (see details below in "What's New"); the rest of the added running time is the splashy new title shots (named by the title of the story or book) and the four minutes of credits that run at the end of each segment. Each addition makes the movie even closer to the comic books, and these extended segments are generally preferable to the theatrical equivalents (unfortunately, there's no Play All option), but don't expect the same impact as Peter Jackson's Lord of the Rings extended editions. And although this version is unrated, the only risqué addition is a bit of violence from Miho that's no worse than the rest of the crazy violence in the film.
How Are the Bonus Features?
Robert Rodriguez has always loved DVDs, so the bonus features are extensive. On the first disc, there is somehow room for the theatrical cut of the film with its DTS track (the extended versions have only Dolby 5.1), two commentary tracks, an alternate audio track with a live audience in Austin, Texas, an interactive map of characters and locations, and 47 minutes of featurettes covering Frank Miller, Quentin Tarantino, cars, costumes, props, and special effects. The first commentary is Rodriguez and Miller discussing the concepts and the cast. The second commentary is mostly by Rodriguez, but Tarantino drops in briefly for the scene he directed (with Clive Owen and Benicio Del Toro in the car), as does an enthusiastic Bruce Willis for his segment.
The Tarantino scene gets a lot of attention on the second disc as well, in a 14-minute take in which he can be heard coaching the actors. Also on the disc are Rodriguez's usual "flic school" (among the topics is how scenes were created by merging footage of actors who never actually met), footage of Bruce Willis's band performing in Austin at the time of the shooting, and another Rodriguez cooking school (this time it's breakfast tacos). But the most interesting feature is the "green screen version" of the film: the entire film as it was shot in front of the green screen, sped up to play in only 12 minutes. You can see the actors (in color!) interacting only with the props and each other. Last, there's a DVD-sized complete comic book of The Hard Goodbye.
What's New in the Extended Version?
"The Customer Is Always Right" (the opening sequence with Josh Hartnett and Marley Shelton) has no new footage, but now goes straight into the one-minute epilogue with Hartnett and Alexis Bledel that closed the theatrical cut. "The Hard Goodbye" (with Mickey Rourke as "Marv" ) has two new sequences totaling about two minutes: Marv encounters his mother and finds his gun, and talks to Weevil in the club. In "The Big Fat Kill" (with Clive Owen and Benicio Del Toro), some short dialogue is restored, along with another wicked slice by Miho (Devon Aoki)--about a minute total. "That Yellow Bastard" (with Bruce Willis and Jessica Alba) has about 3.5 new minutes: there are more visitors to Hartigan's hospital bed, including his wife and a nurse; Carla Gugino's Lucille character comes to assist Hartigan when he wants to get out of jail (probably the best addition); and Mr. Shlubb and Mr. Klump have some more lines. --David Horiuchi
More Sin City at Amazon.com
The Graphic Novels and Books |
Films by Robert Rodriguez |
Our interview with Frank Miller |
The Soundtrack |
From Graphic Novel to Big Screen |
Films by guest director Quentin Tarantino |
Description
This Recut & Extended Edition is the ultimate SIN CITY DVD Collection and features a new, never-before-seen extended version of the original motion picture, the original theatrical release with three new commentaries, and extensive brand-new bonus material! Also included, a complete SIN CITY graphic novel: "The Hard Goodbye." The acclaimed hit from director Robert Rodriguez delivers explosive stories straight from the pages of Frank Miller's hip series of "Sin City" graphic novels ... and stars Bruce Willis, Jessica Alba, Mickey Rourke, Jaime King, Clive Owen, Brittany Murphy, Rosario Dawson, Devon Aoki, Alexis Bledel, Benicio Del Toro, Elijah Wood, Nick Stahl, Michael Madsen, Carla Gugino, and Michael Clarke Duncan.
Customer Reviews:
Good Buy.......2007-09-15
The item I purchased was in perfect condition upon arrival. It was everything the description said it would be. Shipment of the item was very fast. I think I got it three days sooner than I was expecting it. Amazon always offer such a variety of products with really good deals. I'm very happy with the site and I shop here often.
Disturbingly violent ... .......2007-08-17
The innovative approach to the look of this film is the primary seduction. Studying the visual effects in isolation is reasonable and informative. Regarding the story itself, I found the form and portrayal of violence in the film to be disturbing. While characters are rendered by living actors (certainly some of my favorite), the violence inflicted by characters on each other in many cases is lethal with the film representing it as survivable. The effect is to create a struggle between a sense of realism and its creative suspension that leaves us with a film that is extremely uncomfortable to watch. Unless you are a fan of the graphic novel series from which the story was adapted, I cannot recommend this film.
For Frank Miller die-hard fans only.......2007-08-13
...the rest of us skip this movie. I'll admit the best thing about the movie is the way it looks. Rodriguez did an excellenct job in bring a comic book to life. However, some things need to stick to their original medium. I'm counting these illogical wrecks of mini-stories as those that fit in this catagory. After Micky Rourke's short (the best one, IMHO) I was ready for this movie to end. Clive Owens seemed miscasted, but Benico sort of saved the day on that story, but it was still riding on the so-so part. After that, I'm thinking surely that's the end...BUT NO. It keeps going and going, until I'm practically begging the DVD player, please no more. Then there's just one more bit, that I was so close to pulling my hair out, that I was relieved that it only lasted less than a minute. Oh, Thank God. If over the top violence is what gets you off, then this is the movie for you. If not, please, please avoid this movie.
Incredible!.......2007-08-06
This is what it looks like when you make a movie from a comic book/graphic novel. Period. Everything else is just crap compared to this, when it comes to making movies from comic books/graphic novels. Period.
A true "Collector's Edition" DVD!!.......2007-07-29
This is one extended edition dvd worth purchasing. Unlike other "double dips" that are marketed as special/collector's/limited/extended edition, this is a release that truly delivers. Not only does this dvd contain the extended edition of each story presented in the film, it also contains the original theatrical edition. The Marv and Hartigan storylines have the most material added to them, you can hardly notice the additions to the Dwight storyline. One of the bonus features explains the chronology of the events in the film, for those who were/are confused. If you don't own the movie, buy this edition. If your a fan buy this edition and sell your single disk release.
Description
Welcome to Sin City. This town beckons to the tough, the corrupt, the brokenhearted. Some call it dark. Hard-boiled. Then there are those who call it home. Crooked cops. Sexy dames. Desperate vigilantes. Some are seeking revenge. Others lust after redemption. And then there are those hoping for a little of both. A universe of unlikely and reluctant heroes still trying to do the right thing in a city that refuses to care. Their stories -- shocking, suspenseful and searing -- come to the fore in a new motion picture from co-directors Frank Miller and Robert Rodriguez, and special guest director Quentin Tarantino.
Customer Reviews:
Awesome! One of my top 10 favorite movies!!!.......2006-08-15
I bought this on launch day for the UMD and DVD versions! I bought a copy for my homedawg, DJ Honeybear, and the UMD version for myself! I could not believe the cinematic brilliance of this movie! Truely one of the best cinematic features I've ever seen in my life!
Somebody else said "jawdropping video presentation" or words to that effect, and I would have to agree with that! Clearly an award winner in this department!
Just writing this review and reading the other reviews, is making me want to rewatch it. I also will probably get the DVD special edition of this movie by this Holiday.
Highly recommended!!!
MC White said: Check it out!!!!
Sinful "City".......2006-07-19
The nights are cloudy, the alleys are dark, the men are dangerous, bars are smoky and femmes are fatale. "Sin City" is a thing of dark, bloody beauty.
It certainly says something if a graphic novel author helps out with a movie... especially if that creator swore he'd never let it be adapted. That is only one of the things that makes "Sin City," the adaptation of Frank Miller's comic, such a fascinating film.
"Sin City" is actually made up of three stories: In the depths of Basin (Sin) City, scarred hulk Marv (Mickey Rourke) sleeps with a beautiful prostitute, Goldie (Jaime King), only to find her dead beside him the next morning. Enraged, he goes on a killing spree to find her murderer, and learns that sinister cannibal Kevin (Elijah Wood) is responsible. But there's a powerful figure behind Kevin, who calls the shots.
Elsewhere in Sin City, Dwight (Clive Owen) does his best to defend Gail (Rosario Dawson) and the other Old Town prostitutes. But when Dwight kills a crooked cop, he has to somehow cover up the crime. And Hartigan (Bruce Willis), a cop with a failing heart, goes out of his job with a bang: He rescues little Nancy Callahan from a child molester who happens to be a senator's son. Hartigan is jailed, and when he gets out, he finds that Nancy (Jessica Alba) has grown into a lasso-twirling stripper. But the senator's son -- nicknamed Yellow Bastard -- is still after her.
"Sin City" is one of those few comic book adaptations that doesn't seem... well, cartoonish. Sure, it's the very image of noir, but the grim tone and grey characters are very real. It's not a movie for the fainthearted, but whoever enjoys the films of Quentin Tarantino (who directed one scene here) will surely be blown away.
Like "Sky Captain and the World of Tomorrow," this film is done almost entirely digitally. But unlike "Sky Captain," it has substance as well as style. All the sets and props are done with computers, and nearly everything is in black and white. Here and there we get a splash of colour -- red lipstick and matching dress, Yellow Bastard's face, green eyes.
The contents of three "Sin City" comic books are interwoven here, and Rodriguez is constantly faithful: A lot of these shots could have been lifted straight from the comic's pages. He also preserves the stark, black-and-white style that the graphic novels are known for. You can't get much more faithful than that.
"Sin City" is not quite a "Kill Bill" bloodfest, though -- surprisingly, this brutal movie has a dark sense of chivalry. Each story is about an outcast man defending a woman's honor, safety, or memory, even if he sacrifices himself in the process. "Sin City" wears its heart on its sleeve, even if that sleeve is bloodstained and torn.
Most of the actors do wonderful jobs -- Owen's dark photographer, Rourke's scarred strongman, Stahl's revolting Yellow Bastard, and Alba's surprisingly sweet stripper. Only a few, like Brittany Murphy, have lackluster performances. But perhaps the most memorable performances come from Bruce Willis and Elijah Wood. Willis plays his aging cop role with unusual grace, even when shooting the genitals off Yellow Bastard. And Wood plays Kevin with both creepy evil and spiritual ecstacy. All without saying a word.
"Sin City" is a remarkable, bleak, intense movie -- a halfway point between Tarantino and Raymond Chandler. An outstanding piece of work.
PSP Review - Forget the DVD, get the UMD!!!!.......2005-09-07
Sin City has finally come out on PSP, and my god it doesn't get better than this.
A few words about the movie - This is, without a doubt, a MASTERPIECE of film-making, and definately live's up to the hype surrounding it's release.
Now that's said, let's get onto technical side of the UMD disc.
Video:
Sin City looks absolutley JAW DROPPING on PSP. Consistently sharp, contrasty as hell with solid "BLACK" blacks, no evidence of grain or compression artifacts, and no bleeding whatsoever...it's a SOLID performance from Mirimax/Dimension. The OAR is untouched, keeping it's original 1:85 ratio (with tiny little black bars at the top and bottom). Subtitles are large, displayed in yellow, and easily readable against the image. Overall, this is a faultless presentation.
Video: 5/5
Audio:
The sound on this baby packs quite a punch, and right from the word go you'll be pleasantly surprised. Make sure you crank this up to full volume, as it deserves this experience to be fully appreciated. Overall, a nice job boys.
Audio 4.5/5
Extras:
Now, this is the first UMD disc that i own, to spoil you with more than just your usual trailers. Like the DVD release, we get the gorgeous animated menus aswell as the 8 min "Behind-the-scenes" featurette, giving you a teaser of what we'll expect on the future Director's edition coming out.
Extras: 4/5
Overall this is, without question, the disc to own this season. And for under $20, there's no excuse not to buy. Fantastic Visuals, Excellent Audio, and great extras, this is the benchmark for future UMD releases. Get used to this kinda UMD treatment boys and girls.
Overall 5/5
-zallapo
Noir reinvented.......2005-08-29
If there's anything you knew in advance about "Sin City" (aside from who gets naked -- show a little class dammit) it's that director Robert Rodriquez went as far out of his way as humanly possible to make this film adhere as closely as possible to the visual feel of the comic book source material. Well, I haven't read any of Frank Miller's legendary "Sin City" comics, but having seen the movie, I can't imagine it existing without them.Many people will see similarities between "Sin City" and the work of Quentin Tarantino, both because Robert Rodriquez will probably never break free from this stigma no matter how many kiddie flicks he makes, and more importantly -- gulp -- he actually inviteds QT on board to direct one of the segments, this after he'd torn up his DGA membership card in disgust after they wouldn't allow him to list Frank Miller as a co-director, so as far as integrity goes it's hard to one-up Sir Robert here. I didn't pay a whole lot of attention to which segment QT was supposed to be directing ahead of viewing this flick, and it's to the film's credit that it all seems of a piece no matter how the chores were divvied up.
Now, there are a couple of things that are immediately going to weed out a certain part of the older audience (hello Ma!), this being the "artsy" use of black-and-white splashed here and there with purposeful primary colors, and also the integrity of the action sequences. I shouldn't diss the so-called "older" audience, being in my third decade of existence myself, but my parents and everyone else their age have certain prejudices toward a particular kind of modern film, this being the type that has "far fetched" action sequences. Yes, in "Sin City" the characters are able to take a ridiculous amount of bullets and keep on ticking as well as jumping out of windows several stories to the ground without any apparent injuries, but to that I say that there is a reason this kind of thing works in a film like "Sin City" whereas it can easily wear thin in a movie like, say, "The Matrix". Sin City is portrayed as a hopelessly fatalistic backdrop against which the best the characters can hope for is to die with a little bit of dignity. It doesn't really matter that Marv doesn't croak after taking a bullet to the head because you know the dice are gonna roll cold for him sooner or later.Another comparison people may make to Tarantino is to point out that "Sin City" is also an anthology film. I could mention the fact that this is based on three graphic novels featuring different protagonists and leave it at that, but -- at the risk of unduly diminishing the genius of Quentin Tarantino, whose "Pulp Fiction" is undeniably the most influential film of the 90s and a work of art in it's own right -- it should be noted that QT did not, in fact, actually INVENT the anthology film. No, that would be George Romero and Stephen King with "Creepshow" (I'm kidding, of course, but you get my point...).
Aside from the anthology aspect, there is one thing that actually does somewhat resemble "Pulp Fiction": Bruce Willis' character makes an early exit only to return later in the film. It's not the same chronological gimmick that QT utilized but I've said enough as it is.The one aspect that got so much press in the film's pre-release was the unprecedented decision to film the entire movie in front of a green screen. This move not only doesn't come off as a gimmick but you'll find yourself forgetting that "Sin City" isn't absolutely real about five minutes into the movie. Sure, there are numerous improbabilities, as detailed above, but it's the MOVEMENT of the characters, vehicles, weapons, etc. that seem a bit cartoonish; nothing about the actual scenery really does. In essence, "Sin City" sticks to the elements that continue to make noir so compelling: great camerawork, gritty characterizations, and the theme of a hardened soul holding out some kind of remote hope for redemption. Bruce Willis was an absolute no-brainer for this flick: he's spent the last decade perfecting this world-weary gutter saint character, and "Sin City" is arguably his best portrait of this tortured soul archetype yet. Willis, Clive Owen and Mickey Rourke are the three main protagonists, and you'll find yourself rooting for them not through point-of-view bias alone, but because each of these guys completely earns the right to be called a bad ass. In a way I'm glad they saved the fate of Willis' character for last as the whole movie seems to be building to such tragedy.
So, yes, it's unfortunate that so many people will rent this movie sheerly on the recommendation of Mr. Skin, but hopefully "Sin City" will turn more than a few heads on to a new, hightened quality of experimental film-making in the same way that the aforementioned "Pulp Fiction" did a decade ago. Word is that Rodriquez is planning two back-to-back sequels as we speak.
Miller's graphic novels become Rodriguez's film noir epic.......2005-08-07
"Sin City" is a black and white world, except when the blood is being sprayed around and then be prepared for lots of red or white or even yellow. Based on three of the first four "Sin City" graphic novels by Frank Miller ("The Hard Good-Bye," "The Big Fat Kill," and "That Yellow Bastard") and "The Customer Is Always Right" short-story from "Babe Wore Red" that was the test run for this project, this 2005 film sets the standard for what film noir will be in the 21st century and advances the cause of digital filmmaker even more than "Sky Captain and the World of Tomorrow." That film was pure eye candy, but "Sin City" is much too gritty to be that sweet. You are going to wince at some of what happens in this film and you might even turn away once or twice as the over the top violence hits you in the gut as hard as it hits some of the characters in the side of the head. But chances are you are going to love this movie to death.
Frank Miller's "Sin City" is a world where the heroes can take a whole series of punches as well as deliver them, where justice has nothing to do with either mercy or the cops, and the system is crooked from top down to pretty near the bottom of the barrel. The dames are still worth dying for and some of them might even be goddesses, but others can defend themselves quite well, thank you. This is a world where protecting women is hard-wired into the psyches of guys like John Hartigan (Bruce Willis), Marv (Mickey Rourke), and Dwight (Clive Owen). If you fail to protect a dame, then somebody has to pay and in a way that will make the scum bucket think Hell is heaven when you finally let them go there. This movie is rated R for sustained strong stylized violence, nudity and sexual content including dialogue, but that is an R that is a lot closer to NC-17 than it is to PG-13.
Ang Lee tried to have parts of "The Hulk" look like a comic book, but that meant throwing several frames on the screen at the same time. But with "Sin City" director Robert Rodriguez knows that a comic book panel can be like a frame in a motion picture and visa-versa, so his solution was to embrace Miller's visual style and make him the co-director of the film (and give him a small role as a priest hearing his final confession). The "Sin City" were done largely in black and white, although sometimes white and black, and other times when the strategic addition of a single color as in the red of a woman's lips, the yellow of her hair, or the blue of her eyes. Sometimes the red is a cool looking car.
This is the bloodiest film noir of my experience, so it is a good thing that when there is a lot of blood is it just as likely to appear as bright white or neon yellow as globs of the red stuff. But it is also evokes more bursts of laughter at the audacious violence and the perfectly timed one-liners, most of which will never work uttered in Dirty Harry fashion out of the context of the film. This is film noir in the tradition of Mickey Spillane updated for the Quentin Tarantino generation.
The standout performance in "Sin City" is clearly Mickey Rourke as Marv, who is buried under so much makeup you keep assuring yourself that he is really in there somewhere. In keeping with the formula of the film Marv is both the most violent of the protagonists, giving taking somebody for a ride a whole new meaning, and the funniest, in both word and deed. Willis and Owen are both fine as the other two protagonists, but they are more the strong and silent types, neither as reflective nor as sardonic as Marv. Willis definitely has the world weary act honed down to perfection, but Owen seems a bit too mannered in his detachment in his story line and ends up finishing third in the hero sweepstakes. Elijah Wood as Kevin does not get to speak but still creeps you out as Frodo gone over to the Dark Side. Benicio Del Toro shows some nice comic timing as Jack Rafferty and Michael Madsen has not changed a bit as Bob, while Nick Stahl is scum of two different colors. Rutger Hauer, Powers Booth and Michael Clarke Duncan all take turns playing heavies and it becomes pretty clear Rodriguez could get just about anybody he wanted to do this movie.
Of the women of "Sin City" it is Devon Aoki as Miho who stands out although she never says a word (she does not have to). Jessica Alba's best moments as Nancy are silent, although there is a change in why that is the case as we go through the movie. Rosario Dawson has fun going over the top as Gail, Brittany Murphy goes slumming as Shellie, and Jaime King plays two sides of the same coin as Goldie and Wendy. Alexis Bledel is certainly trying to get as far away from Rory Gilmore as possible by playing Becky, but I am afraid she does not get far in that regard. Then again, if you have read Miller's graphic novels you will be impressed by how Rodriguez has brought the stark black and white images of Becky, Hartigan, the Yellow Bastard and the rest of them to life on the screen. This movie is going to make a ton of money, Miller is going to sell a lot of copies of the new editions of his "Sin City" graphic novels, and hopefully it will not be too long before we get the next cinematic installment, which should have Johnny Depp playing Wallace in the "To Hell and Back" segment.
Amazon.com
If you think today's society is the reigning champ at hitting record lows of morality and decadence, think again. Surprisingly, our ancestors in a lot of ways have us beat by miles. The three-part Canadian CBC documentary Sin Cities focuses on the most notoriously decadent cities in modern history: Berlin, Paris and Shanghai during the 1920s and 1930s. And if you think rampant drug use, openly promiscuous behavior, sado-masochism and bizarre fetishes are modern phenomena, you may be surprised of what was going in the early 20th century. What made these notoriously sinful cities flourish was a unique gathering of artists, revolutionary political ideas, highly valued foreign money, and an overwhelming feeling of abandonment which was a direct byproduct of World War I's ending. These variables bred a unique tolerance that allowed and encouraged eroticism, permissiveness and deviant indulgences to openly flourish. This documentary does an excellent job at explaining how these cities rose, why they attracted the brightest and wealthiest, how the cities flourished, their ultimate decline and why their infamous pasts are still an integral part of their modern-day allure. --Rob Bracco
Description
Unique documentary series of 3 programs produced by the CBC (Canadian Broadcasting Corporation) that separately profile the spontaneous growth, flowering and decay of Paris, Berlin and Shanghai in the 1920s and 1930s, 3 cities that pushed the limits of tolerance and freedom during the period between the world wars and defined the social, political and sexual culture of the 20th Century. Contains nudity.
Customer Reviews:
Legendary sin cities.......2007-09-15
This is an interesting documentary about three cities, Berlin, Paris, and Shanghai in the 1920's and early 1930's. The film shows and tells the viewer of the glamour and deprivation that was rampant during this period.
Sin across the World.......2007-09-03
A two-DVD set for those interested in at least one form of entertainment flourishing in Berlin, Paris and Shanghai between the two world wars. Apparently sin and debauchery really knew few borders during that time. Much of the contents is illustrated commentary and I, for one, would have wished for more illustration and less commentary, e.g., more of entertainers like Josephine Baker in the Paris portion and of Claire Waldoff and Marlene Dietrich in the Berlin portion. Just about totally absent were routines by the Berlin cabaret comedians but perhaps they weren't considered sufficiently sinful and maybe there isn't much film footage about them.
new way to learn about old.......2006-08-03
some people would probably walk on past line watching this DVD
You would love it.....
Sexual Freedom = Artistic/Literary Expression.......2006-07-06
The thesis of this documentary is that the extraordinary
sexual freedom and license in the 1920-1930's in three cities
(Berlin, Paris, & Shanghai) became a draw to the great artists
and literary figures of Europe. It is without doubt that Paris and Berlin did generate a renaissance of artistic creation during these decades but there were other factors such as
the flood of Russians from the excesses of communism, the
liberal attitudes of the Weimar republic, and the end of World War I so that artists did have an oppostunity to create without being engulfed in violent conflict. Nevertheless, the two DVD
set is thought provoking. For example, I learned that Berlin
waas the birthplace of the first film that dealt with the topic of homosexuals' struggling for acceptance in a hostile world. I also learned that Shanghai was totally ruled by gangsters so that even the police were hired from the ganster world. Overall,
a worthwhile documentary of a unique time in world history.
Very Impressive Documentaries.......2006-06-02
VEry well done documentaries. If you are interested in History, psychology or just interested in how People function, get this disk set. Packed with lots of interesting information that can help you form a more definitive view of human nature.
Average customer rating:
- Philosophy you get from a fortune cookie and post card images
- Not My Cup of Green Tea...
- Haunting film, stays with you long
- It approaches the quality of a sutra
- Top One
|
Why Has Bodhi-Dharma Left for the East
Starring:
Yi Pan-Yong ,
Hae-Jin Huang ,
Su-Myong Ko , and
Sin Won-Sop
Director:
Yong-Kyun Bae
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Life of Buddha
ASIN: B0000203Z5
Release Date: 2002-02-26 |
Description
Bae Yong-kyun's Zen masterpiece. Acclaimed by critics and audiences throughout the world, "Why Has Bodhi-Dharma Left for the East?" is simply one of the most ravishing films ever made. In a remote monastery high up in the mountains, an old master, a young monk and an orphaned boy devote themselves to their Buddhist teachings. As the master faces death, he becomes more desperate to lead his disciples away from the outside world and point them toward their quest for enlightenment. This magnificent film, astonishingly rich in its formal beauty and affirmation of life, is not only a cinematic gem but a transcendent evocation of the mystery and humanity of Zen Buddhism. Selected by three international film critics as "One of the Ten Best Films of All Time" in the 1993 Sight & Sound Critics Poll.
Customer Reviews:
Philosophy you get from a fortune cookie and post card images.......2007-09-15
Thank you master for hitting me with a stick of boredom.
I stopped watching this mess midway through. There is nothing here to keep my attention either with a message or an image. All I asked for was a reason, one silly reason to keep watching, but it can't even come up with one. If you want to be bored, by all means buy or rent this movie, and then tell all your friends the title so you can come off as interesting.
Instead of watching this movie-like object, go read The Outsider by Colin Wilson and thank me for both saving you from this and leading you to something.
Not My Cup of Green Tea..........2007-05-24
I am not a novice to zen, buddhism, enlightenment, in both life experiences, books and films. I find it fascinating as well comforting. I respect it and in many ways I try to practice it. I watched this film twice giving it my full attention. I truly enjoyed the scenery and the overall artistic style was very nice. I did watch it on a VHS tape so it was a bit grainy but that may have added to the charm. The problem I have with this film is that it goes against my understanding/concept of Buddhism and Zen teachings. The entire film was a depressing ordeal from beginning to end. I understand the intent and lessons of the film but I would rather see a Zen Master who treated his family with kindness and affection. A boy lost in the woods and no one cares. A group of people sitting around the fire in silence who do not recognize the existance of another human being. This is not a Master who I would respect or even enjoy being in his company. A dying Master who smiled on his death bed and showed compassion is what I want to see. Life and Death is a combination of emotions. There should be SOME joy in both Living and Dying. Perhaps this Master needed more training... Then again maybe it will be better for him the next time around. If the intent of this movie is to show how unhappy people can be then it is a Winner. Looking at the other reviews for this film shows that I am in the minority... Guess I can live with that (LOL).
-JMHO
Haunting film, stays with you long .......2007-04-12
I stumbled upon this movie at a movie store in Seoul. My interest in Buddhism was growing at the time, so I watched the film at home after borrowing the video. Of course, being a beginner in Buddhism, I was lost on many of the movie's meanings and messages, but after a few more viewings after I bought the DVD and reading other critiques of the film, I got a better understanding.
To those who disliked or didn't care for this movie, I'd like to quote film critic Roger Ebert, in that you should rate a movie for what it DID rather than what YOU thought it should've done. Korean Buddhism has helped Koreans weather their turbulent and sad history, and well, I'm sorry if you were disappointed that it wasn't a "yipee, I'm so happy" type of feel-good film.
At any rate, this film should be required viewing for anyone into Buddhism (and for some who are not). I wish the director, a professor at the Buddhist university Dongguk in Seoul, made more movies.
It approaches the quality of a sutra.......2007-01-01
The disaffected viewer in Canada, I wish him a greater awareness of what's in front of his face.
This film approaches the level of a sutra. Be not distracted.
Top One.......2006-09-10
I was thinking (first mistake!) of saying, "Top Five." Then I realized that this is more than even "Top Three (or Two)" of all the movies I have in my collection, or have ever viewed, for that matter. The real perplexity is that I don't know why, exactly, except for the fact that it is the only movie that I think about and view more than any other DVD that I have. And so that is why it stands foremost (Doctor Zhivago has now been relegated to the silver podium, at least for these reasons) above of all the other DVD's in my assorted collection. True, as some have commented here, it is not astutely a portrayal of Zen Buddhism as it might be explicated in the truest sense of its dogmas. How would you depict and encapsulate the essence of Zen through the modality of a visual, i.e., movie experience anyway? Pretty tall order, even for The Buddha, I would imagine. This movie for me, however, is a catalyst for SOME things that are related to Zen Buddhism. But overall it leaves that stage and affords me with a visual, meditative experience, be it akin to Zen Buddhism or something other (even Christianity -- for me). Needless to say, this is not a film for everyone; it is not of the "Saturday Night at the Movies" genre; it just touches me in a deep, esoteric psychological and spiritual way. Perhaps this movie is something as to what Paul Valery stated: "To see is to forget the name of the thing one sees."
Average customer rating:
- will not be everyone's cup of tea (and it wasn't mine)
- jackie vs gary
- My Review
- pitiful
- don't believe the people telling you to just try this out and you'll see, yeah fu^%&%^ right you f^%$^&$& pieces of ^$%&$
|
City Hunter
Starring:
Jackie Chan ,
Joey Wong ,
Chingmy Yau ,
Richard Norton , and
Michael Wong
Director:
Jing Wong
Manufacturer: 20th Century Fox
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ASIN: B00008WJE4
Release Date: 2003-07-22 |
Amazon.com
Hong Kong superstar Jackie Chan gives his self-mocking humor full flourish in City Hunter, adapted from a Japanese comic book. But that doesn't mean there isn't a solid dose of action--after a brilliantly cartoonish opening, the movie settles into a half-comedy, half-thriller variation on Die Hard, in which Eurotrash terrorists have hijacked a plush ocean cruise liner and super-detective Ryu Saeba (Chan) has to stop them, aided by his lovely, love-lorn assistant (Joey Wong, A Chinese Ghost Story, Green Snake) and a beautiful undercover secret agent (Chingmy Yau, Naked Killer). Though City Hunter is short on breathtaking stunts, there's plenty of well-choreographed hand-to-hand combat. Jackie Chan's lecherous, self-absorbed character (accompanied by a parade of girls into skimpy or skin-tight outfits) come across like a gleeful parody of James Bond (slightly marred by a bit of homophobia). All in all, a high energy romp. --Bret Fetzer
Description
Based on a popular Japanese comic strip, Hong Kong's high-flying martial arts action hero Jackie Chan stars as private Ryu Saeba in City Hunter. Hired to find the runaway daughter of a Japanese publishing tycoon, Ryu's first impulse is to turn the job down - until he sees a picture of the beautiful Shizuko (Kumiko Goto). Hot on her heels, Ryu tracks her down on board a cruise ship, and much to the annoyance of his jealous female sidekick Kaori (Joey Wong) the womanizing Ryu seems more interested in catching Shizuko's attention than returning her safely to her father. However, Ryu's romantic plans quickly go astray when a gang of ruthless criminals hijack the ship and hold the passengers to ransom. To save the day Jackie Chan's unique action style reigns supreme in a series of brilliantly conceived fight sequences as Ryu swings into action to dispatch the bad guys and rescue the goergeous Shizuko!
Customer Reviews:
will not be everyone's cup of tea (and it wasn't mine).......2007-09-15
This really isn't that bad of a movie for what it is. City Hunter is based off of the Japanese cartoon City Hunter, and although this is not an animated film, it is presented as such with loads of cheesy dialouge, goofy characters, cheesy music, and cartoony sound effects. If that wasn't enough, the English dubbing version makes it just about as silly as it can get. Chan's voice unfortunately is not dubbed by himself in the English version, although his English voice-over is present in many of his H.K. films. The biggest reason anyone may want to own this film is that is also features charcaters played by Richard Norton (Road House 2, Mr. Nice Guy, Rage and Honor) and Gary Daniels (White Tiger, Rage, Riot) - the two bad guys.
At some point you may end up turning this movie off before the end arrives, if you are not into such a goofy film. However, the ending is rewarding with a strong 5 minute fight with Jackie Chan against Richard Norton. Easily the best entertaining fight in the film, the Richard Norton character beats up Chan repeatedly with 2 short poles that can change into numchucks. Jackie does some cool small stunts using chairs and tables in the scene. There is also 2 fights with Jackie against the Gary Daniels charcater. The first fight is pretty short in a cabin on the cruise ship. The 2nd fight is just the silliest darned thing I have ever seen. Street Fighter video game fans might enjoy it. Jackie is thrown into an arcade machine, electricuted, and begins to take the form of various Street Fighter 2 characters, while Gary Daniels is Ken. The scene is no more than for laughs. The fight is set to look like someone is button mashing the controls to the game. When Chan becomes Chun Li, that was actually pretty funny.
As for the story itself, its pretty simple. A bunch of bad guys led by the Richard Norton character board a cruise ship and eventually expose their demands - robbing the crew. Jackie Chan gets involved and tries to stop them. The film is filled with action, but its mostly gun fire and chases, aside from the 2 forementioned fights.
Although most Jackie Chan films are never very serious, this one is beyond silly. Its set to be that way, so if you are ready to see a cartoony film created with real people, then you may want to check it out. It tries to be funny throughout, but it pretty much failed for me.
jackie vs gary.......2006-08-07
this flick is kinda cool... although i prefer the fighting sequences. i think that they tried to do this flic an family action flick. but anyways, what impresses me the most in this film is that use see how good people from the west is comparing to people from the east. take th fight scene jackie chan v gary daniels. u see that this is withoutv a doubt gary daniels best performance... jackie is funny as usual... if like jackie chan, or gary daniels thisis a must see movie
My Review.......2006-07-13
This movie was an ok movie to watch but I think this movie could be alot more better made. But I like Jackie chan's movie so i'm not going to complain that much about this movie.
pitiful.......2006-03-31
I've been reading the reviews... and noticing how everyone who gave it 'top marks' saying it was 'hylarious', 'the bets movie ever', and so on and so forth, have never seen the original anime, or even better, read the manga.
If they had I'm sure none of those people would give it more than it's due - 1 star (for J.C. fans, maybe 2).
This movie is a poor excuse for an adaptation. And a disgrace for the original City Hunter. Jackie Chan as Saeba Ryo?! Puh-lease!
The attempts at manga/anime humor fall on barren ground and turn the movie into an even more of a farce as it already is.
I wouldn't recomend this movie not even to my worst enemy and I agree with the reviewer who said 'when you die and go to Hell, Satan makes you watch this movie'. I can't imagine a torture greater than that. I'd take boiling oil any time!
don't believe the people telling you to just try this out and you'll see, yeah fu^%&%^ right you f^%$^&$& pieces of ^$%&$.......2006-03-16
So , I had heard from a lot of people that this is a very fun movie.
Other than seeing some of the hottest chinese chicks I have ever seen, nothing too special about this flick. I guess it's based off a comic book, so at least it makes sense of why this is so stupid.
The parts that threy call jokes in this movie include things like women falling over because their boobs are just too big. Come on Jackie, do an r movie, get out of the way, and showcase these women that you work with.
The action is pretty substandard all-around. The end fight just looks like they are hitting weaopns as hard as they can against eachother, this waas ok back in the 60's, but I expect a little more out of jackie. I think that there was around 3-4 min of action that I enjoyed in this.
To be honest, the best part of this movie is when the 2 gay guys start singing on stage with a woman or two. That song was freaking hilarious, AND WOULD HAVE BEEN EVEN BETTER IF IT WAS EFFING TRANSLATED. I HAVE VHS TAPES FROM LIKE 82 THAT HAVE SUBS ON THE SONGS.
Also the streetfighter scene, don't believe the hype, it sucks. It is one of the few funny parts in the entire movie, but is only good when Chun Li shows up.
EXTRAS-interview with jakie and the idiot of this project, jing wong. Jackie has a very lively interview talking about how america didn't like him because he didn't get to do what he wants to do. Action 1st, storyline 2nd, acting # 27, sound effects #5, special effects #24. This is the first interview with Jackie that I can remember him getting really mad. I thought he was gonna start cussing out evry american, but by the end he is talking about rush hour and seems pretty happy.
Product Description
Exclusive Bonus DVD with over 30 minutes of Behind-The-Scenes footage.
A SNEAK PEAK AT 300:
Exclusive look inside 300 with behind-the-scenes footage.
FIRST LOOK:
Director Zack Snyder provides a glimpse into the amazing world of 300 and discusses the process and challenges of bringing the graphic novel to life.
PRODUCTION DESIGN:
A first glance at the set designs and the inspiration behind them.
TRAINING:
Inside look at the intensive and rigorous excercise program the actors went through prior to filming.
WARDROBE:
Learn about the creative process involved in creating a wardrobe insoired by the painterly pages of the graphic novel.
STUNT WORK:
An in-depth look at the amazing amount of stunt work that was required while making 300.
CREATURES:
The story brhind the make-up, latex, and creative blood that transformed Frank Miller's artwork to the screen.
ADAPTING 300:
Frank Miller and Zack Snyder give new insights into the process of translating Miller's vision of the tale into a motion picture.
SPARTAN CULTURE:
Learn about Spartan Society and training rituals.
INTERVIEWS WITH THE CAST:
Gerard Butler, Lena Headey and Rodrigo Santaro each describe his/her role in the film.
300 MARCH TO GLORY:
Asneak peak of the new videogame.
300 MOBILE GAME TRAILER
Amazon.com
Return to Sin City - A Tribute to Gram Parsons offers clear evidence that Parsons, who died at age 26 and whose output consisted primarily of just five recordings (one with the Byrds, two with the Flying Burrito Brothers, and two solo albums), commands a degree of respect and influence these days that's far greater than the modest success he enjoyed before his death in 1973. Recorded in Los Angeles, this 106-minute, 21-song concert features some big names (Keith Richards, Norah Jones) and slightly lesser lights (Lucinda Williams, Dwight Yoakam, Steve Earle, John Doe) performing tunes Parsons wrote and/or recorded before his career was cut short by drug and alcohol problems (executive produced by Parsons' daughter, Polly, the concert and DVD will help raise funds to battle substance abuse). And if the material's country-rock flavor (Parsons disdained that label, preferring to call it "cosmic American music") sounds a bit hackneyed nowadays, well, it's not his fault; after all, Parsons was only around to help invent the genre, not run it into the ground. On this night, it's left to the artists with unique voices and personae to lift the flavor of the proceedings from the merely pleasant to the truly inspiring, and that's precisely what Doe ("Hot Burrito No. 2"), Earle ("Luxury Liner"), Williams (a raw, somewhat ragged, and unabashedly vulnerable "Sleepless Nights"), Yoakam ("Sin City"), and Richards (who croaks his way through "Love Hurts," a duet with Jones, and "Hickory Wind") do. After that string of remarkable performances, closing the show by bringing everyone (including the great guitarist James Burton) onstage for "Wild Horses" and "Ooh Las Vegas" may be a tad anti-climactic, but Return to Sin City is still a fine way to remember a music legend. --Sam Graham
Description
Return to Sin City: A Tribute to Gram Parsons celebrates an artist who made his greater mark in the years following his death and has become a contemporary music icon. The late, great Gram Parsons refused to let anyone call his music "country rock." With the soul of a true cowboy, he just couldn't be fenced in. His vision was much more grandiose than the words "country rock" would allow. The cosmic American music of Gram Parsons celebrated diversity. Sure, the broken hearted sentiment of country music was firmly rooted in his musical upbringing. But so was the burning urgency of soul music's dramatic melodies as well as the sweet, uplifting, revelatory harmonies of gospel choirs and of course the hip shaking, hand clapping strut and boogie of rock and roll music. Thirty years after his untimely death in Joshua Tree, CA., musicians and music lovers still name check Gram Parsons with the utmost awe and respect. He saw beyond labels and boundaries in music and in life. In his time he influenced the music of his prot#g# Emmylou Harris, as well as his friends the Rolling Stones and the Byrds. He was the first longhair country boy-just ask any of the outlaws from Willie Nelson to Kris Kristofferson-someone who could bring country music to the closed minds of those who previously dismissed it as "hillbilly" or "hick" while turning on many a good ol' boy to the sounds of sweet soul music. Staying true to her father's vision of diversity in music, his daughter Polly organized Return to Sin City: A Tribute to Gram Parsons. She recruited both close friends and ardent fans of her father and his music as well as contemporary artists inspired by his work and vision. "He changed the face of country music without anybody ever knowing it. After he died, there was this whole different aspect of country music which pervades to this day." -Keith Richards, According to the Rolling Stones.
Customer Reviews:
At its best :Rough . At its worst: Creepy.......2007-09-13
None of the numbers comes any where near Parson's originals. Would it have dishonored the spirit of the event to have practiced just a little?
Sound quality is rough.
The low point of the show was the awkward pairing of Keith Richards and Norah Jones for Love Hurts. Keith croaked and leered.(Did he drool? It looked a little like he drooled.) Norah seemed to struggle to hide her revulsion throughout the duet. It was just creepy. Who was more relieved to have the song finally end? Me or Norah?
Sin City Forever.......2007-03-30
Even if you are not a fan of Gram Parsons, have a look and think again. This tribute to Gram & his music is made up of old friends, and young musicians who love music that tells a story and makes you wish you could play a guitar or sing a song, or both. Gram Parsons influenced a whole generation of blues, country & rock stars and is still doing so 30 years after his untimely death. The music is absolutely sensational and the feeling of being at Sin City with all these great players is just wonderful. From his old mate Keith Richards to the very young and sweet Norah Jones, they all sing with their hearts and pay tribute in their own way, with their own styles and voices and it comes together beautifully. A great DVD that you want to play over and over again. I think the man himself would be proud of what he began all those years ago and to see that his influence is still going strong in the world of music today.
Keith is GOD!.......2007-01-11
Lay of Keith Richards. He's absolutely fantastic during this show. Anybody who thinks otherwise needs their head examined!
A great concert.......2006-03-05
The folks who had reservations and/or strong criticisms of this DVD, especially of Susan Marshall's performances, should just defrost their hearts. Everyone involved in the DVD played and sang their hearts out. Some of the performances were extraordinary for sure: Al Perkins' steel on every song, James Burton's Tele playing, Raul Malos' singing and the manic but totally appropriate lead playing of Dwight Yoakam's guitar player to name a few. All the "big stars" rose to the occaision. The concert rocked from the first note to the last. What more do ya want if you love Gram Parsons?
A must for Gram freaks, others may find it jaded. Feb. 18, 2006.......2006-02-19
This DVD has A billing that reads like A whos who of the Alt Country scene.My only disappointment is that neither EmmyLou Harris or Chris Hillman were involved with this project.
Lucinda Williams doing A Song For You is one of those tear your heart out moments.
Dwight Yoakam appearing in A Nudie Suit was A real show stopper. What really was impressive was when Dwight broke A Guitar string while doing A rip it up version of Sin City he had enough stage smarts to do A band introduction while A Roadie brought out A fresh Guitar.
It was very heartening to see young artists like Kathleen Edwards, Jim James & Norah Jones embracing Gram Parsons music.
It was nice to see Keith Richards but lets face the fact that the parade has passed him bye A long time ago.
One of the lowlights was Susan Marshall. She had no business being on that stage.
Overall I found this DVD to be quite good. Remember that this project was set up to assist musicians with major problems. After all Gram Parsons had more talent then sense.
Also on this DVD are steel guitar player Al Perkins and Guitar wizard James Burton. Both of these pickers actually played with Gram.
Average customer rating:
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Never Ending Threesomes
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