Amazon.com
Though Inland Empire's three hours of befuddling abstraction could try the patience of the most devoted David Lynch fan, its aim to reinvigorate the Lynch-ian symbolic order is ambitious, not to mention visually arresting. The director's archetypes recognizable from previous movies once again construct the film's inherent logic, but with a new twist. Sets vibrate between the contemporary and a 1950s alternate universe crammed with dim lamps, long hallways, mysterious doors, sparsely furnished rooms and, this time, a vortex/apartment/sitcom set where rabbit-masked humans dwell, and a Polish town where women are abused and killed. Instead of speaking backwards, mystic soothsayers and criminals speak Polish. Filmed on video, the film's look has the sinister, frightening feel of a Mark Savage film or a bootlegged snuff movie. Constant close-ups, both in and out of focus, make Inland Empire feel as if a stalker covertly filmed it. A straightforward, hokey plot unravels during the first third of Inland Empire to ground the viewer before a dive off the deep end. Actor Nikki Grace (Laura Dern) is cast as Susan Blue, an adulterous white trash Southerner, in a film that mimics too closely her actual life with an overbearingly jealous and dangerous husband. When Nikki and co-star Devon (Justin Theroux) learn that the cursed film project was earlier abandoned when its stars were murdered, the pair lose their grasp of reality. Nikki suffers a schizophrenic identity switch to Sue that lasts until nearly the film's end. Suspense builds as Nikki's alter ego sleuths her way through surreal situations to discover her killer, culminating in Sue's gnarly death on set. Sue's actions drag on because any sign of a narrative thread disappears due to idiosyncratic editing. Non-sensical scenes still captivate, however, such as when Sue stumbles onto the soundstage where she finds Nikki (herself) rehearsing for Sue's part. In this meta-film about identity slippage, Dern's multiple characters remind one of how a victim can become the hunter in their fight for survival. Lynch's portrayal of Nikki/Sue's increasing paranoia is, in its own confusion, utterly realistic. Laura Dern has created her own Lady Macbeth, undone by her guilt over infidelity. Even though Inland Empire is too long and too random, Laura Dern's performance coupled with Lynch's video experiments make it magical. --Trinie Dalton
More Films from David Lynch
Wild At Heart |
Mulholland Drive |
Blue Velvet |
Product Description
Laura Dern in a virtuoso performance plays an actress whose latest role sends her through a Lynchian looking glass of dark dreams and transformation
Customer Reviews:
Indeed.......2007-09-14
This film certainly won't please everyone. That said, I found it absolutely mesmerizing, from the first blurry, subtitled exchange to the whacked out dance party during the credits. I think INLAND EMPIRE is a display of David Lynch's creativity given completely free rein, and the result is a devastating portrait of fame and image, intimacy and isolation. Admittedly, it is also very abstract and its logic is twisted to the point of contradiction at times. Seeing it in the theater, I saw an amusingly high percentage of the audience get up and leave in apparent disgust over the course of the three-hour running time.
Beware the nay-sayers (and the fanboys, too), and judge this one for yourself. Even if you don't dig the overall presentation, the scene-by-scene writing is fantastic and entertaining, and Laura Dern's performance is worth three hours of your time on its own.
Another Great Lynch Movie.......2007-09-13
Up until about 2 years ago - I had never even heard of David Lynch. A co-worker told me about Eraserhead and after watching that movie, I was hooked. No matter what Lynch movie I watch, I know I am in for a twisted, brain warped, multi dementional adventure. The special features on this DVD are just as odd as the movie itself. Can't wait to see what he comes up w/next!
Bizarre.......2007-09-13
David Lynch has always had a flare for the bizarre, but this movie is over the top. For hard core David Lynch fans, this movie is a must - for others, it's not critical to have in your library.
No "There" There.......2007-09-13
I love David Lynch movies, and I'm a very patient movie watcher. I don't have to understand a film to enjoy it, and figured out long ago the best way to enjoy a David Lynch film-- savor the creepy atmosphere, dark humor, and great set pieces. Unfortunately with Inland Empire, this time around, there's just no "there" there. When I saw Inland Empire in a theater, I was ready to leave after an hour and a half but toughed it out to completion because I knew I would never make it that far again. Intellectualize it all you want, make all the excuses you need, work up a rationale that makes you feel better about it, but this is just three hours of David playing with a digital camera. Nothing interesting happens, there are very few if any of those great Lynchian moments to savor as in his other films, and the actors seem to be pretty much as baffled as we are as to their motivations and actions. Kudos to Laura Dern for giving it a great effort. Here's hoping the next film is less self-indulgent and more fulfilling. I'm giving it two stars only because I can't bear to give anything less to one of the greatest filmmakers of our time.
Lynch at his best. Bizarre and Beautiful.......2007-09-13
At three hours long, the wait is over. Lynch at his best. It was worth the wait. True lynch fans will enjoy this mind-bend. Watch it again and again and more is revealed. the soundtrack is great with lynch vocals on one of the tracks. Laura Dern and Cast give amazing performance's
Trust and Enjoy the ride.
Average customer rating:
- Almost a great movie
- How can you not like Karl Urban??
- It's all in the ending.
- Good Movie That Slipped Under The Radar
- Pathfinder = a really good film!
|
Pathfinder (Unrated Edition)
Starring:
Karl Urban ,
Russell Means ,
Moon Bloodgood ,
Jay Tavare , and
Clancy Brown
Director:
Marcus Nispel
Manufacturer: 20th Century Fox
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ASIN: B000R9U3B0
Release Date: 2007-07-31 |
Amazon.com
Pathfinder is a curious, cross-genre movie with elements of horror, sword-clanging fantasy, historical fiction, and Native American mysticism. A classic story of an outsider-hero, Pathfinder is set approximately five centuries before Columbus' arrival in the New World, a time when Vikings were claiming real estate in Greenland and eastern North America. A young Norse boy is abandoned by his disapproving, conqueror-father and adopted by an aboriginal tribe. He grows up to become Ghost (Karl Urban), almost-but-not-entirely accepted by natives, yet a fierce swordsman and defender of Indians after a terrible assault on those whom he loves best. Clancy Brown (The Shawshank Redemption) plays the fiercest of the invaders, a merciless leader who tangles with Ghost's inherent prowess as a fighter, and engages in a psychological as well as physical struggle with him in the film's final third, which involves a harrowing journey through an avalanche-prone mountain path. Russell Means (The Last of the Mohicans) is a typically comforting presence as the all-wise Pathfinder, leader of a tribal nation and Ghost's supporter, while Moon Bloodgood (Eight Below) is outstanding as a love interest with nerves of steel. Marcus Nispel (who directed the 2003 remake of The Texas Chainsaw Massacre) guides the brutal if often exhilarating action as if it were amplified history. He makes the point for a contemporary audience that Vikings were as terrifying a danger to those whom they conquered as, say, Klingons are in Star Trek--precisely by making his Vikings seem so reminiscent of Klingons. --Tom Keogh
Beyond Pathfinder
Pathfinder (Paperback) |
Pathfinder Soundtrack |
Norse Mythology Products |
Stills from Pathfinder
Description
The heroic story of a young Norse man raised by Native American Indians who wages a personal war against the Vikings that barbarically raided his tribe.
Customer Reviews:
Almost a great movie.......2007-09-14
If you like violence, then Pathfinder more than delivers. But if you like substance look elsewhere. That is the best way to sum up this film. The biggest fault I found in it was that they more or less took a glass is half full approach.
The story had a great deal of potential. The Viking exploration of North America is a topic that has never really been touched by Hollywood. And with the recent love affair that has existed with historical epics (see Troy, Alexander, 300, and the television series Rome) a look at Viking and Native American history sounded quite refreshing. And in some ways, this film certainly captured the imagery of the times right. The Native Americans presented here are primitive, but prosperous. The Vikings are presented as blood thirsty killing machines, and indeed, I imagine that to the Native Americans of the time, the Vikings appeared as just that.
The story is that of an abandoned viking child, left behind by an uncaring father. He is adopted by a Native American tribe, and among them finds near acceptance and happiness. But when the Vikings return, his bloody roots begin to take prominence as he fights in defense of his adopted people.
The action scenes in this film more than deliver. The sword swinging antics are gleefully violent, and the odds stacked against our hero are perfectly overwhelming, making his victory all the sweeter. And in fact, they paid surprising attention to a few oft ignored historical tidbits; the vikings did, in fact, have superior weaponry than the Native Americans, but in North America they faced totally alien weather and terrain.
However, that is where this movie lost steam. The characters are all types, with little, if any, development in their personalities and motives. The story itself is sadly two dimensional, for how promising the concept was. Our hero is intended to appear as an underdog facing overwhelming odds, but his intelligence and prowess make him seem almost superhuman, so in the end his victory over the bad guys seems far less astounding.
In the end, Pathfinder left me a bit wanting for more. So many elements were right, but yet so many were absent as well. Almost a great movie.
How can you not like Karl Urban??.......2007-09-07
The movie is a bit gory, but it tells a good tale. I liked the strategies Ghost used to battle the Vikings. He was outnumbered and needed to use his wits in order to defeat them.
It's all in the ending........2007-09-06
This is based on the vikings who came to north america long before christopher columbus had dreamed of doing so. Now what you will expect in this movie is plenty of fighting and action and indeed there is plenty. But this is also filled with some very beautiful and soft-spoken characters as well.
Should you get this movie?
- If you like a beautiful undertone to the presentation of characters in a story, this may peak your interest.
- If you get off on decapitation after decapitation, this also may be right up your alley.
- if you're looking for a movie thats going to feel like an exotic fairy-tale with gore, heroes, villians and the occasional fools who get in the cross-fire. This is the movie for you.
BTW, big Karl Urban fan - check him out in Doom. I think he had a better role in there. Though this is admittedly the better movie.
Good Movie That Slipped Under The Radar.......2007-09-05
I first saw a preview for "Pathfinder" when I went to see "300". I wanted to see it, but I didn't even know it came out in the movies. Next thing I knew, it was on DVD.
This was a good movie with a good story line and great fight scenes. Not as "Blood and Gore" as I thought. It reminded me a lot of "Apocalypto" with "300" style fight scenes. "Unrated" version? "300" was worse and it was rated "R". Good movie. I'll definitly buy this one.
Pathfinder = a really good film!.......2007-09-05
Pathfinder is a really well done film. Great landscapes, costume design, acting and plot. The movie is underrated and underappreciated. It reminded me a lot of Apocalypto meets 13th Warrior, and skips cheezy liners and zingers, and a flashy soundtrack. Not to be missed by epic film and dark ages history buffs alike.
Average customer rating:
- Still Funny after all these years
- Blazing Saddles
- They don't make movies like this anymore!
- I don't find this movie funny at all.
- One of the funniest movies ever made
|
Blazing Saddles (30th Anniversary Special Edition)
Starring:
Richard Collier ,
Carol DeLuise ,
Dom DeLuise ,
Liam Dunn , and
George Furth
Manufacturer: Warner Home Video
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ASIN: B0001Z4OXS
Release Date: 2004-06-29 |
Amazon.com essential video
Mel Brooks scored his first commercial hit with this raucous Western spoof starring the late Cleavon Little as the newly hired (and conspicuously black) sheriff of Rock Ridge. Sheriff Bart teams up with deputy Jim (Gene Wilder) to foil the railroad-building scheme of the nefarious Hedley Lamarr (Harvey Korman). The simple plot is just an excuse for a steady stream of gags, many of them unabashedly tasteless, that Brooks and his wacky cast pull off with side-splitting success. The humor is so juvenile and crude that you just have to surrender to it; highlights abound, from the lunkheaded Alex Karras as the ox-riding Mongo to Madeline Kahn's uproarious send-up of Marlene Dietrich as saloon songstress Lili Von Shtupp. Adding to the comedic excess is the infamous campfire scene involving a bunch of hungry cowboys, heaping servings of baked beans and, well, you get the idea. --Jeff Shannon
Description
The railroad's got to run through the town of Rock Ridge. How do you drive out the townfolk in order to steal their land? Send in the toughest gang you've got...and name a new sheriff who'll last about 24 hours. But that's not really the plot of Blazing Saddles, just the pretext. Once Mel Brooks' lunatic film many call his best gets started, logic is lost in a blizzard of gags, jokes, quips, puns, howlers, growlers and outrageous assaults upon good taste or any taste at all. Cleavon Little as the new lawman, Gene Wilder as the wacko Waco Kid, Brooks himself as a dim-witted politico and Madeline Kahn in her Marlene Dietrich send-up that earned an Academy Award nomination all give this sagebrush saga their lunatic best. And when Blazing Saddles can't contain itself at the finale, it just proves the Old West will never be the same!
Customer Reviews:
Still Funny after all these years.......2007-09-04
I think I've become Cleavon Little's number one fan. He and Gene Wilder are as funny as ever in this classic... good humor never stops making you laugh and it is especially true in this case.
Blazing Saddles.......2007-08-27
A must have for any movie buff. This is truly one of the classics!
They don't make movies like this anymore!.......2007-08-24
This movie is a comedy classic! I love how Mel Brooks makes an hysterical mockery of the Wild West. His role as an equally corrupt and incompetent governor, under the sway of Harvey Korman's Attorney General is hilarious. Also, the whole business with Rock Ridge is a side splitter, with Cleavon Little and Gene Wilder, posing as social outcasts, end up winning over the hostile locals and shutting down the corrupt designs of Korman's character (Headly "Heddy" Lamar). Many other great scenes are found throughout the movie. A must for all fans of "intelligent comedy." Unfortunately, this movie is so non-PC that it will most likely never be re-released in theaters.
I don't find this movie funny at all........2007-08-18
I don't find this movie funny at all. It's so boring thatI did not finish the DVD. I regret buying it even though it cost me only 10 dollars.
One of the funniest movies ever made.......2007-07-07
I dont know why but I cant get enough of this movie. The humour is really funny and there are so many scenes I enjoy, but none I can type down. If you enjoy comedy, then this movie is for you.
Average customer rating:
- I'll say this: it is pretty.
- Beautiful.
- The Dreamers or The Kinky?
- Eva Green
- an extraordinary film although not for everyone
|
The Dreamers (Original Uncut NC-17 Version)
Starring:
Michael Pitt (II) ,
Eva Green ,
Louis Garrel ,
Anna Chancellor , and
Robin Renucci
Director:
Bernardo Bertolucci
Manufacturer: 20th Century Fox
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ASIN: B00023P4I8
Release Date: 2004-07-13 |
Amazon.com
A love letter to movies (and the French new wave of the 1960s in particular), Bernardo Bertolucci's The Dreamers starts with a 1968 riot outside of a Parisian movie palace then burrows into an insular love triangle. Matthew (Michael Pitt, Hedwig and the Angry Inch), an expatriate American student, bonds with a twin brother and sister, Isabelle (Eva Green) and Theo (Louis Garrel), over their mutual love of film--they not only quote lines of dialogue, they act out small bits and challenge each other to name the cinematic source. Matthew suspects the twins of incest, but that doesn't stop him from falling into his own intimacies with Isabelle. As the threesome becomes threatened, Paris succumbs to student riots. The Dreamers aspires to be kinky, but the results are more decorative than decadent; nonetheless, the movie's lively energy recalls the careless and vital exuberance of Godard and Truffaut. --Bret Fetzer
DVD features
Though The Dreamers is rife with naked flesh, the DVD extras focus more on history and politics--one featurette describes the student unrest of May 1968, which led to national strikes (at one point, 10 million workers were on strike); Gilbert Adair, who adapted the screenplay from his novel, describes the lingering smell that hung over Paris from uncollected garbage and residual tear gas. A making-of featurette is impressively in-depth, richly exploring the intersection of cinema, politics, and sex in director Bernardo Bertolucci's mind. Then the commentary track itself features three different perspectives: Bertolucci focuses on the philosophical and aesthetic underpinnings of the film, Adair discusses its relationship to his own experience in 1968 and the process of adaptation, and producer Jeremy Thomas lays out a more logistical perspective on the making of the movie. All in all, a dense and fertile exploration of the movie's development. The NC-17 cut is the version that played in theaters. --Bret Fetzer
From
The New Yorker
An American college student named Matthew (Michael Pitt) is in Paris in 1968 and soaking up as many movies as he can. When the government cracks down on the state-sponsored Cinémathèque Française, he gets caught up in the demonstrations and meets a red-bereted beauty named Isabelle (Eva Green) and her twin brother, Théo (Louis Garrel), who has the looks of a debauched medieval priest. The director, Bernardo Bertolucci, loves to create a hothouse. In "Last Tango in Paris," he used enclosed space to explore the limits of romantic desire, but here the conceit is a different kind of exuberance: cinephilia. Isabelle, Théo, and Matthew argue endlessly about movies and see themselves as characters playing roles. As the three embark on increasingly risqué sexual games, Bertolucci longs to re-create the moment when film, politics, and sex mutually reinforced each other as the preoccupations of youth. It's a saddening nostalgia, and the movie, despite its attempt to shock us with incest and perversities, has an air of inconsequence about it. The three aren't making a revolution in this hothouse, they're making a listless blue movie. In French and English. -David Denby
Copyright © 2006 The New Yorker
Description
From Academy Award®-winning director Bernardo Bertolucci (The Last Emperor, 1987), comes an erotic tale of three young film lovers brought together by their passion for movies -- and each other. When Isabelle and Theo (Eva Green, Louis Garrel) invite Matthew (Michael Pitt) to stay with them, what begins as a casual friendship ripens into a sensual voyage of discovery and desire in which nothing is off limits and anything is possible. Featuring an engaging, seductive cast, The Dreamers is a ?spellbinding, provocative feast!" (Ebert & Roeper)
Customer Reviews:
I'll say this: it is pretty........2007-09-13
This is a very pretty film. Paris is as rich and gorgeous as ever, and the main trio of actors are beautiful (and you get to see plenty of them!) But the film suffers from a seeming need to make the characters "quirky" that winds up coming across as some cross between pretentious and weird. We got the film because it was supposed to be erotic, but...um?
I guess the bottom line is, I just didn't believe in these characters or their relationship -- it felt contrived, calculated for effect (the "shocking" relationship between the siblings, etc. And hasn't the "American falls in with decadent Europeans" thing been done to death by now?)
I'm sure if you're a fan of one or more of the actors, that's probably enough to carry you through. As I said, they are pretty, but that wasn't enough for me.
Beautiful........2007-08-24
This movie is utterly beautiful. Its beyond words as to how amazing this film actually is. Utterly disturbing yet it puts you into some sort of artsy trance. *full frontal from Michael Pitt* You so cannot go wrong with this film!!! XoXoX
The Dreamers or The Kinky?.......2007-08-24
I loved this movie! It is so packed with forbidden eroticism that it goes beyond taboo! But, it is not a bad kind of taboo.
The story centers around a young American film student studying in France. He doesn't have many friends, until one day he meets a beautiful girl at a rally and her off-standish brother. The siblings take the young American under their wing and eventually he moves in with them. It is during this time that he sees how "different" the siblings are.
During a late night bathroom run, he catches a glimpse of the brother and sister lying in the same bed nude. If you are schocked by this first erotic scene then you should definitley not watch the rest of the movie because it definitley doesn't get any milder. Although the plot is less than developed, the viewer is completely sucked in to the lives of the three major characters.
Though the siblings are weird and do things that normal brothers and sisters would never DREAM of doing, there is something extremeley natural and normal about it. As if seeing each other nude and during sexual acts is as normal as sharing a meal at the family dinner table. They portray the classic taboo of incest in a classy manner, if that is even possible.
I find myself unable to articulate just how good I thought this movie was. It shocked me from beginning to end, with behavior that I would normally find disgusting, but somehow found endearing in this movie. You just have to watch this movie for yourself!
Eva Green.......2007-08-14
The only reason to get this movie is for Eva Green. This woman has a body out of this world. She is the only reason I recommend this movie.
an extraordinary film although not for everyone.......2007-07-23
this is by far one of my favorite movies ever. i, however, tend to like movies that are very matter of fact as many french movies are, and movies that deal with sex and sexual issues. the very direct addressing of adolescent sexual awakening and confusion might be too much for people with with sex issue hang ups. but for people who are comfortable with very honest story telling this movie is a triumph.
Average customer rating:
- Great sex, awful movie
- Good Fun
- Interesting premise, thin execution
- What do you call a movie with lots of sex but no plot?
- So I liked the music...and!
|
9 songs - Unrated Full Uncut Version
Starring:
Kieran O'Brien ,
Margo Stilley ,
Huw Bunford ,
Cian Ciaran , and
The Dandy Warhols
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Michael Winterbottom
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Devil in the Flesh
ASIN: B000BGH29K
Release Date: 2005-11-22 |
Amazon.com
Maverick director Michael Winterbottom wondered about the double standard of why novels can have explicit sex scenes and be legit and films could not. So his short film of a relationship based solely on sex and a love for music is the result of that thought. If the definition of a porn film is to shoot actors performing graphic sex scenes for real, then 9 Songs qualifies. It certainly doesn't feel or look like your standard whoopdee-do XXX feature. It's as glossy and low-budget arty as Winterbottom's 24 Hour Party People or I Want You. But yeah, Matt and Lisa do everything to each other, and the actors are not "just acting" in some of the sex scenes. No matter how landmark the movie might be, there is not much story here (at least a book with hot sex often has a good story to it). Lisa is an American drifter in London who hooks up with Matt, a scientist who studies glaciers in Antarctica. They have sex and visit nine rock concerts including Franz Ferdinand and The Dandy Warhols. As advertised, you can't find these musical performances anywhere else, but we just see them from way back in the crowd. The film has an essence of how someone can find bliss in another person's body, and the emotional, magical weight that can hold over you. But that spell doesn't last. Since the sex is real, Winterbottom had to cast unknown actors, and they really don't make an impression, especially with the lack of story. --Doug Thomas
Description
Matt, a young glaciologist, soars across the vast, silent, icebound immensities of the South Pole as he recalls his love affair with Lisa. They meet at a mobbed rock concert in a vast music hall - London's Brixton Academy. They are in bed at night's end. Together, over a period of several months, they pursue a mutual sexual passion whose stages unfold in counterpoint to nine live-concert songs. Featuring nine live concert performances not available anywhere else by Black Rebel Motorcycle Club, The Von Bondies, Elbow, Primal Scream, The Dandy Warhols, Super Furry Animals, Franz Ferdinand and Michael Nyman. Special features include a Concert Performance-only option.
Customer Reviews:
Great sex, awful movie.......2007-09-17
I'm not sure what the difference is between a porno flick and a legitimate movie. Supposedly legitimate films have a plot. This movie claims to have a plot but it's hard to find. We know almost nothing about the characters, or how they got together or why they're together and through the course of the movie we never do learn anything about them except they love to have sex. We don't have any compelling reason to care about either of them. I guess this is considered an art film because the lighting is bad, it especially gets bad during the explicit sex scenes. The story consists of having sex intermixed with rock concert scenes. Somewhere in there they insert a few minutes of some kind of documentary with clips of Antarctica. The bottom line is the director did a great job of capturing some pretty hot and explicit sex that's better than most porno films but like porno films the plot is hard to find.
Good Fun.......2007-09-13
This movie was a lot of fun for me. The music was great and the way they filmed the performances made you feel like you were there. There are some real sex scenes that kind of made me feel like I was a spying on the couple, but it was appropriately done. It didn't feel like porn at all and made me wonder, what makes porn porn?
Interesting premise, thin execution.......2007-09-13
I keep wanting to like movies like 9 Songs and Shortbus because I believe in the idea of them...but the reality doesn't ever live up to the concept. Yes, it's nice to see someone at least *try* to deal with sex -- real, actual sex -- in film. I only wish the story supporting the sex in 9 Songs wasn't so thin and forgettable.
The main problem I had was not caring about the characters. We get no real sense of them -- why do they even like each other? What is the attraction besides being physically nice to look at? Without any sense of that, watching them have sex never rises above the level of spectacle -- it's interesting insofar as there is some novelty in watching people actually have sex without the self-conscious and moronic trappings of standard-issue porn -- but I never felt moved or connected. And that's a pity.
I also wish the concert footage were better shot because there are some excellent bands and good songs featured. Oh well.
What do you call a movie with lots of sex but no plot?.......2007-09-06
9 Songs (2004) is a British film depicting the "love story" of Matt (Kieran O'Brien), a climatologist, and Lisa (Margo Stilley), an American exchange student, told from hindsight as Matt travels to the Antarctic. Matt and Lisa share common interests of sex, drugs, and rock & roll. That is the extent of their connection. Unfortunately, a movie based solely on sex, drugs, and rock & roll does not equate to a meaningful film experience. What the film lacks in plot and meaningful dialogue, it attempts to make up for with sex and more sex, all of which is explicit and unsimulated. Concert footage of the bands performing the following nine songs upstage the film's graphic sex scenes:
Black Rebel Motorcycle Club, "Whatever Happened To My Rock And Roll"
Von Bondies, "C'mon, C'mon""
Elbow, "Fallen Angel"
Primal Scream, "Movin' On Up"
Dandy Warhols, "You Were The Last High"
Super Furry Animals, "Slow Life"
Franz Ferdinand, "Jacqueline"
Michael Nyman, "Nadia"
Black Rebel Motorcycle Club, "Love Burns"
For a movie that strives to be a "love story," where's the love? Where's the story? You can dismiss me as a film snob, but is it too much to expect a plot in a mainstream movie? For better sex, drugs, and rock & roll mainstream films, check out High Fidelity and Almost Famous - The Director's Cut (Two-Disc Special Edition). And for erotic cinema with a plot, check out any film Catherine Breillat (e.g., Romance; Anatomy of Hell).
G. Merritt
So I liked the music...and!.......2007-08-28
If you are looking for award winning writing, directing and acting look elsewhere. On the other hand if you enjoy a film with a good modern soundtrack, gratuitous sex and a story that while not deep comes across real life...you'll like this one too.
Average customer rating:
- as good as the book
- Concerned about getting an edited version? Read here.
- Wish there were more
- Lonesome Dove
- bobs review
|
Lonesome Dove
Starring:
Robert Duvall ,
Tommy Lee Jones ,
Danny Glover ,
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Simon Wincer
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Dead Man's Walk
ASIN: B00005Y6YB
Release Date: 2002-04-30 |
Amazon.com essential video
Robert Duvall and Tommy Lee Jones star as Gus McCrae and Woodrow Call, aging cowboys and former Texas rangers and who organize a 2,500 mile cattle drive for one last great adventure in this excellent 1989 miniseries adaptation of Larry McMurtry's novel. The best friends, who steal the herd from a gang of Mexican cattle rustlers, drive their herd from Texas to Montana, battling horse thieves, angry Indian tribes, and a renegade half-breed killer named Blue Duck (Frederic Forrest) on a mission of revenge. The excellent cast also includes Robert Urich as cardsharp and former Ranger Jake Spoon, Anjelica Huston as McCrae's old flame Clara Allen, Danny Glover, Ricky Schroder, Diane Lane, Chris Cooper, D.B. Sweeney, Steve Buscemi, and even a small role for author Larry McMurtry. Australian director Simon Wincer shows a tremendous capacity for balancing sweeping drama and intimacy against the gorgeous landscape of the American Southwest, giving a grandly epic feel to the film despite its small-screen target and limited budget, and for forging memorable characters of even the smallest supporting parts. The heart of the drama belongs to McCrae and Call, memorably etched by Duvall and Jones as the last of the range romantics. In the age of revisionist Westerns, this excellent cattle-drive drama nicely maintains an old-fashioned feeling while still showing the dark side of the American West. Winner of seven Emmy Awards and responsible for two miniseries sequels (Return to Lonesome Dove and Dead Man's Walk) and a TV series. --Sean Axmaker
Customer Reviews:
as good as the book.......2007-09-13
I loved the book and had to see the mini series. the mini series really nailed the whole approach of the book and Tommy Lee Jones and Robert Duvall were perfectly cast. I could watch it over and over again.
Concerned about getting an edited version? Read here........2007-09-06
I recently bought this for my dad for his birthday. I remember watching it when I was younger and I always liked it, but the version we had was recorded from TV and was terrible quality, especially because it is now almost 20 years old. It is an excellent series, but you can decide that for yourself if you choose to buy it.
My decision to write this review is designed to help the potential buyer who doesn't want to get ripped off. I read most of the reviews before buying this product, and time and time again I came accross people who complained about purchasing an edited version with much of the content removed. Many of those reviews were old, so I didn't know if I was getting a newer version with the whole story of some other version that was edited. Hopefully this will help.
It appears that Amazon sells 2 versions of the DVD (I know nothing about the VHS versions so this review does not apply to them). The version I bought (ASIN B00005Y6YB) is listed as 360 minutes in length and is ranked in the top 500 in Amazon's top sellers. It was released by Hallmark. The DVD box lists the run time as 6 hours, which is what you would expect after removing commercials an 8 hour TV miniseries that is split into 4 parts. Amazon's price is listed as $8.49.
Another version of the series (ASIN B00003IPFK) is listed as 360 minutes as well, but is listed at about #48,000 in the top sellers and is priced at $13.75 (only available from independent vendors). Seeing how few people bought this version and how much more it costs, I would avoid it.
The version I bought is ASIN B00005Y6YB and it is complete. Perhaps the people who gave bad reviews did not receive the same version I bought. Amazon lists the same reviews for both, so it's possible that people gave poor reviews to a different version and those reviews got mixed in with the complete version's reviews. If you want to be sure you are getting the complete series without editing, I would recommend searching the ASIN so that you don't have to pick and choose between versions. Be sure you check when you get the product that you have the full 6 hour version. I hope this helps!Lonesome Dove
Wish there were more.......2007-09-06
Duvall is at his best. This is the kind of movie you can let yourself enter and be there. Wish there were more movies around like this!
Lonesome Dove.......2007-09-05
This is a great movie!!! I recommend it to anyone who enjoys a good western. It is almost as good as Tombstone!
bobs review.......2007-08-28
One of the best, and most powerful movies that I have ever seen.
even though I am not necessarily a western buff
Average customer rating:
- Surprisingly GOOD !!
- This to me was a sleeper
- The Pros/Cons of Scarlett the movie...
- Blue-eyed Rhett, brown-eyed Scarlett?
- Did they even read the book?
|
Scarlett
Starring:
Joanne Whalley ,
Timothy Dalton ,
Barbara Barrie ,
Stephen Collins , and
Annabeth Gish
Director:
John Erman
Manufacturer: Lions Gate
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The Inheritance
ASIN: B00005N912
Release Date: 2001-09-18 |
Amazon.com
This soapy but highly watchable television "sequel" to Gone with the Wind, the most popular Hollywood movie ever made, has nothing to do with memories of a vanished antebellum South. But it does end up in Ireland, where the determined Scarlett O'Hara Butler (played with frosty passion by Joanne Whalley-Kilmer) turns hard times into an opportunity by buying the ancestral home of her family. Before that happens, however, Scarlett fights to win back the estranged Rhett Butler (manfully portrayed by Timothy Dalton), often seen in the company of other women, struggles for control over the homestead Tara, and gets caught in yet another compromising position with poor Ashley Wilkes (Stephen Collins). The troubles never stop (Scarlett's Ireland adventures land her in a heap of trouble from which only Rhett can save her), but this TV miniseries wisely keeps the focus on these captivating characters, their entangled histories, and the collective destiny that refuses to part them. The show also looks good: the location scenes in Ireland are particularly handsome, and there is something unaccountably satisfying about seeing Scarlett and Rhett walking through peaceful green hills. Enjoy. --Tom Keogh
From the Back Cover
The greatest love story ever told began with Gone with the Wind and continues in this sweeping epic sequel, as Scarlett, Rhett and a host of unforgettable characters go from tragedy to triumph in an action-packed saga of international scope featuring a stellar cast and lavish location photography. Joanne Whalley-Kilmer (Trial by Jury) stars as the tempestuous Scarlett O'Hara Butler, determined to rebuild her life, rediscover her roots and capture the heart of the only man she could ever love. Timothy Dalton (The Living Daylights) is the dashing Rhett Butler who had left her forever, but is still tormented by his smoldering desire for the one woman he could never tame. Now, their parallel paths will take them from the social swirl of post-war Savannah to the darkly decadent inner circle of London's high societyand beyondin the most highly-anticipated sequel in motion picture history.
Customer Reviews:
Surprisingly GOOD !!.......2007-09-01
If you like "gone with the wind " North and South, you will love this!!
Highly Recommended!!
This to me was a sleeper.......2007-08-30
I think Scarlet is one of the best movies I've ever seen. The first time it is hard to get used to the new lead. I am so used to them now it is hard to watch GONE WITH THE WIND. Gone with the wind had no closure, Scarlet gives that closure. I watch this movie over and over. I've worn out my copy, and am fixing to reorder it. During to the time lapse between the movies, I'm sorry folks but they could hardly have Clark Gable, whom I love, or vivian Leigh. If you like long movies this is for you. The finish to a great romance.
The Pros/Cons of Scarlett the movie..........2007-08-26
First of all there are a lot more cons than pros, but somebody did go to the trouble of adapting the book to the screen even if it was the small screen. For a hardcore Gone With The Wind Fan this movie may be too much to fathom. I've read GWTW and Scarlett twice. Now, this is the movie so I won't go into the book issues.
The pros: The costumes are pretty amazing. Timothy Dalton does a surprisingly good job as a rough Rhett Butler. The movie itself is entertaining enough and easy to follow. I wouldn't consider it a worthless piece of tripe and wasted celluloid space so it gets an average 3 stars from me. If you can sit through five hours of movie it's pretty ok. I will admit I liked the end of the movie better than the book. It expanded more on Rhett's relationship with Cat and life with Scarlett once they were reunited.
The cons: Well lets face it, there's no outdoing the original. Gone With The Wind is a classic and it's in the top 100 movies ever made list. Joanne Whalley-Kilmer grates on my nerves in the beginning and also Scarlett's emerald eyes didn't show up in this movie. Ever heard of color contacts people? Hello!!! But eventually after a couple of hours I got used to Joanne's Scarlett. The creative license the screenwriter and director took in adapting this movie from the book is ridiculous. First of all, the scene where Scarlett looks at herself in the mirror and is appalled at the vision and then breaks the mirror with the liquor bottle happens a lot earlier in the book... like before she went to Charleston to win back Rhett. But that's a small liberty and who cares when it happens. The biggest issues I have are in the latter half of the movie in Ireland. First of all old Katie Scarlett dies. Second there was an old "witch" who helped Scarlett give birth on Halloween. Third the whole Fenian brotherhood subplot was completely destroyed. Why include that if they were going to completely write it out when it was in the book until almost the very end!!! Fourth Colum didn't get killed by Lord Fenton. Fifth Lord Fenton was not the evil man they portrayed him as and he never raped Scarlett. Scarlett was NEVER on trial for murder in the book. That was taking interpretation beyond anything normal or right. I was really irritated at that... even yelling at the tv about how that wasn't in the book! I understand you have to leave some things out or the movie would be 10 hours long, but seeing as how it was 5 they should have stuck a little better to the story. Why completely change the plot?
Overall if you like period movies with sappy, suspenseful romance plots that are around 5 hours long then this is the movie for you. If you are looking for a true sequel to the original movie in the same splendor don't hold your breath. Even if you are looking for a movie version of the book don't expect much. In my opinion it's watchable - at least 2.5 stars worth but half stars aren't an option so I was generous.
Blue-eyed Rhett, brown-eyed Scarlett?.......2007-07-29
I was sorely disappointed in this mini-series. It was not true to Alexandra Ripley's book, which in turn was not true to the original GWTW. The whole murder and trial plot line was bizarre. Why did Belle Watling appear in Charleston? Rhett with blue eyes, Scarlett with brown eyes? Whoever wrote the screenplay was not familiar enough with the original material to realize what details were just not meant to be messed with. Okay as a television drama, but it doesn't live up to its association with GWTW. If you love Gone with the Wind, the characters of Rhett and Scarlett, or just want to see the screen adaptation of the book Scarlett, avoid this movie, you will be disappointed too.
Did they even read the book?.......2007-07-29
So poor quality that it is embarrassing that they call it a "sequel" to Gone With the Wind. The story line is very weak and completely follows a re-write from the novel.
Average customer rating:
- My All-Time Favorite Movie
- The past is not always as we remember it
- Delightful
- A good classic
- like a tour guide
|
Roman Holiday (Special Collector's Edition)
Starring:
Gregory Peck ,
Audrey Hepburn ,
Eddie Albert ,
Hartley Power , and
Harcourt Williams
Director:
William Wyler
Manufacturer: Paramount
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Three Coins In the Fountain
ASIN: B00003CXCD
Release Date: 2002-11-26 |
Amazon.com essential video
Maybe it doesn't quite live up to its sterling reputation, and maybe the leading man and director were slightly miscast. But who cares? Roman Holiday is the film that brought Audrey Hepburn to prominence, and the world movie audience went weak at the knees. The endlessly charming Hepburn had her first starring role in this sweet romance, playing a European princess on an official tour through Rome. Frustrated by her lack of connection to the real world, she slips away from her protective handlers and goes on a spree, aided by a tough-guy news reporter (Gregory Peck). Director William Wyler, more at home with such heavy-going, Oscar-winning classics as The Best Years of Our Lives and Ben- Hur, doesn't always keep the champagne bubbles afloat, and the Peck role would have fit Cary Grant like a silk glove. But the film is great fun, the location shooting is irresistible, and Hepburn embodies an image of chic style that would rule for the rest of the fifties. No coincidence: she won an Oscar, and so did veteran costume designer Edith Head. --Robert Horton
Customer Reviews:
My All-Time Favorite Movie.......2007-09-06
I have watched this movie at least a dozen times and it still never fails to enchant me. This may not be the best love movie of all but it is definitely one of the greatest and most enduring!
Audrey really looked fresh on the screen, Roman Holiday being her debut American film. Gregory Peck was really good as the newspaper guy contrary to what others think that he was a miscast. Regarding the ending, I admit I was really upset when I first watched it, but then I thought it was really the perfect ending. I would not have loved it so otherwise.
I recommend this to everyone who loves classic love stories and realistic endings!
The past is not always as we remember it.......2007-08-28
My wife and I recently visited Italy, including several days in Rome. We thought watching this old movie (and Three Coins in a Fountain reviewed elsewhere) would be a pleasant way to relive some of the visit. My mother-in-law watched with us. Of the three of us, I was the only one who wanted to watch the whole movie (but I am a die-hard fan of old movies, generally of a different sort). It has not aged well. We were disapponted in the sparsity of scenes of Rome, that being our main reason for watching it. The story line was implausable in the 1950s and more so today, but the acting was okay, the storyline sufficient to keep my attention (if not that of my wife or mother-in-law) and I've always enjoyed Gregory Peck and Audrie Hepburn.
I remember being dragged to this movie as a young boy by my mother who could not get anyone else in the family to go with her. I was too young to protest successfully. Now that I am in my 60s, I think my earlier reluctance was not misplaced. However, it is harmless and pleasant enough in its own way and has an 1950s mildly uplifting theme. I can imagine a more modern treatment of this theme (princess wants to escape her life in the eye of the media and royal obligations and experience the common life for a while, then has to make a choice between "true love" and family/state obligations), but I doubt I would want to watch that either.
Delightful.......2007-08-02
What an amazing delight!
I think Audrey Hepburn is sensational but I had never seen this film. My husband who had suffered through years and years of romantic movies on Saturday afternoons at the Capitol with his mother started off hostile and set to be dismissive. Well within minutes we were bewitched, charmed and delighted. Audrey Hepburn was so fresh and unselfconscious - it was as if she had forgotten the cameras were there and she was just having fun with these great grownups. There is one scene where her laughter is as thrilling and unconditional as a child's - lovely and poignant.
And Rome, that other character in the film! Well I found myself thinking - this movie was made in 1953 - that is well over a century ago and I know that the past is a foreign country and all that but this was as good as a holiday in Rome and in the past.
A good classic.......2007-07-24
The quality of this movie was great. It's a movie that spans time and is great for all generations.
like a tour guide.......2007-05-30
This is a classic film anD while watching it is like having a tour of Rome, all the sights and famous monuments . If you have ever been to Rome it brings back all the memories of your own Roman Holiday.
Average customer rating:
- Revolutionary filmmaking that grabs you and never lets you go...
- American History X
- Painfully searing and thought provoking
- Wow... Just Wow
- Makes you think!
|
American History X
Starring:
Edward Norton ,
Edward Furlong ,
Beverly D'Angelo ,
Avery Brooks , and
Jennifer Lien
Director:
Tony Kaye
Manufacturer: New Line Home Video
ProductGroup: DVD
Binding: DVD
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Crime & Criminals
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ASIN: 6305313687
Release Date: 1999-04-06 |
Product Description
Edward Norton's Academy Award nominated role as a White Supremist who sees the error of his ways while jailed for murder. Unfortunately, he leaves prison to find his brother (Edward Furlong) heading down the same path.
Amazon.com
Perhaps the highest compliment you can pay to Edward Norton is that his Oscar-nominated performance in American History X nearly convinces you that there is a shred of logic in the tenets of white supremacy. If that statement doesn't horrify you, it should; Norton is so fully immersed in his role as a neo-Nazi skinhead that his character's eloquent defense of racism is disturbingly persuasive--at least on the surface. Looking lean and mean with a swastika tattoo and a mind full of hate, Derek Vinyard (Norton) has inherited racism from his father, and that learning has been intensified through his service to Cameron (Stacy Keach), a grown-up thug playing tyrant and teacher to a growing band of disenfranchised teens from Venice Beach, California, all hungry for an ideology that fuels their brooding alienation.
The film's basic message--that hate is learned and can be unlearned--is expressed through Derek's kid brother, Danny (Edward Furlong), whose sibling hero-worship increases after Derek is imprisoned (or, in Danny's mind, martyred) for the killing of two black men. Lacking Derek's gift of rebel rhetoric, Danny is easily swayed into the violent, hateful lifestyle that Derek disowns during his thoughtful time in prison. Once released, Derek struggles to save his brother from a violent fate, and American History X partially suffers from a mix of intense emotions, awkward sentiment, and predictably inevitable plotting. And yet British director Tony Kaye (who would later protest against Norton's creative intervention during post-production) manages to juggle these qualities--and a compelling clash of visual styles--to considerable effect. No matter how strained their collaboration may have been, both Kaye and Norton can be proud to have created a film that addresses the issue of racism with dramatically forceful impact. --Jeff Shannon
From
The New Yorker
Young Edward Norton, who seemed to have no body at all in the recent "Rounders"-he faded away from the camera, like a ghost-is here muscled up and swaggering, with a swastika the size of a giant tarantula emblazoned on his chest. He plays a skinhead neo-Nazi in Venice Beach, California, and screenwriter David McKenna has composed some shrewd tirades for him that push only slightly past standard white working-class resentment. Norton gives the young thug an ambiguous erotic allure; he's almost appealing. Everything else in this melodrama, directed and photographed by the British commercial director Tony Kaye, is to be regretted-the alternation between color (the present) and black-and-white (the past); the mopey performance by Edward Furlong as Norton's kid brother, who is haplessly turning into a skinhead himself; and the confused political implications of the story, especially the violent ending, which entirely reverses the direction in which the material has been going. Kaye's work is self-important and garish. The movie was taken away from him during the editing phase. It should have been. -David Denby
Copyright © 2006 The New Yorker
Customer Reviews:
Revolutionary filmmaking that grabs you and never lets you go..........2007-07-12
Fueled by a powerfully convincing Oscar worthy performance, `American History X' is probably my favorite movie of the given year. It's an intense portrayal of hatred and racism and the causes behind it as well as the horrible consequences that spawn from it. In its gritty black and white sequences it establishes an air of hostility and vindictive fervor, but what's strangely enamoring about this film is that, with all it's shocking violence and hate filled propaganda, it raises a level of sympathetic understanding that you'd never expect to find nestled underneath it's repelling shell. Through the eyes of Derek Vinyard we begin to realize his struggle and understand his viewpoints, no matter how wrong they really are. The reasoning behind his hatred is explained with such conviction and assurance that he begins to sell the audience. This is important because Derek is a man we're supposed to connect with and sympathize with, and without understanding him that becomes impossible and he remains a monster to us.
So then, much praise must be heaped upon the amazing Edward Norton who completely devours his role here. His performance is one of the most impressive and earth shattering portrayals of the human heart I've seen in years, perhaps forever. His control over his character is incredible. His conviction, his determination, his grip on his characters reality is so strong it's engrossing and absorbing. Derek Vinyard is a revelation. As the film shifts from present time, with Derek being released from prison and trying to put his family back together, to past tense, where in that gritty black and white we see the rise and fall of Derek's Nazi days, we are invited into this mans world, and effortlessly we see Norton shift from a man determined to hate to a man determined to fix the mess he started.
The film focuses mainly on the relationship between Derek and his younger brother Danny, played brilliantly by Edward Furlong. Upon arriving home from prison Derek sees that Danny has now fallen just as deep into the race hating ways he was once privy to and he realizes he has his work cut out for him. Having been reformed while behind bars Derek is now a much different man than he once was and he begins to try and reason with his brother, prove to him that the life they are leading is one only destined for failure and doom. Unfortunately Danny has fallen into ties with Cameron, the leader of a group of Neo-Nazi tyrants who once worshiped the ground Derek walked on. Breaking Danny of this pact would not only result in Derek's segregation but could result in his death.
Tony Kaye does a fantastic job directing this film, creating an unsteady air about the scenes that adds layers to the message behind this film. The film is forceful and blunt but it manages to invest itself so deeply in the audience that we become invested in the film and thus and compelled to keep watching despite the at times very harsh sequences of events. `American History X' may not be the easiest film to sit through, but it's easily one of the most important films to ever address the bounds of racism. Highly superior to the Oscar winning `Crash', `American History X' sets a profound statement that not only rationalizes with the villain but breaks down his barrier and exposes the scared little child growing within him. Thanks in large part to the Oscar robbed Edward Norton, this is one of those films that will move you to rethink everything you think you know about the ones you think you understand and realize that maybe, just maybe, you don't know as much as you give yourself credit for.
American History X.......2007-07-11
Tony Kaye's hard-hitting, frighteningly credible look at racism and aggrieved adolescence smoothes over nothing in its depiction of angry working-class California youth who find pride and camaraderie under the aegis of a White Power demagogue (Stacy Keach). But "X" owes its extraordinary power to the super-charged, Oscar-nominated performance by Norton, beefed up and seething with monstrous hatred in the film's many flashbacks. With Norton so convincing in balancing Derek's obvious intelligence and charisma with his more noxious Nazi persona, "American History X" is a raw, engrossing tale of a pained conscience turned inside out.
Painfully searing and thought provoking.......2007-06-27
I really can't remember a more emotionally charged movie. American X will make you feel angry, frightened, uncomfortable, shocked, sad, and hopefully introspective. It plunges deep into the heart of racism and ultimately exposes the ignorance that fuels it.
Edward Norton is scary. He received an oscar nomination as he became fully immersed in this role as Derek, an angry white supremist.
One of the scenes I found most profound was a glimpse of his upbringing. He is having a conversation with his father, explaining his admiration and respect for his school teacher, who happens to be a black man with two Phds. His dad drops subtle little hints and discriminatory remarks to discredit the man, and his son takes it to heart.
That's really the point of this whole movie, that nobody is born with hatred. Sadly, sometimes it is learned.
This movie is filled with intense moments where the rage and racism are much more blatant. Derek's hatred for all minorities keeps growing, even though he doesn't bother to get to know any of them. Until he goes to prison, and his work partner shows him the error of his ways.
Although this plot development is predictable and Derek's complete change of heart unfortunately seemed a little forced, this still is an exceptional movie. There are so many human frailties exposed and subjective topics examined. It is an obvious message film with high aspirations.
What king of response it triggers depends on you.
Wow... Just Wow.......2007-06-22
A good friend of mine suggested this film, and I really didnt know what to expect going in, but after this film was over, I sat in stunned silence. I knew that racism was horrible, but I found through this film that it does not come without a terrible price..the loss of love, friends, family...and the realization that everything that you believed to be true isnt always the way things are. Edward Norton's performance takes the viewer through this journey, and its not a pretty one. He goes from an bright young man, to a vengeful bigot, to a remorseful excon with a brothers life in jeopardy, and you feel as though you are looking in on someones life in the course of 2 hrs. All of the acting in this film is first rate, and the ending wasnt quite as predictable as others might have you believe...it is quite shocking, as is much of the film. It causes quite a debate on the way people view others whos skin color is not the same. As Dr. King said, judge me not on the color of my skin, but on the content of my character. I live with racism, because I am a black man living in America...it exists, but if we educate ourselves like the main character in AHX, it wont stay around for much longer.
Makes you think!.......2007-06-10
I was skeptical when I first heard about this movie, as I was originally mis-informed as to what it was really about! I am definetly glad I finally sat down and watched this film.
After seeing this film, it has quickly become one of my favorite films that I have ever seen. As others have said, Edward Norton plays his role so well, you may actually find yourself partly agreeing with what he says. The message of the film is very well done, and the ending is one of the most shocking I have seen.
Excellent acting, directing, and story-telling. This is a film to own, and a film that has become a classic within the world of movie-making!
Average customer rating:
- Absolutely Love this Movie
- 5 Stars for this beautiful movie
- MOS DEF IS A GREAT ACTOR
- Well Acted Docu-Drama
- Excellent movie!
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Something the Lord Made
Starring:
Alan Rickman ,
Mos Def ,
Kyra Sedgwick ,
Gabrielle Union , and
Merritt Wever
Director:
Joseph Sargent
Manufacturer: Hbo Home Video
ProductGroup: DVD
Binding: DVD
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