The Warner Gangsters Collection (The Public Enemy / White Heat / Angels with Dirty Faces / Little Caesar / The Petrified Forest / The Roaring Twenties)

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For a knock-out combination of timeless entertainment and vintage studio history, you can't do much better than The Warner Brothers Gangsters Collection. In the 1930s and '40s, Paramount specialized in glossy comedies, MGM popularized lavish musicals, Universal produced signature horror classics, and Fox scored hits with sophisticated dramas. But it was Warner Bros. that generated controversy--if not always box-office profits--with so-called "social problem" films, and that meant gangsters. When viewed in their pre- and post-Prohibition context and in chronological order (Little Caesar and The Public Enemy, 1931; The Petrified Forest, 1936; Angels With Dirty Faces, 1938; The Roaring Twenties, 1939; White Heat, 1949), these six films definitively capture Warners' domination of the mobster genre, and to varying degrees, they all qualify as classics.

With its stilted visuals and pulpy plot, Little Caesar remains stuck in the stiff, early-sound era, but it's still a prototypical powerhouse, with Edward G. Robinson's titular "Rico" setting the stage for all screen gangsters to follow. The Public Enemy made James Cagney a star (who can forget him smashing a grapefruit into Mae Clarke's face?), and Humphrey Bogart repeats his Broadway success in The Petrified Forest, a stagy adaptation of Robert Sherwood's play, still enjoyable for Bogey's ever-threatening malevolence. Then it's a Cagney triple-threat in Angels (with Pat O'Brien), racketeering in The Roaring Twenties (with Bogart), and especially the jailbird classic White Heat, with a fiery finale and an exit line ("Made it Ma! Top o' the world!") that epitomized Cagney's iconic, tough-guy image. In many ways Cagney was Warner Bros., and this Gangsters Collection pays enduring tribute to him and the important films that forged the studio's rugged reputation. --Jeff Shannon

Description

The Public Enemy showcases James Cagney's powerful 1931 breakthrough performance as streetwise tough guy Tom Powers. When shooting began, Cagney had a secondary role but Zanuck soon spotted Cagney's screen dominance and gave him the star part. From that moment, an indelible genre classic and an enduring star career were both born.

As a psychotic thug devoted to his hard-boiled ma, James Cagney - older, scarier and just as elctrifying - gives a performance to match his work in The Public Enemy as White Heat's cold-blooded Cody Jarrett. Bracingly directed by Raoul Walsh, this fast-paced thriller tracing Jarrett's violent life in and out of jail is also a harrowing character study. Jarrett is a psychological time bomb ruled by impulse. It is among the most vivid screen performances of Cagney's career, and the excitement it generates will put you on top of the world!

In Angels with Dirty Faces, Cagney's Rocky Sullivan is a charismatic ghetto tough whose underworld rise makes him a hero to a gang of slum punks. The 1938 New York Film Critics Best Actor Award came Cagney's way, as well as one of the film's three Oscar nominations. Watch the chilling death-row finale and you'll know why.

"R-I-C-O, Little Caesar, that's who!" Edward G. Robinson bellowed into the phone. And Hollywood got the message: 37-year-old Robinson, not gifted with matinee-idol looks, was nonetheless a first-class star and moviegoers hailed the hard-hitting social consciousness dramas that became the Depression-era mainstay of Warner Bros.

Little Caesar is the tale of pugnacious Caesar Enrico Bandello, a hoodlum with a Chicago-sized chip on his shoulder, few attachments, fewer friends and no sense of underworld diplomacy. And Robinson - a genteel art collector who disdained guns (in the movie, his eyelids were taped to keep them from blinking when he fired a pistol) - was forever associated with the screen's archetypal gangster.

A rundown diner bakes in the Arizona heat. Inside, fugitive killer Duke Mantee sweats out a manhunt, holding disillusioned writer Alan Squier, young Gabby Maple and a handful of others hostage.

The Petrified Forest, Robert E. Sherwood's 1935 Broadway success about survival of the fittest, hit the screen a year later with Leslie Howard and Humphrey Bogart magnificently recreating their stage roles and Bette Davis ably reteaming with her Of Human Bondage co-star Howard. Sherwood first wanted Bogart for a smaller role. "I thought Sherwood was right," Bogart said. "I couldn't picture myself playing a gangster. So what happened? I made a hit as the gangster." So right was he that Howard refused to make the film without him...and helped launch Bogie's brilliant movie career.

In The Roaring Twenties, the speakeasy era never roared louder than in this gangland chronicle that packs a wallop under action master Raoul Walsh's direction. Against a backdrop of newsreel-like montages and narration, it follows the life of jobless war veteran Eddie Bartlett (James Cagney) who turns bootlegger, dealing in "bottles instead of battles." Battles await Eddie within and without his growing empire. Outside are territorial feuds and gangland bloodlettings. Inside is the treachery of his double-dealing associate (Humphrey Bogart). It would be 10 years before Cagney played another gangster (in White Heat), a time in which gangster movies themselves became rare. "He used to be a big shot," Panama Smith (Gladys George) says at the finale, marking Bartlett's demise...and signaling the end of Hollywood's focus on the gangster era.

Customer Reviews:

The way gangsters should act.......2007-08-04

This has all the great gangster films to come out of W.B. None of the movies are a drag in anyway; however, two stand alone as the best. Angels with Dirty Faces and the Roaring Twenties are movies that even people who do not like gangsters or olded movies can apperiate. Don't get me wrong all the movies are memorable, and everyone of them is worth watching. You'll see a young Bogart(acting for his career), the classic Robinson in Little Ceasar, and Cagney when he is "On top of the World." Each movie is amazing and this is a must have for anyone who is even remotly curious. Even if you are just getting into classics this will impress you.

Grangsters movies WITHOUT CAR CHASES?????!!!!!!!.......2007-07-24

MAN! Im SOO dissapointed!!!!

These movies doesn't even have one minute of action scenes!! Most of the action scenes were at the end and they were not THAT cool, the Roaring Twenties and White Heat were the ONLY movies with car chases but they last like 5 seconds and THERE WASN'T EVEN SHOOTING!!!, and there is TO MUCH BORING BLAH,BLAH,BLAH!!

The movie that really fooled me was Little Caesar! because the cover show a cool photo of Edward G. Robinson with a machine gun, BUT HE DOESN'T EVEN TOUCH IT in the movie!!! and there were ONLY two action scenes that last like 3 seconds.

Better buy the Tough Guys Collection because it has G Men and San Quentin which they have cool car chases with LOT'S of shooting, and the movies have more action, cooler sequences and suspense.

P.S: I gave it 2 stars because of the performances, but the rest is BORING!! Movies like Goodfellas, Godfather and Pulp Fiction are MUCH better than these ones!!!!

Adios.

AN EXCELLENT BOX SET...YOU DIRTY RAT!.......2007-07-08

I found this ganster box set at a reduced price of $18.99,it is well worth that or 3 times that. Each movie has a very good transfer and there are some cool extras in this set. There are some true classics in this set,but all are worth seeing. This is a gangsters movie set you can't snub you nose at!

The prototype of a well-done boxed set.......2007-05-14

Kudos to Warner Home Video for the loving treatment they gave these six classic films from their vaults. Every film gets the Warner Night at the Movies treatment with a newsreel, a trailer, a vintage short subject, and a cartoon each from the year in which the movie was made. Plus there are commentary tracks for all of the films. I liked watching each film through first without the track, and then listening to them with the track turned on for insight into the stars and the style of the film. In addition to this you get the following featurettes:

Little Caesar - "End of Rico, Beginning of the Antihero"
Public Enemy - "Beer and Blood: Enemies of the Public"
Petrified Forest - "Menace in the Desert". There is also a radio adaptation featuring Humphrey Bogart, Tyrone Power, and Joan Bennett.
Angels with Dirty Faces - "Whaddaya Hear? Whaddaya Say?". This also has an audio-only radio production.
The Roaring Twenties - "The World Moves On"
White Heat - "Top of the World"

It's interesting to compare the three stars of these movies - Edward G. Robinson, James Cagney, and Humphrey Bogart - and their styles in each of these movies. "Little Caesar" and "Public Enemy" were made when prohibition was still in effect and gangland crime was still a big problem. Thus Robinson and Cagney each play remorseless criminals with no redeeming values whatsoever. Robinson's Rico is less physical than Cagney's Tom Powers, though. You believe that either one of them would shoot you without a second thought. However, Cagney's Powers is scarier because the real fear is that he would beat you to a pulp for the fun of it and THEN shoot you.

"The Petrified Forest" is not your typical gangster film, with Leslie Howard's vagabond being the real star in what amounts to an improbable romance set against the backdrop of the desperation of the Great Depression which the desert setting seems to signify. This 1936 film has Bogart as Duke Mantee, a gangster on the run, in what amounts to a supporting role. However, you do get to see all of the traits that made Bogart great when he got the opportunity to seize the lead in later roles. And to think they almost cast him as the filling station attendant in this one!

In 1938's "Angels with Dirty Faces" and 1939's "The Roaring Twenties" Cagney is again playing the lead gangster and Humphrey Bogart plays a supporting role in both films. With prohibition long over, though, these movies make Cagney's gangster more three-dimensional, showing him to even be a self-sacrificing character at times as well as a killer. Both movies bother to show that had circumstances been a little different, he might not have even become a criminal in the first place.

1949's "White Heat" shows the influence of film noir that was so popular in the 40's an 50's. Here, Cagney's gangster persona has come full circle back to the viciousness of Tom Powers in "Public Enemy". The big difference is that in this film Cagney's mother is no cream puff. She is, in fact, probably a bigger criminal in thought if not in deed than Cagney's Cody Jarrett. This final gangster film of the six shows technology and thus the law gaining on the criminal, with electronic gadgets and undercover lawmen with college degrees in psychology replacing the determined hard-boiled detectives and beat cops of the past. It very much looks forward to the Dragnet series that is to emerge in the 50's.

In summary, this is just a terrific package and basically acts as a complete course on the gangster film as genre. All studios should stand up and take notice of how Warner Home Video put this set together. Highly recommended.

FIve classic gangster flicks.......2007-01-31

Five classic gangster films from the glory days of Warner Bros.

Granted, "gangster film" isn't the most appropriate description of 1936's "The Petrified Forest," the film based on Sherwood Anderson's talky philosophical play, but if not for the dynamic presence of Humphrey Bogart as Duke Mantee, the "prestigious" production starring Leslie Howard and Bette Davis would likely now be relegated to the same vault that stores "She Loved a Fireman" (with Ann Sheridan) and other forgotten drek from the same period. It was this film that established Bogart as a valuable supporting player on the Warner lot, a position he would occupy until 1940's "High Sierra" made him a top star.

James Cagney and Edward G. Robinson would achieve stardom almost a decade earlier than Bogart with their breakthrough roles in 1931's "Public Enemy" and "Little Caesar" respectively. Directed by William Wellman, the former film holds up quite well despite the somewhat wooden performances of the supporting cast, whereas the latter is too stagy for its own good and remains of interest primarily for Robinson's dynamic performance.

1938's "Angels with Dirty Faces" and 1939's "The Roaring Twenties" are notable for pairing Cagney with Bogart, as adversaries in the former, and as partners, at least for a time, in the latter. Both are highly entertaining with "Angels" benefiting from the casting of the Dead End Kids.

The best film in this set, however, is 1948's "White Heat" with Cagney as Cody Jarrett who makes it to the "top of the world" only to have it blow up in his face. Jarrett ranks with Cagney's portrayal of George M. Cohen in "Yankee Doodle Dandy" as his finest performance.

Brian W. Fairbanks

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